Par VIVALDI / BLANCHARD. As one of the great Baroque composers, Antonio Vivaldi 's (1678-1741) compositions remain hugely popular to this day. His motets, including Motetti A Canto Solo Con Stromenti continue to be popular, large-scale performance works. Vivaldi is best remembered for his Four Seasons and for his Violin concertos. However, his motets number to over 60. The second volume of Motetti A Canto Solo Con Stromenti contains the last three movements of the work. For all aspiring solo vocalists of the Baroque genre, Vivaldi 's Motetti A Canto Solo ConStromenti cannot be missed./ Répertoire / SATB

Laetatus Sum. Par VIVALDI ANTONIO. The 121st Psalm of the Vulgata forms part of the Roman Catholic liturgy for Vespers on the feast da of a virgin (namely, the Virgin Mary). Vivaldi's setting, given its first edition, is one of his simplest psalm statements that have come down to us. / Date parution : 1984-08-01/ Répertoire / Choeur SATB, Violon, Alto et Basse Continue

Laetatus Sum. Par VIVALDI ANTONIO. The 121st Psalm of the Vulgata forms part of the Roman Catholic liturgy for Vespers on the feast da of a virgin [namely, the Virgin Mary]. Vivaldi's setting, given its first edition, is one of his simplest psalm statements that have come down to us. / Psaumes / Date parution : 1984-08-01/ Répertoire / Choeur SATB, Violon, Alto et Basse Continue

Piano Reduction By Francesco Bellezza. Par VIVALDI ANTONIO. Complete Vocal Score to Antonio Vivaldi's Dixit RV594. For Solo voices and double mixed chorus. This edition includes a Piano reduction of Orchestral score./ Répertoire / Choeur

Vivaldi's international renown came about largely as a result of his concertos which were collated and of course performed throughout the courts of Europe. Quite unlike the concertos Vivaldi's voluminous output of sacred works was hardly known beyond the purlieus of their original performance. Following the composer's death they became increasingly unknown and even today it is difficult to say how many pieces of church music Vivaldi composed.As few of Vivaldi’s church compositions can be dated on the basis of written or stylistic evidence the origins of the Gloria In D remain shrouded with conjecture.Rather than being conceived aspart of a larger Mass setting the Gloria is an independent work a cyclical composition of broad design consisting of twelve self-contained movements. Stylistically it closely resembles a concertante Mass.This Urtext edition of Vivaldi’s ever-popular work provides you with an accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions as edited by Klaus Burmeister.

Antonio Vivaldi's Gloria in D RV589 for SATB and Piano.The Gloria in D Major RV 589 is Vivaldi's most famous sacred work and it is among his most important church music compositions. An independent work in one movement it was probably composed between 1713 and 1717 for the Ospedale della Piet one of the orphanages of Venice in which young girls received a thorough musical training. The musically representative work is divided into 12 sections which differ in scoring movement type key and expressed emotions.

Rv 588. Par VIVALDI ANTONIO. Gattungen: Messen-Sätze - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Latin / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, Trompette,

Antonio Vivaldi?s Magnificat in G minor has come down to us in two conflicting versions. The earlier one probably the original version (RV 610) is dominated by impressive but largely straightforward choral passages set against a few brief vocal ensembles manageable by soloists from the choir.In the later version (RV 611) the solo parts and one chorus are replaced by demanding virtuoso arias. Andreas Köhs arrangement for soloists chorus and organ allows performers to choose between these two versions and is equally suitable for use in church and concert hall.Standard repertoire work easy to performIndependent version for soloists (RV 610: SSAT;RV 611: SA) chorus (SATB) and organClear and well presented organ partSuitable for use in church and concert hallDuration: ca. 15 minutes (RV 610) or 20 minutes (RV 611)The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.

from Gloria-From Vivaldi's ever-loved Gloria this is the joyous opening movement and a fine choice for high concert or festival. Latin and English texts. Available: SATB SAB SSA TTBB.

The second chorus from Vivaldi's Beatus Vir is a thought (and discussion) provoking piece Also available: Beatus Vir (HMC177) Paratum Cor Ejus (HMC180) and Gloria Patri (HMC178)

This piece is a joyous and exuberant chorus from Antonio Vivaldi's Domine ad adjuvandum me festina a polychoral motet based on Psalm 69. Originally scored for two choirs this edition by Patrick Liebergen is a shortenedversion of the first of three movements with a keyboard reduction of the full orchestral score and an optional trumpet part provided as the accompaniment. Outstanding choral masterwork.

Ed. critica di Alessandro Borin - ril. brochure-La Gloria E Imeneo RV 687 belongs to a group of so-called ‘French serenatas’ by Antonio Vivaldi namely a series of works composed and performed between the mid-1710s and mid-1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy.This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice Jacques-Vincent Languet Count of Gergy on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska and was performed during a festa that took place inthe ambassador’s garden on the evening of 12 September 1725.This critical edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata the state of the sources and its musical content. The critical edition includes an apparatus that records all the variants between the autograph score and the secondary collate sources and a diplomatic- interpretative edition of the poetic text inferred – since no libretto has come down to us – by the words underlaid to the notes in the manuscript of the serenata.

Antonio Vivaldi probably composed his famous Gloria in 1725. Although the exact circumstances of its origin remain a riddle it was definitely conceived as a self-contained concert piece rather than as part of a complete setting of the Mass.The compositional fabric the festive character of the outside movements and the predominance of the strings in the middle movements make this masterpiece of Venetian sacred music a natural choice for an arrangement for solo voices choir and organ. Rather than imitating the orchestral writing Martin Focke?s arrangement offers a self-contained version tailor-made for this combination of instruments thereby making a pinnacleof European church music accessible to the often more modest resources of today?s churches.Standard work of the oratorio repertoireSelf-contained version for solo voices (SSA) choir (SATB) and organHighly supportive easy-to-play organ partIdeal for use in church servicesDuration: c. 30 mins.The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.