Composed by Ryan Murphy. Christian, Contemporary Christian, Gospel, Inspirational. Octavo. Jackman Music Corporation #02063. Published by Jackman Music Corporation

Soli SATB, SATB Choir, 2 Oboe da caccia, 2 Violins, Viola, [cello piccolo], Basso continuo

SKU: CA.3113903

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Vocal score. Composed 1724. BWV 139. 32 pages. Duration 20 minutes. Carus Verlag #CV 31.139/03. Published by Carus Verlag (CA.3113903).

ISBN 9790007181192. Language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.

ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3

SKU: CA.3118219

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1714. BWV 182. Duration 30 minutes. Carus Verlag #CV 31.182/19. Published by Carus Verlag (CA.3118219).

ISBN 9790007136949. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and parts available separately - see item CA.3118200.

ATB vocal soli, SATB choir, bass flute f1,violin, 2 viola, cello, basso continuo

SKU: CA.3118257

First Leipzig version. Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Himmelskonig, Sei Willkommen G-Dur. Sacred vocal music, Cantatas, Lent and Passiontide. Study score. BWV 182. 60 pages. Duration 30 minutes. Carus Verlag #CV 31.182/57. Published by Carus Verlag (CA.3118257).

ISBN 9790007142872. Key: G major. Text language: German/English.

Ver sion in G major (A major = Carus 31.182/00) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.

ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3

SKU: CA.3118213

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 2. Composed 1714. BWV 182. 8 pages. Duration 30 minutes. Carus Verlag #CV 31.182/13. Published by Carus Verlag (CA.3118213).

ISBN 9790007050306. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200.

ATB vocal soli, SATB choir, bass flute f1,violin, 2 viola, cello, basso continuo

SKU: CA.3118255

First Leipzig version. Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Himmelskonig, Sei Willkommen G-Dur. Sacred vocal music, Cantatas, Lent and Passiontide. Choral Score. BWV 182. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.182/55. Published by Carus Verlag (CA.3118255).

ISBN 9790007209865. Key: G major. Text language: German/English.

Ver sion in G major (A major = Carus 31.182/00) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.

SATB choir, piano

SKU: LO.10-5771L

Composed by Bill Gaither. Arranged by Jay Rouse. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5771L. Published by Lorenz Publishing Company (LO.10-5771L).

ISBN 9780787778934.

Jay Rouse has taken one of the Gaithers’ most popular songs and combined it with the classic hymn, “’Tis So Sweet to Trust in Jesus,” and the results are breathtaking. Opening with an optional solo, the vocal writing moves from unison to rich four-part writing. The piano writing is soulful, beautifully conceived, and a delight to play. In addition, an orchestration for optional string orchestra is also available. “Each day is like heaven, my heart overflows. The longer I serve Him, the sweeter He grows.”.

Orchestra Soli ATB, SATB Choir, Recorder, Violin solo, Violin, 2 Viola, Cello, Basso Continuo - Level 3

SKU: CA.3118207

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: paperbound. BWV 182. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Study score. Composed 1714. BWV 182. Duration 30 minutes. Carus Verlag #CV 31.182/07. Published by Carus Verlag (CA.3118207).

ISBN 9790007050276. Key: A major. Language: German/English. Text: Franck, Salomo.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.

Chorus a cappella

SKU: BR.CHB-5381-00

Composed by Howard Arman. Choir; stapled. Chor-Bibliothek (Choral Library). Song; Music post-1945; New music (post-2000). Choral score. 80 pages. Breitkopf and Haertel #ChB 5381-00. Published by Breitkopf and Haertel (BR.CHB-5381-00).

ISBN 9790004413821. 7.5 x 10.5 inches. English.

As director of the Bavarian Radio Choir, Howard Arman has been actively engaged with international Christmas carols through various Christmas-related CD productions in the past years. This has resulted in a number of original arrangements for four- to eight-part mixed choir a cappella, shedding new light on well-known classics such as O du frohliche [O, you joyful], Stille Nacht [Silent Night] and Lasst uns froh und munter sein [Let us be happy and cheerful]. The first volume includes five Christmas carols from the German-speaking regions. They range from simple but harmonically intriguing settings such as Lieb Nachtigall, wach auf [Dear nightingale, wake up] to eight-part sound paintings with bell-like chimes as in O du frohliche and classical double choir settings such as Resonet in laudibus. The second volume includes five Christmas spirituals with English texts, forming a contrast to the solemn and festive character of the first. The choir can prove its swing and jazz qualities here; the stirring arrangements are a gain for classical Christmas concerts, too. Following the tradition of the spiritual, some settings also require soloists, which can, however, also be recruited from the choir if adequate singers are available. The first piece combines the spirituals It's a Birthday and Wasn't That a Mighty Day to form a medley, Ain't That a Rockin' gives a moment of tranquility before the likewise rousing spirituals Mary Had a Baby and Little David conclude the volume. In both volumes, Howard Arman provides a short preface in German and English, explaining the background of each piece and giving advice on performance.

Chorus a cappella

SKU: BR.CHB-5380-00

Composed by Howard Arman. Choir; stapled. Chor-Bibliothek (Choral Library). Song; Music post-1945; New music (post-2000). Choral score. 40 pages. Breitkopf and Haertel #ChB 5380-00. Published by Breitkopf and Haertel (BR.CHB-5380-00).

