Composed by Michael
Haydn. Edited by Charles
H. Sherman. Ave Maria In
F (Offertorium) Mh 72.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part,
Cello/Double Bass.
Composed 1765. MH 72. 2
pages. Duration 5
minutes. Carus Verlag #CV
50.345/13. Published by
Carus Verlag
(CA.5034513).
ISBN
9790007081416. Key: F
major. Language:
Latin.
The present
offertory Ave Maria is
one of Haydn's earliest
Salzburg sacred
compositions. Dating, in
all probability, from the
year 1765, it displays
the modest means and
genial lyricism that is
typical of his music from
the time. Score and part
available separately -
see item CA.5034500.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. Ave Maria In
F (Offertorium) Mh 72.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Violin
2. Composed 1765. MH 72.
2 pages. Duration 5
minutes. Carus Verlag #CV
50.345/12. Published by
Carus Verlag
(CA.5034512).
ISBN
9790007081409. Key: F
major. Language:
Latin.
The present
offertory Ave Maria is
one of Haydn's earliest
Salzburg sacred
compositions. Dating, in
all probability, from the
year 1765, it displays
the modest means and
genial lyricism that is
typical of his music from
the time. Score and part
available separately -
see item CA.5034500.
SATB choir, percussion SKU: CA.965700 Composed by Daniel Elder. Edited by...(+)
SATB choir, percussion
SKU: CA.965700
Composed by Daniel Elder.
Edited by Stefan Schuck.
Carus Contemporary. CARUS
CONTEMPORARY. Full score.
20 pages. Carus Verlag
#CV 09.657/00. Published
by Carus Verlag
(CA.965700).
ISBN
9790007165079. Text
language:
English.
Into the
Wordless compares two
poems by Walt Whitman,
both from his landmark
publication Leaves of
Grass. These two
disparate texts fit
together in a hauntingly
symbiotic way, and in
this setting they are
compared musically in two
distinct styles that
represent a dual-reality
experienced by the
narrator. As the poems
are interwoven section by
section, the plagal
nature of Gliding Over
All joins seamlessly with
the pa n-diatonicpatterns
in A Clear Midnight, in
particular their shared
weight of A-flat major -
historically theorized as
the key of the grave
(Christian Schubart's
Ideen zu einer Asthetik
der Tonkunst, 1806) -
albeit in different
harmonic contexts.
(Daniel Elder).
SATB choir with optional vocal solo SKU: LP.OR-2244 Arranged by Thomas Fe...(+)
SATB choir with optional
vocal solo
SKU:
LP.OR-2244
Arranged
by Thomas Fettke.
Anthems. Blended and
Sacred. Score and parts.
Published by Lillenas
Publishing Company
(LP.OR-2244).
UPC:
765762109902.
What
a profound choice of
words for a lyric: I have
one deep supreme desire
that I may be like Jesus.
Our choirs don't sing
songs of aspiration and
commitment enough these
days. It's as if the flow
of lyrical thought has
gone in other directions.
It seems to me the
ultimate in praise and
worship is to emulate our
Lord and Savior. We need
to sing about it and
strive with all of our
beings to live it. You
may wish to involve
congregation on this
anthem.
Pavane Chorale SATB SATB, Piano - Facile Carus Verlag
SATB chorus, Piano 4 hands - Grade 2 SKU: CA.1040210 Arrangement for c...(+)
SATB chorus, Piano 4
hands - Grade 2
SKU:
CA.1040210
Arrangement for choir
and piano four hands.
Composed by Gabriel
Faure. Edited by Denis
Rouger. Arranged by
Pierre Albert Kopff.
Gattungen vokal: Secular
choral music. Full Score.
Composed 1887-1901. Op.
50. 12 pages. Duration 5
minutes. Carus Verlag
#1040210. Published by
Carus Verlag
(CA.1040210).
ISBN
9790007301866. Key: F
sharp minor. French.
Text: Montesquiou, Robert
de.
SATB choir SKU: ST.EM20 Canzonets to Four Voices. Composed by Gile...(+)
SATB choir
SKU:
ST.EM20
Canzonets
to Four Voices.
Composed by Giles
Farnaby. Edited by Edmund
H Fellowes. Library
Volumes. Edited Edmund
Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM20. Published by
Stainer & Bell Ltd.
(ST.EM20).
ISBN
9790220206337.
Reme
mbered chiefly for his
virginal music, this
always fresh and charming
composer - who was
probably an instrument
maker by trade - may well
have penned these pieces
simply for the enjoyment
of his London friends
living in the wards of
Bishopsgate and
Cripplegate. His
experience as a keyboard
player may have led him
to some chromatic vocal
writing, particularly in
the admirable Construe my
meaning, rivalling
strangenesses in the work
of his Italian
contemporary,
Gesualdo.
CONTENTS Among
the daffadillies
(SSAB) Ay me, poor
heart (SATB) Blind
Love was shooting
(SSAB) Carters, now
cast down (SAT (or A)
B) Construe my
meaning (SATB) Daphne
on the rainbow (SSA (or
T) T (or B)) Lady,
the silly flea (SATB)
Lady, when I behold your
passions (SSA (or T)
B) Love shooting
among many (SSAB)
Love shooting at another
(SSA (or T) B) My
Lady's coloured cheeks
(SAT (or A) B) Pearce
did dance with Petronella
(SAT (or A) B) Pearce
did love fair Petronella
(SAAB) Phillida
bewailed (SAT (or A)
B) Simkin said that
Sis was fair (SSAB (or
T)) Some time she
would (SATB) Susanna
fair (SSTB) The
curtain drawn (SATB)
The wavering planet (SSAB
(or T)) Thrice
blessed be the giver
(SSAB (or T))
Witness, ye heavens (SSS
(or A) AAT (or B)
BB).
