Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by julian wachner ...(+)
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Arranged by
julian wachner and
william h. cummings.
Advanced/Collegiate.
Catholic Year A The
Nativity of Our Lord.
Christmas, 21st Century.
Octavo. Published by E.C.
Schirmer Publishing
(EC.8337).
Die Flamingos Chorale SATB SATB divisi [Octavo] Schirmer
(No. 3 from Rilke Songs ). Composed by Julian Wachner (1969-). For SATB choir, ...(+)
(No. 3 from Rilke Songs
). Composed by Julian
Wachner (1969-). For SATB
choir, divisi. Secular.
Octavo. 20 pages.
Published by E.C.
Schirmer Publishing
I Am the True Vine Chorale SATB SATB divisi, A Cappella MorningStar Music Publishers
Composed by Julian Darius Revie. Easter Season, 21st Century, Commitment/Disc...(+)
Composed by Julian Darius
Revie. Easter Season,
21st
Century,
Commitment/Discipleship,
Communion,
Trust/Guidance.
Duration 2 minutes, 30
seconds. MorningStar
Music
Publishers #50-6121.
Published by MorningStar
Music Publishers
By Julian Rush. Arranged by Jeremy J. Bankson. For brass quintet (SATB choir, Co...(+)
By Julian Rush. Arranged
by Jeremy J. Bankson. For
brass quintet (SATB
choir, Congregation).
Choral. Church
Anniversary,
Trust/Guidance, General.
Moderately Easy. Octavo.
12 pages. Published by
MorningStar Music
Publishers
Composed by Julian Wachner (1969-). Advanced/Collegiate. Catholic Year A The Nat...(+)
Composed by Julian
Wachner (1969-).
Advanced/Collegiate.
Catholic Year A The
Nativity of Our Lord.
Christmas, 21st Century.
Octavo. Duration 3
minutes, 35 seconds.
Published by E.C.
Schirmer Publishing
(EC.6955).
By Julian Rush. Arranged by Jeremy J. Bankson. For SATB choir, congregation, bra...(+)
By Julian Rush. Arranged
by Jeremy J. Bankson. For
SATB choir, congregation,
brass quintet, percussion
and organ. Full score.
Published by MorningStar
Music Publishers
Composed by Julian Wachner (1969-). Advanced/Collegiate. Catholic Year A The Nat...(+)
Composed by Julian
Wachner (1969-).
Advanced/Collegiate.
Catholic Year A The
Nativity of Our Lord.
Christmas, 21st Century.
Octavo. Published by E.C.
Schirmer Publishing
(EC.8271).
Composed by Julian Wachner (1969-). Advanced/Collegiate. Year A Advent2. Christm...(+)
Composed by Julian
Wachner (1969-).
Advanced/Collegiate. Year
A Advent2. Christmas,
21st Century. Octavo.
Published by E.C.
Schirmer Publishing
(EC.8276).
Composed by Julian Wachner (1969-). Advanced/Collegiate. Catholic Year A The Nat...(+)
Composed by Julian
Wachner (1969-).
Advanced/Collegiate.
Catholic Year A The
Nativity of Our Lord.
Christmas, 21st Century.
Octavo. Published by E.C.
Schirmer Publishing
(EC.8279).
Ubi Caritas. Composed by Julian Reisenthel. Richard Nance Choral Series. ...(+)
Ubi Caritas.
Composed by Julian
Reisenthel. Richard Nance
Choral Series. Music
Education. Octavo. 20
pages. Walton Music
#WW1553. Published by
Walton Music (GI.WW1553).
SATB chorus and piano - Medium SKU: JK.01812 Composed by Julia Ryan and T...(+)
SATB chorus and piano -
Medium
SKU:
JK.01812
Composed by
Julia Ryan and Thayne
Martin. Arranged by
Thayne Martin. Choral
SATB, Difficulty Medium,
Piano Choir, Seasonal
Music Christmas,
Christmas, Youth.
Christian, Inspirational.
Duration 3:15. Jackman
Music Corporation #01812.
Published by Jackman
Music Corporation
(JK.01812).
Youthful
nativity for mixed chorus
(SATB) and piano in F
major, appropriate for
youth or Christmas
program. Sopranos'
highest note: D.
Composer: Julia Ryan
& Thayne Martin
Arranger: Thayne
Martin Lyricist:
Julia Ryan
Difficulty: Medium
Performance time:
3:15 Reference: Luke
2:4-16, Matthew
2:1-2.
Choral SATB choir SKU: HP.VN100 Composed by Julia Ward Howe. Arranged by ...(+)
Choral SATB choir
SKU:
HP.VN100
Composed by
Julia Ward Howe. Arranged
by Vaclav Nelhybel. Piano
Accompaniment. Patriotic,
General Worship, Sacred.
Octavo. 16 pages. Hope
Publishing Company
#VN100. Published by Hope
Publishing Company
(HP.VN100).
UPC:
763628141615. Words by
Julia Ward Howe. 1 John
4:17, 2 Corinthians 5:10,
Isaiah 30:28, Isaiah
52:7, Isaiah 63:1-4, John
8:32, Luke 2:30, Luke
21:27, Matthew 6:28-29,
Psalms 43:3, Psalms
76:12, Revelation 19:15,
Romans
14:10.
