Composed by John Rutter (1945-). For SATB choir and chamber ensemble (flute, oboe, clarinet, bassoon, horn, timpani, percussion (glockenspiel, snare drum, crash cymbal, suspended cymbal, tambourine, bongos), organ, harp, strings (min: 2/2/2/1/1)). This edition: chamber version. Oratorios. Level C (moderately difficult). Full score. 184 pages. Duration 40 minutes. Published by Oxford University Press

By Mack Wilberg (1955-). For SATB choir and percussion. Mixed Voices. Secular, Choral Leaflet. Vocal score. 16 pages. Duration 4'. Published by Oxford University Press

By Frederick Loewe, lyrics by Alan Jay Lerner. Arranged by Carl Strommen. (SATB). Choral Octavo. Pop. Level: Moderate (grade III). Choral Octavo. 44 pages. Published by Alfred Publishing.

Composed by Lerner & Loewe. Vocal score for SATB chorus, 5 solo voices and piano accompaniment. Includes all incidental music and cues. With vocal score, lyrics and piano reduction. 256 pages. Published by Hal Leonard.

Composed by Arvo Part (1935-). World Premiere: in St. Gerold / Austria by the Hilliard Ensemble. Sacred. Vocal score. With Standard notation. Composed 2004/2006. Duration 5 minutes. Universal Edition #UE32941. Published by Universal Edition

By Vicente Chavarria. For SATB choir (a cappella). Jo-Michael Scheibe Choral Series. Concert. Octavo. Text language: spanish. 8 pages. Duration 4 minutes. Published by Santa Barbara Music Publishing

By John Rutter (1945-). For SATB choir and orchestra. Full score. Duration 40 minutes. Published by Oxford University Press

Arranged by Brent Jorgensen. For SATB choir and piano. Christmas. Medium. Octavo. Duration 2 minutes, 30 seconds. Published by Jackman Music Corporation

By Bob Chilcott and Knight. For Choral Collection: Mixed Choir. Published by Oxford University Press.

SATB Choir - Grade 3

SKU: BT.DHP-0991451-050

Composed by Jacob De Haan. Inspiration Series. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991451-050. Published by De Haske Publications (BT.DHP-0991451-050).

English.

Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting Pacific Dreams Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of Pacific Dreams, he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his Pacific Dreams.Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.

Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren....

Choir (SATB choir)

SKU: AP.48897

Arranged by Victor C Johnson. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Carol Arrangement; Christmas; Multicultural; Sacred; Traditional; World. Choral Octavo. 12 pages. Alfred Music #00-48897. Published by Alfred Music (AP.48897).

UPC: 038081562216. English. Traditional Spanish Carol.

Victor's arrangement of this gentle nativity carol from Spain is sung entirely in the original language (a pronunciation and translation are included). This sensitive treatment captures the lullaby mood and adds a light rhythmic undercurrent in moderate 3/4 time. The tonality shifts seamlessly between D minor and D major to reflect a text that moves from quieting the baby to a rushing fountain and singing birds. While the words do return, no two verses are set in the same manner, creating an ever-evolving arrangement. Piano fingers dance over the keys with triplet turns and easily grasp the bigger chords in the supportive and stylistic accompaniment. A nice contrast on holiday programs.

Arranged by John Biggs. For SATB choir, 2 flutes, 2 violins, cello, double bass and hand bells. Americana, Music from Spain. Choral. Easy. Instrument parts. Duration 20 minutes. Published by Consort Press

By Dale Peterson. For Choral (SATB). Fred Bock Publications. 8 pages. Fred Bock Music Company #BG2589. Published by Fred Bock Music Company

(Carols from Spain and Australia). Arranged by David Patrick. For SATB Choir and Keyboard accompaniment. Royal School of Church Music. Sacred, Christmas. Easy. Text language: English/German. 16 pages. Published by GIA Publications

By Gioachino Rossini. For Orch. (SATB with SSATB Soli). Choral Worship Cantata. Kalmus Edition. Masterwork; Sacred. Book. 104 pages. Published by Alfred Publishing.

Mixed Choir

SKU: HL.48025286

Mixed Choir SATB. Composed by Clement Janequin. BH Secular Choral. Classical. Softcover. Fennica Gehrman #M042086322. Published by Fennica Gehrman (HL.48025286).

UPC: 196288167990. 7.75x10.5x0.091 inches.

Clèment Janequin's (c. 1485-1558) Le Chant des Oiseaux is for mixed choir or four-part vocal ensemble (French text, Editor: Frank Dobbins). The imitation of birdsong has played a prominent role in French music ever since the Middle Ages. This delightful assembly of human and ornithological dialogue enjoyed considerable popularity in instrumental arrangements in Italy and Spain in the sixteenth century. Fazer Editions of Early Music is a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble Although each title in this series is the result of carefulscholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introductionin English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided.

By Bob Merrill, music by Jule Styne. Arranged by Lisa DeSpain. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Choral Octavo. 12 pages

By Alan and Marilyn Bergman, music by Michel LeGrand. Arranged by Lisa DeSpain. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Movie. 12 pages. Published by Alfred Music Publishing

(Featuring: Last Night on Earth / Boulevard of Broken Dreams / Wake Me Up When September Ends / 21 Guns). Arranged by Lisa DeSpain. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Form: Medley. Broadway. 20 pages. Published by Alfred Music Publishing

By Lorenz Hart, music by Richard Rodgers. Arranged by Lisa DeSpain. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Broadway. Choral Octavo. 12 pages

Arranged by Lisa DeSpain. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Form: Medley. Broadway. Choral Octavo. 24 pages

From Hamilton. Composed by Lin-Manuel Miranda (1980-). Arranged by Lisa DeSpain. Choral Octavo. Alfred Pop Series. Broadway; Pop; Secular. 12 pages. Published by Alfred Music

Arranged by Lisa DeSpain. Choir Secular. For SoundPax. This edition: SoundPax. Choral Octavo; Part(s). Pop Choral. Form: Medley. Broadway. 20 pages

Arranged by Lisa DeSpain. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Form: Medley. Broadway. Choral Octavo. 24 pages