By Gustav Mahler. For Piano, Orch. (SATB divisi (G/E)). Choral Extended Work. Masterwork. 8 pages. Published by Alfred Publishing.

By Michael; Harris Mahler. For Voices: SATB. Instruments: C instrument, string quartet (2 violins, viola, cello) (instruments optional). Keyboard accompaniment. Christmas Sacred. Level: easy. 7 pages. Published by GIA Publications.

By Gustav Mahler (1860-1911). Edited by Lauer, Hermann. Full score available separately - see item CA.4071400. Romantic Choral Music; Secular Choral Music. Choral score. 12 pages

SATB choir, assembly, keyboard accompaniment, flute, oboe, cello - Beginning

SKU: GI.G-5609

Composed by Michael Mahler and Tony Alonso S.J. Celebration Series. Sacred. Octavo. With guitar chord names. 4 pages. GIA Publications #5609. Published by GIA Publications (GI.G-5609).

English. Text Source: Alonso, Tony, Mahler, Michael.

Any combination of flute, oboe and cello may be used. .

Choral SATB Choir and Piano

SKU: CF.CM9740

Composed by Mark Burrows. 16 pages. Duration 4 minutes, 22 seconds. Carl Fischer Music #CM9740. Published by Carl Fischer Music (CF.CM9740).

ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson.

Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to.   The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text.   And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done.
Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War” finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.” Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly” in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O” is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done.

SATB choir, voice solo, assembly, piano accompaniment - Beginning

SKU: GI.G-5553

Composed by Michael Mahler. Pentecost, OT 2 A. Leavensong Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #5553. Published by GIA Publications (GI.G-5553).

English. Text by Michael Mahler.

SATB choir, voice solo, assembly, piano accompaniment, trumpet in B-flat, alto saxophone - Beginning

SKU: GI.G-5554

Composed by Michael Mahler. Advent. Leavensong Series. Sacred. Octavo. With guitar chord names. GIA Publications #5554. Published by GIA Publications (GI.G-5554).

English, Spanish. Text by Michael Mahler.

SATB choir, assembly, keyboard accompaniment, guitar - Beginning

SKU: GI.G-6048

Composed by Michael Mahler. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #6048. Published by GIA Publications (GI.G-6048).

English. Text Source: Based on Psalm 10. Text by Ruth Duck. Scripture: Psalm 10.

By Michael Mahler. For Solo, SATB Chorus, Keyboard accompaniment, and 2 Bb Instruments. Leavensong. Includes guitar chord names. Sacred. Easy/Medium. 16 pages

SATB choir, cantor, voice solo, assembly, keyboard accompaniment, guitar - Beginning

SKU: GI.G-6043

Composed by Michael Mahler. OT 24 A, OT 24 C, Lent 4 A, Lent 4 C. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #6043. Published by GIA Publications (GI.G-6043).

UPC: 785147604303. English.

For cantor or soloist.

By Gustav Mahler (1860-1911). Arranged by Carlo Marenco. For SATB, Piano. 37 pages. Published by Universal Edition

By Gustav Mahler. Arranged by Stanley Hoffman. Text: Friedrich Ruckert. For SATB Choir, piano or orchestra. (Mixed Voices). Secular. Choral. Published by E.C. Schirmer Publishing.

(Adagietto aus der 5. Sinfonie). By Gustav Mahler (1860-1911). Arranged by Clytus Gottwald. For SSSSAAAATTTTBBBB Choir. Score. Language: German. 24 pages

(In 5 Movements). By Gustav Mahler (1860-1911). Edited by Renate Stark-Voit, Gilbert Kaplan. For SATB Choir, Orchestra. This edition: revised version Stark/Kaplan. World Premiere: in Royal Albert Hall London / Great Britain by the Royal Philharmonic Orchestra/Philharmonia Chorus conducted by Gilbert Kaplan. Standard notation. Composed 1888-1894

SATB choir, voice solo, assembly, piano accompaniment, guitar - Early intermediate

SKU: GI.G-6039

Composed by Michael Mahler. Easter Vigil. Leavensong Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #6039. Published by GIA Publications (GI.G-6039).

English. Text Source: Exodus 15, adapt. MM. Scripture: Exodus 15.

SATB choir, voice solo, assembly, piano accompaniment, guitar, C instrument 1, C instrument 2 - Early intermediate

SKU: GI.G-6040

Composed by Michael Mahler. Ordinary Time 28 B. Leavensong Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #6040. Published by GIA Publications (GI.G-6040).

English, Spanish. Text Source: Based on Luke 12:16–21, Matthew 19:21–23, Mark 10:21–27. Scripture: Luke 12:16–21, Matthew 19:21–23, Mark 10:21–27.

Composed by Gustav Mahler and Stanley M. Hoffman. Romantic. Octavo. Duration 2 minutes, 50 seconds. E.C. Schirmer Publishing #8739. Published by E.C. Schirmer Publishing

Composed by Jenny Mahler. Voice Junction. Vocal score. 12 pages. Duration 2.5'. Oxford University Press #9780193544062. Published by Oxford University Press