| Jacques Offenbach: Can-Can (from the Overture to Orpheus in the Underworld) Chorale SATB SATB divisi, A Cappella [Octavo] Alfred Publishing
Composed by Jacques Offenbach (1819-1880), arranged by Julie Eschliman. Octavo f...(+)
Composed by Jacques
Offenbach (1819-1880),
arranged by Julie
Eschliman. Octavo for
SATB divisi choir (A
Cappella) and optional
piano accompaniment. D
Major. Series: Choral
Octavo. 16 pages.
Published by Alfred
Publishing.
$1.95 $1.8525 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Down from His Glory Chorale SATB SATB [Vocal Score] Lillenas Publishing Co.
(The Love Story of Christmas). By Mike Speck and Lari Goss. For SATB choir. Musi...(+)
(The Love Story of
Christmas). By Mike Speck
and Lari Goss. For SATB
choir. Musical. Sacred.
Moderate. Choral score.
144 pages. Duration 52
minutes. Published by
Lillenas Publishing
Company
$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| West Side Story - Vocal Score
Chorale SATB SATB, Piano [Vocal Score] Leonard Bernstein Music Publishing
Lyrics by Stephen Sondheim, music by Leonard Bernstein (1918-1990). For SATB voi...(+)
Lyrics by Stephen
Sondheim, music by
Leonard Bernstein
(1918-1990). For SATB
voices and piano
accompaniment. From the
Broadway musical and
motion picture "West Side
Story". Format: vocal
score. With vocal melody,
lyrics, piano reduction
and introductory text.
Broadway, movies and 20th
century. 222 pages. 9x12
inches. Published by
Leonard Bernstein Music
Publishing Co.
(4)$70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| William Tell Overture Chorale SATB SATB divisi, A Cappella [Octavo] Alfred Publishing
Arranged by Julie Eschliman. For Opt. Piano. (SATB divisi, a cappella). Choral ...(+)
Arranged by Julie
Eschliman. For Opt.
Piano. (SATB divisi, a
cappella). Choral Octavo.
Masterwork; Novelty.
Level: Level 5 (grade
L5). Choral Octavo. 20
pages. Published by
Alfred Publishing.
$3.50 $3.325 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Cappella Overtures Chorale SATB SATB [Octavo] Alfred Publishing
Arranged by Andy Beck. For Choir. (SATB). Choral Octavo. Choral Designs. Novelt...(+)
Arranged by Andy Beck.
For Choir. (SATB).
Choral Octavo. Choral
Designs. Novelty. Choral
Octavo. 16 pages.
Published by Alfred
Publishing.
$2.95 $2.8025 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Amazing Melody-Making Musical Time Travelers Chorale SATB SATB [Partition + CD] Heritage Music Press
(Bring Favorite Classical Composers Into Your Classroom). By Janet Vogt. For uni...(+)
(Bring Favorite Classical
Composers Into Your
Classroom). By Janet
Vogt. For unison choir
and
performance/accompaniment
CD. General music
$39.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Various Themes on Fa-La-La Chorale SATB SATB, Piano [Octavo] Alfred Publishing
Arranged by Chuck Bridwell. For Choir. (SATB). Choral Octavo. Choral Designs. M...(+)
Arranged by Chuck
Bridwell. For Choir.
(SATB). Choral Octavo.
Choral Designs.
Masterwork; Novelty.
Choral Octavo. 12 pages.
Published by Alfred
Publishing.
(2)$2.05 $1.9475 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Various Themes on Fa-La-La Chorale SATB SATB, Piano [Octavo] Alfred Publishing
Arranged by Chuck Bridwell. Choir Secular. Men's Choir. Choral Octavo; Masterwor...(+)
Arranged by Chuck
Bridwell. Choir Secular.
Men's Choir. Choral
Octavo; Masterworks.
Choral Designs.