Pavane Chorale SATB SATB, Piano - Facile Carus Verlag
SATB chorus, Piano 4 hands - Grade 2 SKU: CA.1040248 Arrangement for c...(+)
SATB chorus, Piano 4
hands - Grade 2
SKU:
CA.1040248
Arrangement for choir
and piano four hands.
Composed by Gabriel
Faure. Edited by Denis
Rouger. Arranged by
Pierre Albert Kopff.
Individual part. Composed
1887-1901. Op. 50. 12
pages. Duration 5
minutes. Carus Verlag
#1040248. Published by
Carus Verlag
(CA.1040248).
ISBN
9790007312459. Key: F
sharp minor. French.
Text: Montesquiou, Robert
de.
Cantata
for the 16th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Choral
Score. Composed 1716. BWV
161. 4 pages. Duration 19
minutes. Carus Verlag #CV
31.161/05. Published by
Carus Verlag
(CA.3116105).
ISBN
9790007113070. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantate was most likely
performed for the first
time on 27 September, the
16th Sunday after
Trinity, 1716 at the
Schlosskirche in Weimar.
The text originated from
the Kantatenjahrgang
(yearly cantata cycle),
Evangelisches
Andachts-Opffer
(Evangelical Devotional
Offering) by the
secretary of the Weimar
high conistory, Salomon
Franck. The sermon text
for the 16th Sunday after
Trinity, the raising of
the boy from the dead at
Nain (Luke 7: 11-14), is
only indirectly reflected
in Franck's cantata text.
In a prevalent
interpretation from that
period of this biblical
text, the raising of the
dead is seen as an
allegory for the
resurrection of the
faithful. Score available
separately - see item
CA.3116100.
SATB Choir SKU: SU.80101242 For SATB Choir. Composed by Arnold Ros...(+)
SATB Choir
SKU:
SU.80101242
For
SATB Choir. Composed
by Arnold Rosner.
Vocal/Choral, Sacred
Large Choral Works. Piano
Vocal Score. Zimbel Press
#80101242. Published by
Zimbel Press
(SU.80101242).
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1696. 24
pages. Carus Verlag #CV
40.676/49. Published by
Carus Verlag
(CA.4067649).
ISBN
9790007220167. Text
language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part, Viola
1. Composed 1696. 8
pages. Carus Verlag #CV
40.676/13. Published by
Carus Verlag
(CA.4067613).
ISBN
9790007220112. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 1. Composed 1696.
12 pages. Carus Verlag
#CV 40.676/11. Published
by Carus Verlag
(CA.4067611).
ISBN
9790007220099. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1696. 48
pages. Carus Verlag #CV
40.676/09. Published by
Carus Verlag
(CA.4067609).
ISBN
9790007220082. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and parts
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. Composed 1696.
12 pages. Carus Verlag
#CV 40.676/12. Published
by Carus Verlag
(CA.4067612).
ISBN
9790007220105. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part, Viola
3. Composed 1696. 16
pages. Carus Verlag #CV
40.676/15. Published by
Carus Verlag
(CA.4067615).
ISBN
9790007220136. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1696.
Carus Verlag #CV
40.676/19. Published by
Carus Verlag
(CA.4067619).
ISBN
9790007220150. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and parts
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part, Viola
2. Composed 1696. 8
pages. Carus Verlag #CV
40.676/14. Published by
Carus Verlag
(CA.4067614).
ISBN
9790007220129. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Single Part,
Cello/Double Bass.
Composed 1696. 12 pages.
Carus Verlag #CV
40.676/16. Published by
Carus Verlag
(CA.4067616).
ISBN
9790007220143. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and part
available separately -
see item CA.4067600.
Cantata
for the 16th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun, Mourning, death.
Single Part, Organ.
Composed 1716. BWV 161.
12 pages. Duration 19
minutes. Carus Verlag #CV
31.161/49. Published by
Carus Verlag
(CA.3116149).
ISBN
9790007208882. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantate was most likely
performed for the first
time on 27 September, the
16th Sunday after
Trinity, 1716 at the
Schlosskirche in Weimar.
The text originated from
the Kantatenjahrgang
(yearly cantata cycle),
Evangelisches
Andachts-Opffer
(Evangelical Devotional
Offering) by the
secretary of the Weimar
high conistory, Salomon
Franck. The sermon text
for the 16th Sunday after
Trinity, the raising of
the boy from the dead at
Nain (Luke 7: 11-14), is
only indirectly reflected
in Franck's cantata text.
In a prevalent
interpretation from that
period of this biblical
text, the raising of the
dead is seen as an
allegory for the
resurrection of the
faithful. Score and part
available separately -
see item CA.3116100.
Cantata
for the 16th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Komm, du susse
Todesstunde. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Set of
Orchestra Parts. Composed
1716. BWV 161. Duration
19 minutes. Carus Verlag
#CV 31.161/19. Published
by Carus Verlag
(CA.3116119).
ISBN
9790007136871. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantate was most likely
performed for the first
time on 27 September, the
16th Sunday after
Trinity, 1716 at the
Schlosskirche in Weimar.
The text originated from
the Kantatenjahrgang
(yearly cantata cycle),
Evangelisches
Andachts-Opffer
(Evangelical Devotional
Offering) by the
secretary of the Weimar
high conistory, Salomon
Franck. The sermon text
for the 16th Sunday after
Trinity, the raising of
the boy from the dead at
Nain (Luke 7: 11-14), is
only indirectly reflected
in Franck's cantata text.
In a prevalent
interpretation from that
period of this biblical
text, the raising of the
dead is seen as an
allegory for the
resurrection of the
faithful. Score and parts
available separately -
see item CA.3116100.