By Brock W. Downward. For SATB choir, organ, oboe, flute, string quartet. Easter. Moderately Easy. Choral score. Published by MorningStar Music Publishers . choral score. Easter.

SATB Choir a Cappella

SKU: HL.14041502

Composed by Arne Nordheim. Music Sales America. Classical. Vocal Score. Edition Wilhelm Hansen #WH30952. Published by Edition Wilhelm Hansen (HL.14041502).

ISBN 9788759817926. UPC: 884088567903. Latin.

In his String Quartet (1956) Arne Nordheim used the title EPITAFFIO for the third and last movement. And in 1963 he used this title again, now for a complete work: Epitaffio per orchestra ed nastro magnetico. This orchestral work incorporates the Quasimodo text, sung by a children's chorus, on a tape accompanying the orchestra towards the end of the piece. The present choral version was arranged and typeset by Andrew Smith, based on the instrumental movement from the string quartet, as well as the choral treatment in the orchestral setting.

((from Sunrise Mass)). By Ola Gjeilo. SATB Divisi. Walton Choral. 12 pages. Walton Music #WW1460. Published by Walton Music

By Franz Joseph Haydn (1732-1809). Edited by Wilhelm Weismann. Arranged by August Eberhard Muller. Choir and piano. For Soprano voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Original Works, Transcriptions, Liturgic

By Liam Lawton. Arranged by John; Flute: Daigle Mccann. For Voices: SATB, cantor, assembly. Instruments: C instrument, string quartet (2 violins, viola, cello) (instruments optional). Keyboard accompaniment. Celebration Series Sacred. Level: easy. 4 pages. Published by GIA Publications.

Alto, Mixed choir (SATB), Piano

SKU: BA.BA11309

Composed by Camille Saint-Saens. Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Score. Baerenreiter Verlag #BA11309. Published by Baerenreiter Verlag (BA.BA11309).

ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.

It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.

It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.

In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.

Saint-Sa ëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.

The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116319

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, End of the church year. Set of Orchestra Parts. Composed 1715. BWV 163. Duration 18 minutes. Carus Verlag #CV 31.163/19. Published by Carus Verlag (CA.3116319).

ISBN 9790007141219. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and parts available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116349

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, End of the church year. Single Part, Organ. Composed 1715. BWV 163. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.163/49. Published by Carus Verlag (CA.3116349).

ISBN 9790007209001. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116314

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, End of the church year. Single Part, basso continuo. Composed 1715. BWV 163. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.163/14. Published by Carus Verlag (CA.3116314).

ISBN 9790007208981. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116312

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, End of the church year. Single Part, Violin 2. Composed 1715. BWV 163. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.163/12. Published by Carus Verlag (CA.3116312).

ISBN 9790007208967. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116311

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, End of the church year. Single Part, Violin 1. Composed 1715. BWV 163. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.163/11. Published by Carus Verlag (CA.3116311).

ISBN 9790007208950. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116315

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. 2 violoncellos. Sacred vocal music, End of the church year. Single Part, 2 Cellos. Composed 1715. BWV 163. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.163/15. Published by Carus Verlag (CA.3116315).

ISBN 9790007208998. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116313

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, End of the church year. Single Part, Viola. Composed 1715. BWV 163. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.163/13. Published by Carus Verlag (CA.3116313).

ISBN 9790007208974. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.