Christmas; Masterwork;
Novelty; Winter. 12 pages
$2.05 $1.9475 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Christmas Goes Classical Chorale SATB SATB [Octavo] - Intermédiaire Santa Barbara Music Publishing
Arranged by David Maddux. For SATB Choir. Published by Santa Barbara Music Publi...(+)
Arranged by David Maddux.
For SATB Choir. Published
by Santa Barbara Music
Publishing. (SBMP
671) Level: Medium.
$3.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| St. Paul, Op. 36 Chorale SATB Serenissima
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged b...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Alfred Dorffel.
Arranged by August Horn.
Choir and piano. For Solo
voices, SATB Choir,
Piano. This edition:
Paperback. Oratorio
(complete),
Transcriptions, Original
Works, Choral. Romantic
Period; Sacr. Large Vocal
Score. Romantic Period;
Sacred/Hymns, German.
$16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Gilbert and Sullivan: Iolanthe (The Peer and the Peri) Chorale SATB SATB, Piano [Vocal Score] Schirmer
Composed by Gilbert and Sullivan, edited by Bryceson Treharne. Vocal score for S...(+)
Composed by Gilbert and
Sullivan, edited by
Bryceson Treharne. Vocal
score for SATB chorus,
piano accompaniment and
11 solo voices. Contains
all dialogue. With vocal
melody, piano reduction,
lyrics and introductory
text. 208 pages.
Published by G. Schirmer,
Inc.
(3)$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Mikado Chorale SATB SATB Schirmer
Chorus Parts. By Sir Arthur Seymour Sullivan, W.S. Gilbert. (SATB). Opera. Size...(+)
Chorus Parts. By Sir
Arthur Seymour Sullivan,
W.S. Gilbert. (SATB).
Opera. Size 6.8x10.5
inches. 48 pages.
Published by G. Schirmer,
Inc.
$6.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Without Form and Void Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano
SKU: PR.362034230
A Prologue to THE
CREATION by Franz Joseph
Haydn. Composed by
Dan Welcher. Sws.
Premiered at the
Northwest Hills United
Methodist Church, Austin,
TX. Choral. Performance
Score. With Standard
notation. Composed July 5
2014. 16 pages. Duration
5:15. Theodore Presser
Company #362-03423.
Published by Theodore
Presser Company
(PR.362034230). ISBN
9781598069556. UPC:
680160624225. Letter
inches.
English. When the
Texas Choral Consort
asked Welcher to write a
short prologue to Haydn's
The Creation, his first
reaction was that Haydn
already presents Chaos in
his introductory
movement. As he thought
about it, Welcher began
envisioning a truer void
to precede Haydn's
depiction of Chaos within
the scope of 18th-century
classical style - quoting
some of Haydn's themes
and showing human voices
and inhuman sounds in a
kind of pre-creation
melange of color, mood,
and atmosphere. Welcher
accepted this challenge
with the proviso that his
prologue would lead
directly into Haydn's
masterpiece without
stopping, and certainly
without applause in
between. Scored for mixed
chorus and Haydn's
instrumentation, Without
Form and Void is a
dramatically fresh yet
pragmatic enhancement to
deepen any performance of
Haydn's The Creation.
