SATB solo voices, SSAATTBB choir SKU: C4.9790-902250474 Composed by Georg...(+)
SATB solo voices,
SSAATTBB choir
SKU:
C4.9790-902250474
Composed by George
Henschel. Edited by
Daniel Mitterdorfer and
Harold Fabrikant. Score.
Crescendo Music
Publications
#9790-902250474.
Published by Crescendo
Music Publications
(C4.9790-902250474).
ISBN
9790902250474.
Our
source for the present
edition of his Missa ad
octo voces inaequales,
Op. 65 is that issued in
1920 by the London firm
of Bayley & Ferguson.
This was not the work's
first outing, however. In
1918, Bailey & Ferguson
published a setting of
this mass in English
(Communion Service: Mass
in C, for Eight Voices a
Cappella, Op. 65, also
published by Crescendo
Music Publications), with
movements ordered
according to the Prayer
Book. Perhaps to allow
the work a larger
audience, Henschel
slightly modified the
music to fit the Latin
syllabification and
reordered the movements,
but essentially the work
is as it was two years
earlier.
Our
edition includes a full
list of editorial changes
and corrections. Also
available is a version
which omits the Credo,
for churches where it is
sung
congregationally.
SATB choir, divisi, a
cappella (SATB) -
Moderately Difficult
SKU:
OU.9780193512061
Composed by Gabriel
Jackson. Secular Choral -
Mixed Voices. New
Horizons. Vocal score. 16
pages. Duration 10'.
Oxford University Press
#9780193512061. Published
by Oxford University
Press (OU.9780193512061).
ISBN 9780193512061. 12
x 8 inches.
For
SATB (with divisions)
unaccompanied The text
for this part-song is a
deftly chosen selection
of lines from Keats' Ode
to a Nightingale.
Jackson's setting
features many of his
stylistic hallmarks:
glissandi, melismas,
aleatoric patterns, and
solo lines that float
above the texture. Highly
attractive and suitable
for summer concerts.
About Oxford
New
Horizons
N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
spectrum of choirs. New
Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music.
Alms Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418790 No. 3 from Second April<...(+)
Choral SATB Choir and
Piano
SKU:
PR.312418790
No. 3
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41879.
Published by Theodore
Presser Company
(PR.312418790).
ISBN
9781491138144. UPC:
680160640218. Second
April, by Edna St.
Vincent
Millay.
Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The third
movement, ALMS is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
primarily minor, yet with
moments of playfulness,
the recollection of happy
times takes over. This
seesaw between emotions
is heard throughout the
movement, and with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and
finality. . Program
Notes by Eric
EwazenSECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
.
Mariposa Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418780 No. 2 From Second April<...(+)
Choral SATB Choir and
Piano
SKU:
PR.312418780
No. 2
From Second April.
Composed by Eric Ewazen.
Fold. Performance Score.
Theodore Presser Company
#312-41878. Published by
Theodore Presser Company
(PR.312418780).
ISBN
9781491138137. UPC:
680160640201. Second
April, by Edna St.
Vincent
Millay.
Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The second
movement, MARIPOSA
celebrates nature,
wandering through a field
of white and blue
butterflies appearing
wondrously, with rich
chords and arpeggios. Yet
also stepping back, the
fleeting nature of life
is the reality, with
gentle, somber chords
interspersed with the
magical flight of the
Mariposa. Program
Notes by Eric
EwazenSECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
.
Choral SATB Choir and Piano SKU: PR.312418770 No. 1 from Second April<...(+)
Choral SATB Choir and
Piano
SKU:
PR.312418770
No. 1
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41877.
Published by Theodore
Presser Company
(PR.312418770).
ISBN
9781491138120. UPC:
680160640195. Second
April, by Edna St.
Vincent
Millay.
Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The first
movement, SONG OF A
SECOND APRIL is dramatic,
detailing a time of
personal strife and
tragedy, perhaps the end
of a relationship or even
the end of a life. The
music is intense, fast,
in a minor key, creating
a feeling of powerful,
relentless emotions.
