Singing voice, SATB choir, orchestra (Vocal, Mixed choir, Orchestra) - Level 4

SKU: BA.BA05209

Recitatives and turbae by Reinhard Keiser (1674-1739). Composed by Johann Sebastian Bach. Edited by Austin Harvey Gomme. Paperback. A reconstruction. Score. BWV 247. Baerenreiter Verlag #BA05209_00. Published by Baerenreiter Verlag (BA.BA05209).

ISBN 9790006524136. 29.9 x 22.9 cm inches.

Although all that survives of Bach's “St. Mark Passion” is Picander's libretto, virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae , however, are probably lost forever. Rather than rewriting these numbers “in Bachs's style”, Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach, who performed it several times), thereby allowing this lost work to be performed in its entirety. A detailed preface sheds further light on this unique reconstruction based on the New Bach Edition.

Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr. BWV 243. Vocal score for SSATB solos, SSATB choir and piano accompaniment. Urtext of the New Bach Edition. With choral notation, piano reduction and introductory text. D Major. Text language Latin. 87 pages. Published by Baerenreiter-Ausgaben (German import). ISBN M006464272.

(Urtext der Neuen Mozart-Ausgabe). By Johann Sebastian Bach (1685-1750). Edited by Frieder Rempp. For Soli, Mixed Choir, Orchestra. Neue Bach-Ausgabe. Serie I, Band 29. Score; Urtext Edition; Complete Edition (cloth bound)

SATB/SATB choir, 2 violins, 2 violas, 3 trumpets, drums, basso continuo

SKU: CA.3501209

Arranged by Johann Sebastian Bach. Composed by Pietro Torri. Edited by Arne Thielemann. Arranged by Johann Sebastian Bach. This edition: urtext. 4x 35.012/31 trumpet. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Duration 20 minutes. Carus Verlag #CV 35.012/09. Published by Carus Verlag (CA.3501209).

ISBN 9790007213022. Text language: Latin.

Mention the key words Johann Sebastian and Magnificat, and one thinks involuntarily of his well-known Magnificat in D major BWV 243 or in E flat major BWV 243a. However, during the time of his tenure as St. Thomas Kantor, several times Bach also referred back to older settings of the Magnificat text and arranged these for his own purposes. Thus, for the first time it can be documented that in its original version the double choir Magnificat in C major BWV Anh. 30 contained in Bach's music library, which was originally handed down anonymously, was composed by Pietro Torri. Torri was the Music Director at the Court of the Bavarian House of Wittelsbach. For performance purposes in Leipzig in ca. 1742 Bach retained the substance of the work but composed additional parts for a 3rd trumpet and timpani. For the first time ever this splendid work appears at Carus in a printed edition. Score and parts available separately - see item CA.3501200.

Orchestra Soli SATB, SATB Choir, 2 Oboes ( Ob I auch Obda), Trumpet, Violin solo, 2 Violins, Viola, Viola da gamba, Basso continuo - Grade 3

SKU: CA.3107615

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. BWV 76. Viola da gamba. Sacred vocal music, Cantatas, Psalms, German. Single Part, Viola da gamba. Composed 1723. BWV 76. 16 pages. Duration 35 minutes. Carus Verlag #CV 31.076/15. Published by Carus Verlag (CA.3107615).

Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

Soloists, Choir, Orchestra (Voice, SATB Choir, Orchestra)

SKU: BA.BA05006-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Werner Neumann. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/7. Complete edition, Score, anthology. Baerenreiter Verlag #BA05006_01. Published by Baerenreiter Verlag (BA.BA05006-01).

ISBN 9790006461424. 33 x 26.5 cm inches. Language: German. Preface: Werner Neumann.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118805

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, End of the church year, Trinity. Choral Score. Composed 1728. BWV 188. 2 pages. Duration 25 minutes. Carus Verlag #CV 31.188/05. Published by Carus Verlag (CA.3118805).

ISBN 9790007210014. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score available separately - see item CA.3118800.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106005

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Choral Score. Composed 1723. BWV 60. 2 pages. Duration 20 minutes. Carus Verlag #CV 31.060/05. Published by Carus Verlag (CA.3106005).

ISBN 9790007043391. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3123514

Kyrie-Gloria-Messe (Lutherische Messe). Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Missa In G /Bwv 235 Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin, Mass settings, incomplete (also Missa brevis). Single Part, Cello/Double Bass. Composed the period at Leipzig. BWV 235. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.235/14. Published by Carus Verlag (CA.3123514).

