Chorale SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano
SKU:
PR.312419020
From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020).
ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Comp...(+)
Choral SATB choir, piano
SKU: PR.312419280
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 12
pages. Duration 5:30.
Theodore Presser Company
#312-41928. Published by
Theodore Presser Company
(PR.312419280).
ISBN
9781491137925. UPC:
680160692613.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Arranged by Joel Raney. For Choir. (SATB). Blues/Gospel, Dedication, Light, Ser...(+)
Arranged by Joel Raney.
For Choir. (SATB).
Blues/Gospel, Dedication,
Light, Service,
Blues-Gospel-Spirituals
and Sacred. Print Music
Single (SATB and Unison
Choir or Solist).
Published by Hope
Publishing Company.
Choral (SATB a cappella) - intermediate SKU: HL.49044156 From: David's...(+)
Choral (SATB a cappella)
- intermediate
SKU:
HL.49044156
From:
David's Psalms.
Composed by Krzysztof
Penderecki. This edition:
Folding. Sheet music.
Choral. Classical,
Contemporary. Octavo.
Composed 1958. 4 pages.
Duration 2'. Schott Music
#C 55729. Published by
Schott Music
(HL.49044156).
ISBN
9790001194037. UPC:
888680042219.
7.5x10.75x0.009 inches.
Latin.
The White Island Chorale SATB SATB, Orchestre [Conducteur] Dantalian
By Donald Martino (1931-2005). For SATB Chorus, Chamber Orchestra. This edition:...(+)
By Donald Martino
(1931-2005). For SATB
Chorus, Chamber
Orchestra. This edition:
Full Score. Contemporary
Classical. Contemporary
Classical. Professional.
Sheet Music. Published by
Dantalian, Inc.
The White Island Chorale SATB SATB, Orchestre [Conducteur d'étude / Miniature] Dantalian
By Donald Martino (1931-2005). For SATB Chorus, Chamber Orchestra. This edition:...(+)
By Donald Martino
(1931-2005). For SATB
Chorus, Chamber
Orchestra. This edition:
Study Score. Contemporary
Classical. Contemporary
Classical. Professional.
Sheet Music. Published by
Dantalian, Inc.
SATB choir SKU: ST.EM28 Composed by Henry Youll. Edited by Edmund H Fello...(+)
SATB choir
SKU:
ST.EM28
Composed by
Henry Youll. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Note:
Print on demand.
Spiral-bound A4.
Madrigals. Collection.
Stainer & Bell Ltd.
#EM28. Published by
Stainer & Bell Ltd.
(ST.EM28).
ISBN
9790220218798.
CONT
ENTS Awake, sweet
love (SSA (or T)) But
behold where they return
(SST) But though poor
sheep (SST) Cease,
restless thoughts
(SST) Come, love,
let's walk (SSA (or
T)) Come, merry lads,
let us away (SSA)
Each day of thine
(SST) Early before
the day doth spring
(SSA) In the merry
month of May (SSA) In
pleasant summer's morning
(SST) In yonder dale
(SST (or A)) Now the
country lasses hie them
(SSB (or T)) Of sweet
and dainty flowers
(SAT) Once I thought
to die for love (SST)
Only joy, now here you
are (SST) Pipe,
shepherds, pipe (SSB (or
T)) Pity me, mine own
sweet jewel (SST)
Say, shepherd, say
(SST) See where this
nymph (SSA (or T))
Slow, slow, fresh fount
(SST) Sweet Phyllis,
stay (SST) The
shepherd's daughters
(SST) Where are now
those jolly swains?
(SSB) Whiles joyful
springtime lasteth
(SST).
SATB choir SKU: ST.EM35B Composed by John Mundy. Edited by Edmund H Fello...(+)
SATB choir
SKU:
ST.EM35B
Composed by
John Mundy. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart and Philip
Brett. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM35B. Published by
Stainer & Bell Ltd.
(ST.EM35B).
ISBN
9790220211652.
