| Jarba, Mare Jarba Chorale SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU:
CF.CM9700 Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700). ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk. In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810412
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Violin 2. Warb E
14. 4 pages. Duration 5
minutes. Carus Verlag #CV
38.104/12. Published by
Carus Verlag
(CA.3810412). ISBN
9790007215088. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810405
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Choral
Score. Warb E 14.
Duration 5 minutes. Carus
Verlag #CV 38.104/05.
Published by Carus Verlag
(CA.3810405). ISBN
9790007215057. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score available
separately - see item
CA.3810400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB [Conducteur et Parties séparées] Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810419
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Set of
Orchestra Parts. Warb E
14. Duration 5 minutes.
Carus Verlag #CV
38.104/19. Published by
Carus Verlag
(CA.3810419). ISBN
9790007215118. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and parts available
separately - see item
CA.3810400. $76.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB [Conducteur et Parties séparées] Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810409
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext. 1x
38.104/21 oboe 1, 1x
38.104/22 oboe 2, 1x
38.104/31 horn 1, 1x
38.104/32 horn 2.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Set of
Orchestra Parts. Warb E
14. Duration 5 minutes.
Carus Verlag #CV
38.104/09. Published by
Carus Verlag
(CA.3810409). ISBN
9790007215064. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and parts available
separately - see item
CA.3810400. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810411
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Violin. Warb E 14.
4 pages. Duration 5
minutes. Carus Verlag #CV
38.104/11. Published by
Carus Verlag
(CA.3810411). ISBN
9790007215071. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810449
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Organ. Warb E 14. 4
pages. Duration 5
minutes. Carus Verlag #CV
38.104/49. Published by
Carus Verlag
(CA.3810449). ISBN
9790007215125. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810413
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Viola. Warb E 14. 4
pages. Duration 5
minutes. Carus Verlag #CV
38.104/13. Published by
Carus Verlag
(CA.3810413). ISBN
9790007215095. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810414
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, basso continuo.
Warb E 14. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 38.104/14.
Published by Carus Verlag
(CA.3810414). ISBN
9790007215101. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810403
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Vocal
score. Warb E 14.
Duration 5 minutes. Carus
Verlag #CV 38.104/03.
Published by Carus Verlag
(CA.3810403). ISBN
9790007143978. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score available
separately - see item
CA.3810400. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Adam's Lament Chorale SATB SATB, Piano Universal Edition
By Arvo Part (1935-). For SATB, piano. This edition: Language: Russian. Publishe...(+)
By Arvo Part (1935-). For
SATB, piano. This
edition: Language:
Russian. Published by
Universal Edition
$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| European Madrigals For Mixed Voices Chorale SATB SATB Schirmer
By Anonymous. Arranged by E Kraus. (SATB). Choral Collection. Size 5.9x9 inches...(+)
By Anonymous. Arranged by
E Kraus. (SATB). Choral
Collection. Size 5.9x9
inches. 96 pages.
Published by G Schirmer,
Inc.
(1)$11.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Chester Book Of Madrigals Book 4: The Seasons Chorale SATB SATB Chester
The Chester Book of Madrigals - Volume 4 (The Seasons). Edited by Anthony G. Pet...(+)
The Chester Book of
Madrigals - Volume 4 (The
Seasons). Edited by
Anthony G. Petti. For
Choral (SATB). Music
Sales America.
Renaissance, Choral. 48
pages. Chester Music
#CH55495. Published by
Chester Music
$13.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Candle Blessings For Chanukah Chorale SATB SATB Transcontinental Music
Arranged by Joshua R. Jacobson. (SATB). Transcontinental Music Choral. Jewish. ...(+)
Arranged by Joshua R.
Jacobson. (SATB).
Transcontinental Music
Choral. Jewish. 12 pages.
Published by
Transcontinental Music
Publications.
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Habanera Chorale SATB SATB A Cappella A Coeur Joie
Composed by Georges Bizet, Patrick Rutge. Secular, Romantic. Choir part. 4 page...(+)
Composed by Georges
Bizet, Patrick Rutge.