ISBN 9790007085957. Key: G minor. Language: Latin.

As well as the Mass in B minor, there are four further, shorter mass compositions by Bach, the so-called Lutheran or Kyrie-Gloria masses. Despite their high musical qualities, they are often overshadowed by other church works by Bach. With their six-movement structure (up to the Cum sancto spiritu) they had their specific liturgical position in church services of the time of Bach. The masses largely comprise parodies, with the original music mainly taken from cantatas which Bach sometimes considerably reworked in his well-known style according to the new context of the work. Ulrich Leisinger has edited the four works for Carus in new critical editions. Score and part available separately - see item CA.3123500.

SAB vocal soli, SATB choir, 3 trumpets, timpani, 2 oboes/oboe d'amore, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119761

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas. Single Part, Violin 1. BWV 197. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.197/61. Published by Carus Verlag (CA.3119761).

ISBN 9790007210526. Text language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score and part available separately - see item CA.3119700.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100205

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Choral Score. Composed 1724. BWV 2. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.002/05. Published by Carus Verlag (CA.3100205).

ISBN 9790007041311. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score available separately - see item CA.3100200.

Orchestra ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe d'caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112807

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Ascension. Study score. Composed 1725. BWV 128. 40 pages. Duration 22 minutes. Carus Verlag #CV 31.128/07. Published by Carus Verlag (CA.3112807).

ISBN 9790007142841. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score available separately - see item CA.3112800.

AT vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3113413

Cantata for Easter Tuesday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Viola. Composed 1731. BWV 134. 8 pages. Duration 30 minutes. Carus Verlag #CV 31.134/13. Published by Carus Verlag (CA.3113413).

ISBN 9790007208028. Text language: German/English.

The cantata Ein Herz, das seinen Jesum lebend weiss for the third day of Easter 1724 is one of those older cantatas which Bach integrated into his first Leipzig annual cycle of cantatas; it was originally composed in Kothen as a secular cantata for the New Year celebration in 1719 (BWV 134a). Rousing virtuoso arias and a magnificent final chorus containing dialog sections not only emphasize the festive character of the cantata, but also lend it a very particular charm. Score and part available separately - see item CA.3113400.

ATB vocal soli, SATB choir, oboe 1/oboe d'amore, oboe II-III, bassoon 3, timpani, 2 violins solo, 2 violins, viola, basso continuo

SKU: CA.3119009

Cantata for New Year's Day. Composed by Johann Sebastian Bach. Edited by Kirsten Beisswenger. Arranged by Masaaki Suzuki. This edition: urtext. 1x 31.190/21 oboe 1, 1x 31.190/22 oboe 2, 1x 31.190/23 oboe 3, 1x 31.190/24 bassoon, 4x 31.190/31 trumpet/timpani. Stuttgart Urtext Edition: Bach vocal. German title: Singet dem Herrn ein neues Lied. Sacred vocal music, New year. Set of Orchestra Parts. Composed 1724. BWV 190. Duration 19 minutes. Carus Verlag #CV 31.190/09. Published by Carus Verlag (CA.3119009).

ISBN 9790007210106. Language: German/English.

The cantata BWV 190 has survived only in fragmentary form. This reconstruction by the celebrated Bach experts Masaaki and Masato Suzuki goes far beyond previous attempts; it draws upon only thematic and motive material of the movements themselves, closely interwoven. Score and parts available separately - see item CA.3119000.

AT vocal soli, SATB choir, recorder d2 (flute or violin), 2 oboe d'amore, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110319

Cantata for the Sunday of Jubilate. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ihr werdet weinen und heulen. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Set of Orchestra Parts. Composed 1725. BWV 103. Duration 18 minutes. Carus Verlag #CV 31.103/19. Published by Carus Verlag (CA.3110319).

ISBN 9790007136536. Key: B minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Ihr werdet weinen und heulen [You will weep and wail] BWV 103 for Jubilate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. A large-scale choral movement on Jesus's words quoted from the Sunday gospel reading opens the cantata; the choir is interrupted by a bass arioso - the vox Christi. Both arias are introduced by a recitative with arioso conclusion; in each, exquisite solo instruments are deployed: flauto piccolo in the contralto aria and trumpet in the tenor aria. Score and parts available separately - see item CA.3110300.