ISBN 9790004413814. 7.5 x 10.5 inches. German / Latin.

As director of the Bavarian Radio Choir, Howard Arman has been actively engaged with international Christmas carols through various Christmas-related CD productions in the past years. This has resulted in a number of original arrangements for four- to eight-part mixed choir a cappella, shedding new light on well-known classics such as O du frohliche [O, you joyful], Stille Nacht [Silent Night] and Lasst uns froh und munter sein [Let us be happy and cheerful]. The first volume includes five Christmas carols from the German-speaking regions. They range from simple but harmonically intriguing settings such as Lieb Nachtigall, wach auf [Dear nightingale, wake up] to eight-part sound paintings with bell-like chimes as in O du frohliche and classical double choir settings such as Resonet in laudibus. The second volume includes five Christmas spirituals with English texts, forming a contrast to the solemn and festive character of the first. The choir can prove its swing and jazz qualities here; the stirring arrangements are a gain for classical Christmas concerts, too. Following the tradition of the spiritual, some settings also require soloists, which can, however, also be recruited from the choir if adequate singers are available. The first piece combines the spirituals It's a Birthday and Wasn't That a Mighty Day to form a medley, Ain't That a Rockin' gives a moment of tranquility before the likewise rousing spirituals Mary Had a Baby and Little David conclude the volume. In both volumes, Howard Arman provides a short preface in German and English, explaining the background of each piece and giving advice on performance.

By Rebecca J. Peck. Arranged by Mike Speck, Cliff Duren and Danny Zaloudik. For SATB choir. Christmas. Moderate. Octavo. Published by Lillenas Publishing Company

SATB choir, assembly, piano accompaniment - Early intermediate

SKU: GI.G-9876

Composed by Bob Moore. Pentecost. Choral. Sacred. Octavo. 12 pages. GIA Publications #9876. Published by GIA Publications (GI.G-9876).

UPC: 785147987604. English. Text by Carl P. Daw, Jr.

The assembly part is optional.

At Pentecost, the Spirit of God comes, but we must invite him! Daw's passionate plea for the Spirit of God to bring his gifts is beautifully scored with music at turns thoughtful and majestic. An inspirational gift to all who sing and listen to this song of yearning.

By Lloyd Larson. For SATB choir with optional rhythm instruments. Choral music. Christmas, Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company

By Laura Farnell. For SATB choir, Keyboard. Octavo. 16 pages. Duration 3 minutes, 21 seconds. Published by Carl Fischer

By Marty Petersen. Text: Marty Petersen. For SATB Choir. Level: Medium. Duration 3:00. Published by Jackman Music Corporation.

Composed by Patricia Mock. Arranged by Faye Lopez. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5473L. Published by Lorenz Publishing Company

SATB choir

SKU: BP.1418

Composed by Sherry Printz. Arranged by Sherry Printz. Sacred octavos. Sacred. Octavo. Beckenhorst Press #1418. Published by Beckenhorst Press (BP.1418).

With lyrics by Eudora Bunker, this anthem poses a series of questions about what life would be like if Christ had not come to be born in a manger. It then leads into a chorus which implores us to rejoice and be glad because He in fact did. An optional oboe or C instrument part (BP.1418A) is available.

SATB choir, keyboard

SKU: LO.10-5535S

Composed by Richard A. Williamson. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/5535S. Published by Sacred Music Press (LO.10-5535S).

ISBN 9780787771744.

Rich ard WIlliamson's flowing music depicts well the image of the river that animates this text. After building to a rich middle for we must trust him fully, the music returns to the quiet mood to find perfect peace and rest..

Composed by John Parker and David Lantz. Shawnee Sacred. Advent. Octavo. 12 pages. Shawnee Press #A8755. Published by Shawnee Press

Composed by Lloyd Larson. Sacred octavos. Octavo. Beckenhorst Press #BP2239. Published by Beckenhorst Press

SATB choir and piano accompaniment

SKU: LP.9780834182769

Composed by Klaus Kuehn & Thomas Miller. Arranged by Daniel Semsen. Anthems. Sacred. Octavo. Published by Lillenas Publishing Company (LP.9780834182769).

ISBN 9780834182769.

Rall y the voices of your choir and congregation to join all creation in lifting their praise to our great God and King with this anthem written by Klaus Kuehn and Thomas Miller. Arranged and orchestrated by Daniel Semsen with a bridge highlighting women s voices and a unison line in the final chorus this enthusiastic piece is a choral delight for listeners and singers alike.

SATB choir and orchestra

SKU: LP.765762218208

Composed by Klaus Kuehn & Thomas Miller. Arranged by Daniel Semsen. Anthems. Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762218208).

UPC: 765762218208.

Rally the voices of your choir and congregation to join all creation in lifting their praise to our great God and King with this anthem written by Klaus Kuehn and Thomas Miller. Arranged and orchestrated by Daniel Semsen with a bridge highlighting women s voices and a unison line in the final chorus this enthusiastic piece is a choral delight for listeners and singers alike.