SKU: CA.5408712

Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and part available separately - see item CA.5408700.

SKU: CA.5408705

ISBN 9790007188184. Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score available separately - see item CA.5408700.

SKU: CA.5408719

Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and parts available separately - see item CA.5408700.

SKU: CA.5408749

Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and part available separately - see item CA.5408700.

SKU: CA.5408711

Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and part available separately - see item CA.5408700.

SKU: CA.5408703

ISBN 9790007186913. Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score available separately - see item CA.5408700.

SKU: CA.5408709

Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and parts available separately - see item CA.5408700.

SKU: CA.5408700

ISBN 9790007181666. Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time.

SKU: CA.5408713

Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and part available separately - see item CA.5408700.

SKU: CA.3113903

ISBN 9790007181192. Language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.

SKU: GI.G-9040

UPC: 785147904007. English. Text Source: Based on Psalm 47. Text by John Gaffney.

This one-rehearsal anthem is a lively selection that can be performed with or without the trumpet parts. The composer describes this piece as an “interpretation of the baroque style” that should be sung with a “light” sound. The organ part may be played by two trumpets.

SKU: MN.50-7049

UPC: 688670570490.

Compo sers delightful tune FERLAND wedded to a new text by contemporary hymn-writer Mary Louise Bringle. The text is a joyous expression of praise and adoration filled with colorful metaphors. The Baroque-like tune is developed for organ in the composers MorningStar publication, Ferlands March and Recessional (10-962). A successful collaboration between two creative individuals who are very involved in the current church music scene.

SKU: HL.49019662

ISBN 9790001190251. 8.5x11.75x0.11 inches. German.

In nicht Ichts - nicht Nichts, Heinz Holliger has set the words of ten selected mystic epigrammes by the seventeenth century Baroque poet Angelus Silesius. The two-line sayings in rhyming Alexandrines undertake a profound exploration of metaphysical issues, posing questions such as What is life, eternity, space and time and the nature of God?

SKU: CA.3949214

ISBN 9790007056346. Language: German/English.

Two straightforward four-part choral movements frame three solo movements. The tonal language of this easily performable work, taken from a cantata publication of 1748, combines baroque pictorial quality and playfulness with rococo grace and sensitivity. Score and part available separately - see item CA.3949200.

SKU: CA.7003819

ISBN 9790007133726. Key: E minor. Language: German/French.

The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the Flight to Egypt, which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled The dream of Herodes and The arrival at Sais, had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this sacred trilogy a grateful enrichment of the repertoire for Christmas music. Score and parts available separately - see item CA.7003800.

SKU: CA.1037219

ISBN 9790007133795. Language: English. Text: Dryden, John. Text: John Dryden.

During the late 17th century English musicians celebrated each year on 22 November the feast of St. Cecilia, the patron saint of music, with special concerts and church services. With his Ode for St. Cecilia's Day Handel rejuvenated the tradition of this festival on St. Cecilia's Day in 1732. This so-called little St. Cecilia Ode is a musically joyful glorification of the power of music: two festive choruses frame five charming arias in each of which a solo instrument is used for contrasting effect in the baroque manner. Handel allows the soloists a wealth of freedom to improvise and to display their skills. This is especially the case for the organ, which was his favorite instrument. Score and parts available separately - see item CA.1037200.

SKU: CA.3949211

ISBN 9790007056315. Language: German/English.

Two straightforward four-part choral movements frame three solo movements. The tonal language of this easily performable work, taken from a cantata publication of 1748, combines baroque pictorial quality and playfulness with rococo grace and sensitivity. Score and part available separately - see item CA.3949200.

SKU: CA.9125603

ISBN 9790007129392. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score available separately - see item CA.9125600.

SKU: CA.9125614

ISBN 9790007234690. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score and part available separately - see item CA.9125600.

SKU: CA.2810307

ISBN 9790007135836. Language: Spanish. Text: Palacios, Maria Fernanda. Text: Maria Fernanda Palacios.

Gonzalo Grau's oratorio Aqua, commissioned by the International Bachakademie Stuttgart, is concerned with the important global theme of water. It is precisely in central Europe that this precious commodity is frequently and thoughtlessly wasted, while in other parts of the world it is so scarce. Moreover, water shows two sides, which Grau makes audible in his oratorio: It gives, but it can also take life - in some places rain brings luck, while in others it brings destruction. Worldwide water is a theme, it means different things in different cultures - this, for example, is reflected in the music of Indian and African cultures. Gonzalo Grau's compositional style is marked by a variety of influences: For me a Gregorian chant is just as beautiful as a Cuban Santeria song. Indian ornamentation and baroque articulation can both appear in the same piece, says the composer. Special sound effects make Aqua a multi-cultural oratorio in which man and the environment is the central theme. Score available separately - see item CA.2810300.

SKU: CA.7003849

ISBN 9790007227531. Key: E minor. Language: German/French.

The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the Flight to Egypt, which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled The dream of Herodes and The arrival at Sais, had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this sacred trilogy a grateful enrichment of the repertoire for Christmas music. Score and part available separately - see item CA.7003800.

SKU: CA.9125613

ISBN 9790007234683. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score and part available separately - see item CA.9125600.