SATB choir, 2 violins, viola, basso continuo - Level 2

SKU: CA.9190919

Composed by Johann Sebastian Bach. Edited by Karl Kremer. Arranged by Karl Kremer. Ich Will Den Namen Gottes Loben 5004201. Sacred vocal music. Set of Orchestra Parts. BWV 142. Duration 2 minutes. Carus Verlag #CV 91.909/19. Published by Carus Verlag (CA.9190919).

ISBN 9790007235826. Key: C major. Text language: German.

Score and parts available separately - see item CA.9190900.

SATB choir, 2 violins, viola, basso continuo - Level 2

SKU: CA.9190900

Composed by Johann Sebastian Bach. Edited by Karl Kremer. Arranged by Karl Kremer. This edition: Paperbound. German title: Ich Will Den Namen Gottes Loben 5004201. Sacred vocal music. Full score. BWV 142. 8 pages. Duration 2 minutes. Carus Verlag #CV 91.909/00. Published by Carus Verlag (CA.9190900).

ISBN 9790007117184. Key: C major. Language: German.

SATB choir, 2 violins, viola, basso continuo - Level 2

SKU: CA.9190912

Composed by Johann Sebastian Bach. Edited by Karl Kremer. Arranged by Karl Kremer. German title: Ich Will Den Namen Gottes Loben 5004201. Sacred vocal music. Single Part, Viola. BWV 142. 2 pages. Duration 2 minutes. Carus Verlag #CV 91.909/12. Published by Carus Verlag (CA.9190912).

ISBN 9790007235802. Key: C major. Language: German.

Score available separately - see item CA.9190900.

SATB choir, 2 violins, viola, basso continuo - Level 2

SKU: CA.9190911

Composed by Johann Sebastian Bach. Edited by Karl Kremer. Arranged by Karl Kremer. German title: Ich Will Den Namen Gottes Loben 5004201. Sacred vocal music. Single Part, Violin 1 and 2. BWV 142. 2 pages. Duration 2 minutes. Carus Verlag #CV 91.909/11. Published by Carus Verlag (CA.9190911).

ISBN 9790007235796. Key: C major. Language: German.

Score available separately - see item CA.9190900.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105221

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Oboe 1. Cantatas, End of the church year, Trinity. Single Part, Oboe 1. Composed 1726. BWV 52. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.052/21. Published by Carus Verlag (CA.3105221).

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101809

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. 1x 31.018/21 flute 1, 1x 31.018/22 flute 2, 1x 31.018/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Holy Week. Set of Orchestra Parts. Composed 1715(?). BWV 18. Duration 21 minutes. Carus Verlag #CV 31.018/09. Published by Carus Verlag (CA.3101809).

ISBN 9790007204839. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and parts available separately - see item CA.3101800.

SATBB vocal soli, SATB choir, 2 flutes, 2 oboes (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violins, viola, basso continuo

SKU: CA.3124589

Version II. Composed by Johann Sebastian Bach. Edited by Peter Wollny. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Johannespassion 1725. Sacred vocal music, Passions, Lent and Passiontide. Single Part, Organ. Composed 1725. BWV 245. 140 pages. Duration 120 minutes. Carus Verlag #CV 31.245/89. Published by Carus Verlag (CA.3124589).

ISBN 9790007211455. Text language: German/English.

The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach's lifetime. Consequently, the wish often expressed by conductors to perform an authentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach's direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the standard version which is well known today. Score and part available separately - see item CA.3124500.

STB vocal soli (SB/TB/SATB), SATB choir, oboe, bassoon, 3 trumpets, 4 trombones, timpani, 2 violins, viola, basso continuo - Level 3

SKU: CA.3102119

Cantata for the 3rd Sanday after Trinity/all occasions. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich hatte viel Bekummernis. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1713. BWV 21. Duration 45 minutes. Carus Verlag #CV 31.021/19. Published by Carus Verlag (CA.3102119).

ISBN 9790007136000. Key: C dorian / c major. Language: German/English.

The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cothen parts placed afterwards in brackets. Score and parts available separately - see item CA.3102100.

(Kyrie-Gloria-Messe (Lutherische Messe)). Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SAB vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo. A-Dur (A major). Stuttgart Urtext Edition. German title: Missa in A /BWV 234 KV rev.2000. Latin Masses, Mass settings, incomplete (also Kyrie and Gloria). Level 3. Organ part. Language: Latin. Composed 1742 (terminus ante quem). BWV 234. 28 pages. Duration 38 minutes. Published by Carus Verlag