Orchestral score and
parts are available on
rental. When Brent
Baldwin asked me to
consider writing a short
prologue to THE CREATION,
my first response was
“Why?â€Â
THE CREATION already
contains a prologue;
it’s called
“Representation of
Chaosâ€, and
it’s
Haydn’s way of
showing the formless
universe. How could a
new piece do anything but
get in the way? But
the more I thought about
it, the more it made
sense. The Age of
Enlightenment’s
idea of
“Chaos†was
just extended
chromaticism, no more
than Bach used (in fact,
Bach went
further).Perhaps there
might be a way to use the
full resources of the
modern orchestra (or at
least, a Haydn-sized
orchestra) and the modern
chorus to really present
a cosmic soup of unborn
musical atoms, just
waiting for
Haydn’s sure touch
to animate them.Â
Perhaps it could even
quote some of
Haydn’s themes
before he knew them
himself, and also show
human voices and inhuman
sounds in a kind of
pre-creation mélange
of color, mood, and
atmosphere. So I
accepted the challenge,
with the proviso that my
new piece not be treated
as some kind of
“overtureâ€,
but would instead be
allowed to lead directly
into Haydn’s
masterpiece without
stopping, and certainly
without applause. I
crafted this five minute
piece to begin with a
kind of “music of
the spheresâ€
universe-hum, created by
tuned wine glasses and
violin harmonics. The
chorus enters very soon
after, with the opening
words of Genesis
whispered simultaneously
in as many languages as
can be found in a
chorus. The first two
minutes of my work are
all about unborn human
voices and unfocused
planetary sounds,
gradually becoming more
and more
“coherentâ€
until we finally hear
actual pitches, melodies,
and words. Three of
Haydn’s melodies
will be heard, to be
specific, but not in the
way he will present them
an hour from now.Â
It’s almost as if
we are listening inside
the womb of the universe,
looking for a faint
heartbeat of worlds,
animals, and people to
come. At the end of
the piece, the chorus
finally finds its voice
with a single word:
“God!â€,Â
and the orchestra finally
finds its own pulse as
well. The unstoppable
desire for birth must now
be answered, and it
is----by Haydn’s
marvelous oratorio. I
am not a religious man in
any traditional
sense. Neither was
Haydn, nor Mozart, nor
Beethoven. But all of
them, as well as I, share
in what is now called a
humanistic view of how
things came to be, how
life in its many forms
developed on this planet,
and how Man became the
recorder of history.Â
The gospel according to
John begins with a parody
of Genesis: “In
the beginning was the
Word, and the Word was
with God, and the Word
was God.â€Â  I
love that phrase, and
it’s in that
spirit that I offer my
humble
“opener†to
the finest work of one of
the greatest composers
Western music has ever
known. My piece is
not supposed to sound
like Haydn.Â
It’s supposed to
sound like a giant
palette, on which a
composer in 1798 might
find more outrageous
colors than his era would
permit…but which, I
hope, he would have been
delighted to hear. $3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| An Americana Songbook Chorale SATB SATB, Piano [Octavo] Heritage Music Press
By Douglas E. Wagner. For SATB Choir and Piano (with optional concert band). Con...(+)
By Douglas E. Wagner. For
SATB Choir and Piano
(with optional concert
band). Concert. Octavo.
Published by Heritage
Music Press
$3.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Daphnis et Egle-Pastorale heroique in einem Akt- Chorale SATB Barenreiter
Soloists, Choir, Orchestra (2 Soprano Voice Solo, Tenor Voice Solo, BarSolo, SAT...(+)
Soloists, Choir,
Orchestra (2 Soprano
Voice Solo, Tenor Voice
Solo, BarSolo, SATB
Choir, ballet, Orch)
SKU: BA.BA08862
Pastorale
héroïque in one
act. Composed by
Jean-Philippe Rameau.
Edited by Érik
Kocevar. This edition:
complete edition, urtext
edition. Linen.
Jean-Philippe Rameau.
Opera Omnia (OOR) IV/22.
Complete edition, Score.
Duration 1 hour.
Baerenreiter Verlag
#BA08862_00. Published by
Baerenreiter Verlag
(BA.BA08862). ISBN
9790006558216. 33.7 x
25.8 cm inches. Text
Language: French.
Preface: Bouissou, Sylvie
/ Kocevar, Érik.
Text: Charles
Colle. The heroic
pastoral Daphnis et Egl
was performed only once,
on 29 October 1753, for
the entertainment of King
Louis XV at Fontainebleau
and remained unpublished
until today.
