Choral (SATB Choir) SKU: HL.35032227 Composed by Diane Hannibal and Wes H...(+)
Choral (SATB Choir)
SKU: HL.35032227
Composed by Diane
Hannibal and Wes
Hannibal. Arranged by
Mary McDonald. Shawnee
Sacred. General Worship,
Lent, Sacred. Octavo. 12
pages. Published by
Shawnee Press
(HL.35032227).
UPC:
888680741198. 6.75x10.5
inches.
An honest
statement about the
journey of faith is at
the heart of this sacred
ballad. Leaning on the
promises of God's grace,
the text and tune move
with gently rhythmic
elegance. The chorus in
full SATB voicing is an
impassioned
acknowledgement of God's
sovereignty and a
commitment to
surrendering to His
divine will. A sturdy
piano underpinning
supports the refrain with
strong convicting chords
before give way to a
devotional, quiet
conclusion. A paean of
prayer!
Choral (SATB) SKU: HL.371968 By The Backstreet Boys. By Andreas Carlsson ...(+)
Choral (SATB)
SKU:
HL.371968
By The
Backstreet Boys. By
Andreas Carlsson and Max
Martin. Arranged by
Nathan Howe. Shawnee
Press. Pop. Octavo. 16
pages. Duration 135
seconds. Published by
Shawnee Press
(HL.371968).
ISBN
9781705148556. UPC:
196288014621.
6.75x10.5x0.036
inches.
In 2012,
Jimmy Fallon started a
recurring segment on
“The Tonight
Show†in which The
Roots use classroom
instruments to play pop
songs with celebrity
guests. These skilled
musicians pull off
engaging performances
using instruments many
people don't take
seriously beyond the
elementary music room.
Nathan Howe has continued
his musical genius in a
cappella writing with
this pop tune sung a
cappella with classroom
percussion. It's amazing
and fun and suitable for
all ages with the variety
of voicings available.
The choral also includes
notes on different ways
to teach, learn, and
perform the piece and all
the percussion parts are
included as a free
download.
Isthmus Chorale SATB [Conducteur] University Of York Music Press
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Compos...(+)
SATB Choir
SKU:
BT.MUSM570368679
For choir and fixed
media. Composed by
Evis Sammoutis. Score
Only. Composed 2019. 14
pages. University of York
Music Press
#MUSM570368679. Published
by University of York
Music Press
(BT.MUSM570368679).
Isthmus denotes
a narrow strip of land
with sea on either side,
forming a link between
two larger ars of land.
The title is a metaphor
for an effort to bond
artistically my
experiences of living in
Cyprus, my birthplace,
and in the USA, my
recently adopted
homeland. Having lived in
a small, partitioned
island for my formative
years and in England for
eleven years, water has
always had a double
meaning: it has at once
served as a gateway to
other cultures but also
as a border, a violent
and absolute interruption
of a continuum. While in
the USA, or indeed in a
now connected Europe, it
is possible to travel on
land for days without
having to encounter a
border, in the countries
where I lived for most of
my life, that was not
possible. As an artist,
this notion of
establishing boundaries
and consciously trying to
break them is very close
to me, as my music deals
both with modernity but
also with tradition and,
similarly, with metaphor
and reality. As a
Cypriot, the sea, the
world of antiquity, the
mysteries of the oracles,
the notion of borders and
the pastoral are all very
central to my way of
thinking. In Cyprus,
different layers of
history are frequently
superimposed on a single
building that might still
preserve its Roman,
Byzantine, Venetian and
Ottoman features in its
layers of stone and
architecture. Similarly,
ancient ruins or the
barbed wire of modern
conflict often interrupt
placid fields. An
isthmus, therefore, can
be seen to symbolize my
artistic struggle to join
strikingly different
experiences and notions
in a cohesive way.
Similar to an isthmus, in
this short piece, I
connect these experiences
with the purpose of
creating a distinct and
unique sonic context,
connecting technology and
tradition, the pastoral
with the urban, the
musical with the
extra-musical and the
abstract with the
concrete. For example,
the choir does not always
sing in the traditional
sense, but the singers
imitate various natural
sounds, such as water,
air, crickets or birds,
to create a vivid visual
impression for the work.
Scandinavian herding
calls blend with field
recordings from the seas
of Cyprus and the lakes
of Upstate New York,
communicated within
clearly defined, singular
acoustic sources and
spaces through wireless
speakers. The text used
is both onomatopoeic,
articulating an imaginary
language, but also
literal, with a setting
of the poem, “To make a
prairie” by the iconic
American poet Emily
Dickinson and a tiny
fragment from
Callimachus’ “Hymn to
Demeter.” Technology is
used sparsely and very
intentionally to
articulate the expressive
qualities of pastoral
imagery, creating one
unified synthetic timbre
with the choristers’
sounds. This piece is
dedicated to the
wonderful singers of the
Georgia Institute of
Technology Chamber Choir
with special thanks to
Professors Hsu and
Ulrich, without whose
support this composition
would not have been
possible. Practical
notes: A choir of no
less than 24 singers is
sought with 4 additional
soloists (2 Sopranos and
2 Altos). Each singer
must have their own
wireless speaker, secured
either in the music
folder or as a strap
inside their shirts. All
sounds must match in
volume the sound from the
speakers, creating one
unified timbre. The
speakers should not be
noticeable to the public.