Orga
nist of St George's,
Windsor, and successor to
the famous Marbecke,
Mundy was amongst the
earliest of the English
madrigalists. There are
12 madrigals in this
collection, ranging from
Of all the
birds, a tribute to
William Byrd, to In
deep distress and
the tragic setting of
words written by Chideock
Tichborne on the eve of
his execution in the
Tower of London, My
prime of youth. The
volume also contains 25
psalms in three, four,
and five parts.
CONTENTS As I went
walking (SAT) Blessed
art thou (SAT) Have
mercy on me, O Lord
(SSATB) Hear my
prayer, O Lord (STB)
Heigh Ho! 'chill go to
plough (SSAB) I lift
my heart to thee
(SSAT) In deep
distress (SATB) In
midst of woods
(SSATB) Lightly she
whipped o'er the dales
(SSATB) Lord arise
and help thy servant
(SSATB) Lord to thee
I make my moan (SATB)
My prime of youth
(SATB) O all ye
nations (S (or A) AT)
O come let us lift up our
voice (SAT) O Lord of
whom I do depend
(SSAT) O Lord turn
not away thy face
(SAT) Of all the
birds (SAT) Penelope
that longed (SSATB)
Praise the Lord, O my
soul (SAT) Save me, O
God (SAT) Sing ye
unto the Lord (SSAT)
The black-bird made
(SSATB) The longer
that I live (SSAT)
The Shepherd Stephon (S
solo, A. viol, T. viol,
B. viol) Thus art
thou bless'd (SAT)
Turn about and see me (SA
(or T) T) Unto thee
lift I up mine eyes
(SSATB) Were I a king
(SATBB) Who loves a
life (SSATB) Witness
ye heav'ns (S solo, A.
viol, T. viol, B.
viol) Ye people all
in one accord (SAB).
SATB choir SKU: ST.EM35A Composed by Robert Jones. Edited by Edmund H Fel...(+)
SATB choir
SKU:
ST.EM35A
Composed by
Robert Jones. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM35A. Published by
Stainer & Bell Ltd.
(ST.EM35A).
ISBN
9790220209796.
Jone
s was a famous lutenist
and one of the musicians
responsible for training
the 'children of St
Paul's', who acted and
sang in Elizabethan and
Jacobean court plays. His
16 madrigals are mostly
to texts about birds -
birds merry, sweet,
shrill, crowing or
melancholic.
CONTENTS Are lovers
full of fire?
(SSAATBB) But let her
look in mine (SST)
Cock-a-doodle-doo (SS (or
A) A (or T) B) Come,
doleful owl (SSTTB)
Fair Oriana seeming to
wink (SSAATB) I come,
sweet birds (SS (or A) A
(or T) B) Love, if a
god thou art (SST) O
I do love (SST (or
A)) She only is the
pride (SSA)
Shrill-sounding bird (SST
(or A) B) Sing, merry
birds (SS (or A) A (or T)
B) Sweet, when thou
singest (SSATB) The
more I burn
(SSAATTBB) Thine eyes
so bright (SSA) When
I behold her eyes
(SST) Your presence
breeds (SSAATB).
I Am My Beloved's, And My Beloved Is Mine Song of Solomon 6:1-4. By Achiya Delou...(+)
I Am My Beloved's, And My
Beloved Is Mine Song of
Solomon 6:1-4. By Achiya
Delouya. Arranged by
Madeline List Hershenson.
(SATB). TRANSCONTINENTAL
MUSIC CHORAL. Size
6.75x10.5 inches. 12
pages. Published by Hal
Leonard.
SATB choir SKU: ST.EM41 Composed by Giovanni Croce. Edited by John Morehe...(+)
SATB choir
SKU:
ST.EM41
Composed by
Giovanni Croce. Edited by
John Morehen. Library
Volumes. Edited by John
Morehen. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM41. Published by
Stainer & Bell Ltd.
(ST.EM41).
ISBN
9790220220456.
Croc
e's madrigal style may be
compared to that of
Thomas Morley, and the
Musica Sacra
settings of the seven
penitential psalms, set
for six voices and
published by Thomas East,
were hugely popular in
England. They were spoken
of admiringly not only by
Morley himself, but also
by John Dowland and Henry
Peacham.