Secular, Romantic. Choir
part. 4 pages. Published
by Editions a Coeur Joie
(CJ.A111100771).
$3.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Washing Of The Water Chorale SSATB Schott
Choral (SSATB) SKU: HL.49046375 SSATB a cappella. Composed by Pete...(+)
Choral (SSATB) SKU:
HL.49046375 SSATB
a cappella. Composed
by Peter Gabriel. Edited
by Bertrand Grö and
ger. Choral. Classical,
Jazz, Pop. Octavo. 16
pages. Duration 285
seconds. Schott Music
#C54273. Published by
Schott Music
(HL.49046375). ISBN
9781540084590. UPC:
840126908251. Peter
Gabriel's 1992 Gospel
Ballad; as performed by
Vocal Line. A new choral
series that sets a new
standard: Familiar
traditionals are replaced
by legendary pop and jazz
classics, the arrangers -
among them Jens Johansen,
Bertrand Groger, Oliver
Gies, Thierry Lalo, Dylan
Bell - rank among the
great figures of the
European choral scene,
and the book comes along
in an absolutely
choir-friendly format: as
a handy, modern separate
edition at an affordable
price - a valuable
addition for all jazz,
pop and gospel ensembles
looking to add new pieces
to their repertoire.
further editions:
Straighten up and Fly
right / Smells Like Teen
Spirit / African Call /
Blues on Sunday / As. $5.25 - Voir plus => Acheter | | |
| The Shepherd's Bell Carol Chorale SATB Daybreak Music
Choral (SATB) SKU: HL.365751 Composed by Diane Hannibal and Michael Barre...(+)
Choral (SATB) SKU:
HL.365751 Composed by
Diane Hannibal and
Michael Barrett. Daybreak
Christmas Choral.
Christmas. Octavo.
Duration 155 seconds.
Published by Daybreak
Music (HL.365751).
UPC: 840126961867.
6.75x10.5x0.029 inches.
Isaiah 53:5-7, John
10:26-28, Psalm
79:13. Bright and
lively, this original
anthem has the feeling of
a middle-European folk
song. Incorporating NOEL
NOUVELET, the piano and
percussion bring the
vibe, adorning the catchy
minor melody with
colorful timbres. In
troubadour style, the
text tells the story of
faithful shepherds
looking for their lost
sheep. The second verse
uses an ostinato to
create a rustic folk band
with vocal sounds instead
of instruments.
Unforgettable sonic joy!
Score and Parts (cl, perc
1-2) avialable as a
digital download. $2.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Der Rebbe Chorale SATB SATB Transcontinental Music
Arranged by Stanley Sperber. (SATB). Transcontinental Music Choral. Jewish. 15 ...(+)
Arranged by Stanley
Sperber. (SATB).
Transcontinental Music
Choral. Jewish. 15 pages.
Published by
Transcontinental Music
Publications.
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Igraj Kolce Chorale SATB SATB [Octavo] Earthsongs
(Come and Dance in a Ring). By Jakob Jez. For SSA Chorus (SSA). Central European...(+)
(Come and Dance in a
Ring). By Jakob Jez. For
SSA Chorus (SSA). Central
European Choral Music.
Secular. Octavo
$1.80 $1.71 (- 5%) Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Verleih Uns Frieden Chorale SATB SATB, Orgue [Octavo] Oxford University Press
By Felix Mendelssohn. Arranged by John Rutter. For Mixed Choir and Organ or Orch...(+)
By Felix Mendelssohn.
Arranged by John Rutter.
For Mixed Choir and Organ
or Orchestra. OCCO41.
Published by Oxford
University Press.
$3.25 - Voir plus => Acheter | | |
| Vier Madrigale (Liebeslieder) von Hassler, Senfl, Steurlein Chorale SATB SATB [Conducteur] Carus Verlag
By Hans Leo Hassler (1564-1612). Edited by Helmut Schwammlein. Madrigals, Secula...(+)
By Hans Leo Hassler
(1564-1612). Edited by
Helmut Schwammlein.
Madrigals, Secular Choral
Music. Score. 4 pages
$3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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