The four soloists are
placed offstage at the
beginning of the work.
From 1:35’ onwards they
enter the hall and take
their positions, ideally
at the four corners of
the hall. If the hall is
too large, the singers
can find alternate
positions, but these
should always be
antiphonal. The four
soloists sing
predominantly in the
“kulning” style and
the antiphonal aspect is
very important to the
work. There are two sound
files for each section
(SATB) that are triggered
by each singer’s mobile
device. The first occurs
at the start of the
piece, and the second,
about a minute before the
end. The sound files are
able to be purchased
separately, on CD, or are
available directly from
UYMP.
(Featuring: Summertime / I Got Plenty O' Nuttin / Bess, You Is My Woman / Oh Law...(+)
(Featuring: Summertime /
I Got Plenty O' Nuttin /
Bess, You Is My Woman /
Oh Lawd, I'm On My Way).
By George Gershwin,
DuBose and Dorothy
Heyward, and Ira
Gershwin. Arranged by
Douglas E. Wagner. Choir
Secular. SATB choir.
Choral Octavo. Pop
Choral. Form: Medley. 16
pages. Published by
Alfred Music Publishing
SATB choir, piano SKU: LO.10-5228L Composed by Marianne Kim. Choral. Sacr...(+)
SATB choir, piano
SKU:
LO.10-5228L
Composed
by Marianne Kim. Choral.
Sacred Anthem, Holy
Communion, Holy Week,
Lent. Octavo. Lorenz
Publishing Company
#10/5228L. Published by
Lorenz Publishing Company
(LO.10-5228L).
ISBN
9780787763879.
Know
n for her creativity at
the keyboard, Marianne
Kim showcases her talent
for choral music with
this anthem of
conviction. With a lovely
original melody that
pairs nicely with the
Alas, and Did My Savior
Bleed text and a refrain
that emphasizes our
response to
Christ’s
sacrifice, this piece is
perfect for Lenten or
Holy Week services.
Choral (SATB) SKU: HL.1157490 Andrea Ramsey Choral Series. Compose...(+)
Choral (SATB)
SKU:
HL.1157490
Andrea
Ramsey Choral Series.
Composed by Jennifer Lucy
Cook. Andrea Ramsey
Choral Series. Concert,
Festival. Octavo.
Duration 180 seconds.
Published by Hal Leonard
(HL.1157490).
ISBN
9781705187203. UPC:
196288120902.
6.75x10.5x0.045
inches.
These are
the musical ravings of a
slightly deranged person
reminding themselves to
trust the process--after
all, what good is a life
without surprises? There
is an unrelenting rhythm,
to be sure, but the
accents are off kilter,
the piano in clusters,
and sometimes the tenors
and sopranos sing two
clashing melody lines
simultaneously, all at a
tempo that could easily
become a runaway
train.
Voices Rising. By Ed Sheeran. By Amy Wadge, Damian McKee, Eamon Murray, E...(+)
Voices Rising. By
Ed Sheeran. By Amy Wadge,
Damian McKee, Eamon
Murray, Ed Sheeran, Foy
Vance, John McDaid, Liam
Bradley, Niamh Dunne,
Sean Graham. Arranged by
Philip Lawson. De Haske
Choral Music. Irish,
Concert, Pop. Octavo. 20
pages. Published by Hal
Leonard (HL.250685).
By Rixton. By Ammar Malik, Benjamin Levin, Robert Thomas, Wayne Hector, and S...(+)
By Rixton. By Ammar
Malik,
Benjamin Levin, Robert
Thomas, Wayne Hector, and
Steve Mac. Arranged by
Alan
Billingsley. Pop Choral
Series. Pop, Pop/Rock,
Show
Choir. Octavo. 12 pages.
Published by Hal Leonard
The Wayfarer Chorale SATB SATB divisi - Intermédiaire Walton Music
((Love Entered in My Heart One Day)). Composed by Seth Houston. For Choral (SATB...(+)
((Love Entered in My
Heart One Day)). Composed
by Seth Houston. For
Choral (SATB Divisi).
Walton Choral. 20 pages.
Walton Music #WJMS1136.
Published by Walton Music
Choral (SATB) SKU: HL.1455435 Composed by Rudy Clark. Arranged by Alan Bi...(+)
Choral (SATB)
SKU:
HL.1455435
Composed
by Rudy Clark. Arranged
by Alan Billingsley. Pop
Choral Series. Oldies,
Pop/Rock, Rock. Octavo.
Published by Hal Leonard
(HL.1455435).
UPC:
196288209614.
First
recorded by James Ray in
1962, this soulful rock
tune became a huge hit
when former Beatle George
Harrison covered the song
for his 1987 album
â??Cloud Nineâ?. With
a lyrical hook that grabs
you in all the right
ways, this song will
appeal to all
generations!