CONTENTS Blessed
are they whose faults so
oft forbidden (Psalm 32)
(SATTTB) From
profound centre of my
heart (Psalm 130)
(SSATTB) Lord, in
thine anger do no more
reprove me (Psalm 38)
(SSATTB) Lord, in thy
wrath reprove me not
severely (Psalm 6)
(SATTTB) Hearken,
Lord, unto mine humble
plainings (Psalm 102)
(SATTTB) Listen, O
Lord, unto my prostrate
prayer (Psalm 143)
(SSATTB) Shew mercy,
Lord, on me (Psalm 51)
(SSATTB).
SATB choir & organ (SATB) - easy SKU: OU.9780193505179 Composed by Paul L...(+)
SATB choir & organ (SATB)
- easy
SKU:
OU.9780193505179
Composed by Paul
Leddington Wright. Sacred
choral - mixed voices.
Sacred, Choral Leaflet.
Vocal score. 12 pages.
Duration 4'. Oxford
University Press
#9780193505179. Published
by Oxford University
Press (OU.9780193505179).
ISBN 9780193505179. 10
x 7 inches.
For
SATB and organ This is a
jubilant, richly-textured
anthem. Accessible and
uplifting, the piece is
embroidered throughout
with references to
Vaughan Williams's
revered hymn tune 'Sine
Nomine'; this eventually
emerges in its entirety,
embellished with a
triumphant descant and
short passage for
congregation.
SATB choir, soprano saxophone, drums, piano SKU: CA.2800600 Composed by V...(+)
SATB choir, soprano
saxophone, drums, piano
SKU: CA.2800600
Composed by Vytautas
Miskinis. Sacred vocal
music, Masses, Latin.
Full score. 68 pages.
Duration 30 minutes.
Carus Verlag #CV
28.006/00. Published by
Carus Verlag
(CA.2800600).
ISBN
9790007171346. Language:
Latin.
The title
Pastoral Mass originated
from my children's song
Shepherd Song, as this
melody is played by the
saxophone at the
beginning of the work.
The sound of this
instrument is reminiscent
of a traditional
Lithuanian folk
instrument known as a
birbyne, played by
shepherds in the country.
The character of the
music varies between
popular and Romantic
styles, and the text is
taken from the
traditional Latin mass in
six movements. At certain
points, the instruments
are able to improvise
freely - this is
predetermined by the
conductor and soloists.
The soprano saxophone
part can also be played
on any other woodwind
instrument with an
appropriate range.
(Vytautas Miskinis).
SATB Choir, Sopran-Sax, Drums, Electric Piano SKU: CA.2800605 Composed by...(+)
SATB Choir, Sopran-Sax,
Drums, Electric Piano
SKU: CA.2800605
Composed by Vytautas
Miskinis. Sacred vocal
music, Masses, Latin.
Choral Score. 32 pages.
Duration 30 minutes.
Carus Verlag #CV
28.006/05. Published by
Carus Verlag
(CA.2800605).
ISBN
9790007182878. Language:
Latin.
The title
Pastoral Mass originated
from my children's song
Shepherd Song, as this
melody is played by the
saxophone at the
beginning of the work.
The sound of this
instrument is reminiscent
of a traditional
Lithuanian folk
instrument known as a
birbyne, played by
shepherds in the country.
The character of the
music varies between
popular and Romantic
styles, and the text is
taken from the
traditional Latin mass in
six movements. At certain
points, the instruments
are able to improvise
freely - this is
predetermined by the
conductor and soloists.
The soprano saxophone
part can also be played
on any other woodwind
instrument with an
appropriate range.
(Vytautas Miskinis).
Score available
separately - see item
CA.2800600.
Composed by Markus Miklos, Mathilde Giraud, Lajos Bardos. Collection. Secular. C...(+)
Composed by Markus
Miklos, Mathilde Giraud,
Lajos Bardos. Collection.
Secular. Choir part. 118
pages. Published by
Editions a Coeur Joie
(CJ.A135300071).