This
edition is based on
Rameau's autograph
manuscript, a copy of the
separate parts, and the
libretto published by
Ballard in 1753. A
comparison of the sources
reveals two versions of
the work: the original
version and the one
revised for
Fontainebleau, whereby
the differences lie
mainly in the final
divertissement. This
edition recommends the
Fontainebleau
version—which is
actually more complete in
its musical form, in
particular with its
overture and two
ariettas—but also
reconstructs the original
state of the final
divertissement (presented
in the appendix) before
it was revised.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$293.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Messe de Mort Chorale SATB Breitkopf & Härtel
Vocal soli, SATB choir, orchestra (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0....(+)
Vocal soli, SATB choir,
orchestra (solos: TTB -
choir: SST(A)TBB -
2.0.0.0. - 0.0.0.0. -
vl.2va.vc/db) SKU:
BR.EOS-8047-15
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; Softcover.
Eulenburg Orchestral
Series. Mass; Requiem;
Baroque. Part. 24 pages.
Duration 55'. Breitkopf
and Haertel #EOS 8047-15.
Published by Breitkopf
and Haertel
(BR.EOS-8047-15). ISBN
9790004789735. 8.5 x 11.5
inches. Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka). $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Let There Be Christmas Chorale SATB Shawnee Press
Composed by Joseph M. Martin. For Choral (SATB). Harold Flammer. 104 pages. Publ...(+)
Composed by Joseph M.
Martin. For Choral
(SATB). Harold Flammer.
104 pages. Published by
Shawnee Press
$10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rosamunde, Fürstin von Cypern D 797 Chorale SATB Barenreiter
Vocal solos, choir, orchestra (Alto Voice Solo, 17speaker, SATB Choir, ballet, 2...(+)
Vocal solos, choir,
orchestra (Alto Voice
Solo, 17speaker, SATB
Choir, ballet, 2 Fl, 2
Ob, 2 clarinet, 2
bassoon, 4Hn, 2 Trp,
3trombone, timpani, 2
Violin, Viola, Cello,
Double Bass) SKU:
BA.BA05570-01
Romantic drama in four
acts. Composed by
Franz Schubert. Edited by
Christine Martin and
Walther Durr. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition II, 9. Complete
edition, Score. D 797.
Duration 50 minutes.
Baerenreiter Verlag
#BA05570_01. Published by
Baerenreiter Verlag
(BA.BA05570-01). ISBN
9790006497386. 33 x 26 cm
inches. Language: German.
Preface: Christine
Martin. Text: Helmina von
Chezy. On 20
December 1823 Helmina von
Chezy'sRosamundereceived
its premiere performance
at Vienna's Theater an
der Wien.
Unfortunately the
Viennese version of this
drama with ghosts,
pirates, attempted
poisonings and other
horrifying ingredients
has not survived - unlike
Schubert's popular
incidental music which
also includes choruses
and dances. This music
was already highly
praised by contemporary
critics, with special
acknowledgment given
tothe genius of this
much-loved master. As
evidence of its
popularity, the overture
and theHunters' Chorushad
to be encored at the
premiere. Now
Barenreiter is issuing
one of Schubert's
best-known compositions
in a complete vocal score
with piano
reduction.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$444.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Little Lion, Little Lamb Chorale SATB Daybreak Music
A Cantata for Christmas. Composed by Heather Sorenson. Daybreak Christmas ...(+)
A Cantata for Christmas.
Composed by Heather
Sorenson. Daybreak
Christmas
Choral. Softcover. 130
pages. Published by
Daybreak
Music
$8.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Weber Complete Edition 2/1 Chorale SATB Schott
Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trum...(+)
Mixed choir (SATB), 2
flutes, 2 oboes, 2
clarinets, 2 bassoons - 2
horns, 2 trumpets, 3
trombones, timpani and
strings (P+KRB) SKU:
HL.49042434 Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434). ISBN
9783795794491.
10.25x13.5x1.141 inches.
German. Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references. $257.00 - Voir plus => Acheter | | |
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