Composed by Susan Naylor Callaway. Arranged by John A. Ray. For SATB choir. Sacr...(+)
Composed by Susan Naylor
Callaway. Arranged by
John A. Ray. For SATB
choir. Sacred Anthem,
General, Holy Week.
Medium. Octavo. Published
by Monarch Music
Choral (SAB Choir) SKU: HL.1455436 Composed by Rudy Clark. Arranged by Al...(+)
Choral (SAB Choir)
SKU: HL.1455436
Composed by Rudy Clark.
Arranged by Alan
Billingsley. Pop Choral
Series. Oldies, Pop/Rock,
Rock. Octavo. Published
by Hal Leonard
(HL.1455436).
UPC:
196288209621.
First
recorded by James Ray in
1962, this soulful rock
tune became a huge hit
when former Beatle George
Harrison covered the song
for his 1987 album
â??Cloud Nineâ?. With
a lyrical hook that grabs
you in all the right
ways, this song will
appeal to all
generations!
Be My God Chorale SATB SATB, Piano Lorenz Publishing Company
SATB choir, piano SKU: LO.10-5239L Composed by Kevin Boesiger. Choral. Sa...(+)
SATB choir, piano
SKU:
LO.10-5239L
Composed
by Kevin Boesiger.
Choral. Sacred Anthem.
Octavo. Lorenz Publishing
Company #10/5239L.
Published by Lorenz
Publishing Company
(LO.10-5239L).
ISBN
9780787764203.
Repl
ete with delicate and
ethereal moments, this
original R. Kevin
Boesiger anthem reminds
us of the majesty and
mystery of God’s
presence in creation and
in our daily living. Be
my God, be my comfort;
light my path, show me
the way. Be my God, be my
ev’rything. You
who are God of all these,
be my God. Lovely
sonorities and rich
choral writing
distinguish this
inspiring selection.
Weddings for Choirs. (40 perfect SATB pieces). By Judy Martin; Peter Parshall. F...(+)
Weddings for Choirs. (40
perfect SATB pieces). By
Judy Martin; Peter
Parshall. For SATB choir
accompanied and a
cappella. Mixed Voices.
...for Choirs
Collections. Sacred,
Choral Collection. Vocal
score. 256 pages.
Published by Oxford
University Press
SATB Choir and Piano SKU: HL.14043700 Composed by Various. Arranged by Gi...(+)
SATB Choir and Piano
SKU: HL.14043700
Composed by Various.
Arranged by Gitika
Partington. Choral. Pop &
Rock. Softcover Audio
Online. Composed 2015.
Novello & Co Ltd.
#NOV165110. Published by
Novello & Co Ltd.
(HL.14043700).
ISBN
9781783058617. UPC:
888680736491.
9.0x12.0x0.125 inches.
English.
Sing Pop A
Cappella is a collection
of a cappella
arrangements of fantastic
pop songs old and new, by
renowned teacher, singer
and director Gitika
Partington . Her
arrangements are used by
choirs across the UK, and
she emphasises that being
able to read music is not
necessary. Rewarding and
enjoyable, Book Three
continues her project to
bring people together
through the power of
song. What's great about
Gitika Partington 's Sing
Pop A Cappella series is
how she understands that
to make great music or to
sing a great song, it's
not necessary to be able
to sight-read. It may be
useful, but she has
learned that there are
other ways to communicate
music, namely through ear
training,repetition and
gesture. Her
arrangements, five of
which appear in this
book, have enabled youth
and community choirs to
spring up across the
country, making singing
truly and universally
accessible.
Included in this book are
wonderfully rich a
cappella arrangements of
Ain't No Sunshine
by Bill Withers,
Black Is The Colour Of My
True Love's Hair, Rick
Astley's Never Gonna Give
You Up, Adele's Rolling
In The Deep and a
huge favourite, Sway
(Quien Sera) . Vocal
scores for these
innovative and enjoyable
arrangements are included
in standard notation,
although Partington
recommends learning by
ear as something equally
beneficial. To aid with
this, the accompanying
download card includes
five tracks of audio for
each song. One features a
full performance
demonstration while the
other four each focus on
either soprano, alto,
tenor or bass. The easy
download of these tracks
makes learning efficient
and fun, as you are able
to listen wherever you
are. The great thing
about a cappella singing
is that it can be done
anywhere, with limited
resources, with members
who don't necessarily
have any musical
training. Partington
has created a book
that can be used by a
cappella choirs who love
pop music that sounds
great and will thrill
audiences. Sing Pop A
Cappella is not just a
songbook, though, it also
includes an
extensive.
(With an introduction by Jeremy Summerly). Composed by Various. For Choral, Pian...(+)
(With an introduction by
Jeremy Summerly).
Composed by Various. For
Choral, Piano
Accompaniment (SATB).
Choral. Softcover. 300
pages. Novello and Co
Ltd. #NOV164450.
Published by Novello and
Co Ltd.