Traditional
American Melody with
words by Julia Ward
Howe Choral Setting
by Vaclac Nelhybel.
From Wish. By Julia Michaels. By Benjamin Rice and Julia Michaels. Arranged by...(+)
From Wish. By Julia
Michaels.
By Benjamin Rice and
Julia
Michaels. Arranged by
Roger
Emerson. Disney Choral.
Disney, Movies, Pop.
Octavo.
Duration 165 seconds.
Published by Hal Leonard
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas,
Ascension. Single Part,
basso continuo. Composed
1725. BWV 128. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.128/14. Published by
Carus Verlag
(CA.3112814).
ISBN
9790007207748. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
part available separately
- see item
CA.3112800.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Ascension.
Single Part, Violin 2.
Composed 1725. BWV 128. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.128/12. Published by
Carus Verlag
(CA.3112812).
ISBN
9790007207724. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
part available separately
- see item
CA.3112800.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Ascension. Set of
Orchestra Parts. Composed
1725. BWV 128. Duration
22 minutes. Carus Verlag
#CV 31.128/19. Published
by Carus Verlag
(CA.3112819).
ISBN
9790007140199. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
parts available
separately - see item
CA.3112800.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Ascension. Single Part,
Organ. Composed 1725. BWV
128. 12 pages. Duration
22 minutes. Carus Verlag
#CV 31.128/49. Published
by Carus Verlag
(CA.3112849).
ISBN
9790007207755. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
part available separately
- see item
CA.3112800.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Ascension. Choral Score.
Composed 1725. BWV 128. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.128/05. Published by
Carus Verlag
(CA.3112805).
ISBN
9790007161927. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score
available separately -
see item CA.3112800.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Ascension. Single Part,
Viola. Composed 1725. BWV
128. 8 pages. Duration 22
minutes. Carus Verlag #CV
31.128/13. Published by
Carus Verlag
(CA.3112813).
ISBN
9790007207731. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
part available separately
- see item
CA.3112800.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Ascension.
Single Part, Violin 1.
Composed 1725. BWV 128. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.128/11. Published by
Carus Verlag
(CA.3112811).
ISBN
9790007207717. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
part available separately
- see item
CA.3112800.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Ascension. Study score.
Composed 1725. BWV 128.
40 pages. Duration 22
minutes. Carus Verlag #CV
31.128/07. Published by
Carus Verlag
(CA.3112807).
ISBN
9790007142841. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score
available separately -
see item CA.3112800.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext. 1x
31.128/21 oboe 1, 1x
31.128/22 oboe 2, 1x
31.128/23 oboe d'amore,
1x 31.128/24 oboe da
caccia, 1x 31.128/31 horn
1, 1x 31.128/32 horn 2,
1x 31.128/33 trumpet.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas,
Ascension. Set of
Orchestra Parts. Composed
1725. BWV 128. Duration
22 minutes. Carus Verlag
#CV 31.128/09. Published
by Carus Verlag
(CA.3112809).
ISBN
9790007207700. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
parts available
separately - see item
CA.3112800.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Ascension. Vocal score.
Composed 1725. BWV 128.
28 pages. Duration 22
minutes. Carus Verlag #CV
31.128/03. Published by
Carus Verlag
(CA.3112803).
ISBN
9790007140205. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score
available separately -
see item CA.3112800.
SATB chorus and piano - Medium SKU: JK.01303 Composed by Thayne Martin. A...(+)
SATB chorus and piano -
Medium
SKU:
JK.01303
Composed by
Thayne Martin. Arranged
by Brent Jorgensen.
Choral SATB, Difficulty
Medium, Piano Choir,
Seasonal Music Easter,
Seasonal Music Mothers
Day, Atonement, Easter,
God's Love, Jesus Christ
- Savior, Jesus
Christ-Son of God, Love,
Motherhood. Christian,
Inspirational. Duration
4:45. Jackman Music
Corporation #01303.
Published by Jackman
Music Corporation
(JK.01303).
Tender Easter
anthem arranged for mixed
chorus (SATB), female
solo and piano. Sung from
the perspective of Mary,
the mother of Jesus: I
kneel at His wounded
feet, once washed with
revr'ent care, now wet
with mother's tears, this
cross too much to
bear.... Hold Him in
thine arms for me, until
I see Him again and take
Him home to Thee. He is
my Son. Composer:
Thayne Martin
Arranger: Brent
Jorgensen Lyricist:
Julia Ryan
Difficulty: Medium
Performance time:
4:45.
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732119 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732119
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Complete
orchestral parts. Sacred
vocal music, Requiem. Set
of Orchestra Parts.
Duration 48 minutes.
Carus Verlag #CV
27.321/19. Published by
Carus Verlag
(CA.2732119).
ISBN
M-007-25337-0.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732149 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732149
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Organ. Sacred
vocal music, Requiem.
Part. Duration 48
minutes. Carus Verlag #CV
27.321/49. Published by
Carus Verlag
(CA.2732149).
ISBN
M-007-25439-1.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732113 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732113
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Viola. Sacred
vocal music, Requiem.
Part. Duration 48
minutes. Carus Verlag #CV
27.321/13. Published by
Carus Verlag
(CA.2732113).
ISBN
M-007-25437-7.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.