Little by little, the
music almost dies away,
getting quieter and
quieter, creating a
feeling of resignation,
but with a surprise
Picardy Third in the
final chord –
suggesting a bit of
hope!. SECOND APRIL
for S.A.T.B. Chorus and
Piano is a four-movement
set, based on the poetry
of Edna St. Vincent
Millay. I have long been
enamored with the poetry
of Millay for its
wonderfully vivid and
descriptive imagery, and
its often powerful and
profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
.
Solo voices, choir,
orchestra (SATB voice
Solos, SATB Choir,
4Fl(Flote 3 muta in
Piccolo-Flote), 2 Ob,
EnglHn, 3clar, clar-B,
3bsn, bsn-Co, 4Hn, 4Trp,
3tbn, Tb, timp, Tri,
Tr-Kl, Be, Be-Hang, Tam,
Glsp, Gl, Cel, 2 harp,
Org, 2 Violin, Viola,
Cello, Double Bass)
SKU: BA.BA06862
Final version.
Composed by Leos Janacek.
Edited by JirÃ
Zahrádka and Leoš
Faltus. This edition:
complete edition, urtext
edition. Linen. Complete
Critical Edition of the
Works of Leos Janacek.
Series B, Volume 5-I.
Complete edition, Score.
Duration 40 minutes.
Baerenreiter Verlag
#BA06862_00. Published by
Baerenreiter Verlag
(BA.BA06862).
ISBN
9790260105300. 34.2 x
27.3 cm inches. Text
Language: Church
Slavic.
The
Glagolitic Mass, one of
the 20th century
masterpieces of sacred
music, has a very complex
genesis and constitutes
an intricate editorial
challenge.
The
recently published
scholarly-critical
edition presents two
different versions of the
work in two separate
volumes: the
“September
1927†version (BA
6863) which the composer
completed before the
first rehearsals and
subsequent premiere in
Brno and the version he
partly reworked for the
first Prague performance
in April 1928 (BA 6862).
This second version was
then revised further and
published after
Janácek’s death
by Universal Edition Wien
in 1930. Known as the
“final authorised
versionâ€, it has
been newly edited for
this publication which is
based on the
engraver’s copy of
the score prepared by
Janácek’s
regular copyist Václav
Sedlácek.
The
“final authorised
version†is the
significant version and
most suited to
performance purposes. The
instrumentation is
richer, it is more
straightforward to
rehearse and several
important passages are
more coherent than in the
earlier version. It is
the later version that is
presented in the vocal
score. The Old Church
Slavonic text has been
prepared by the slavicist
Radoslav Vecerka.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1726.
BWV 32. 4 pages. Duration
24 minutes. Carus Verlag
#CV 31.032/12. Published
by Carus Verlag
(CA.3103212).
ISBN
9790007042516. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms.
The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score and part
available separately -
see item CA.3103200.
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1726. BWV
32. 4 pages. Duration 24
minutes. Carus Verlag #CV
31.032/13. Published by
Carus Verlag
(CA.3103213).
ISBN
9790007042523. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms.
The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score and part
available separately -
see item CA.3103200.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. German title:
Requiem. Fassung 1889 Fur
Kleines Orchest. Sacred
vocal music, Requiem. Set
of Orchestra Parts.
Composed 1901. Duration
35 minutes. Carus Verlag
#CV 27.311/19. Published
by Carus Verlag
(CA.2731119).
ISBN
9790007133894. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
parts available
separately - see item
CA.2731100.
Tune My Soul Chorale SATB - Intermédiaire Laurendale Associates
SATB choir, piano, cello/bass instrument, percussion - Late Intermediate SKU:...(+)
SATB choir, piano,
cello/bass instrument,
percussion - Late
Intermediate
SKU:
MN.CH-1221
Composed
by Richard Thompson. 20th
Century. Choral score.
Laurendale Associates
#CH-1221. Published by
Laurendale Associates
(MN.CH-1221).
Commissioned by
Dale Jergenson for
Cantori Domino in Los
Angeles, California, Tune
My Soul! is a jazz
treatment of lyrics
conceived in the
traditions of early
American gospel and
southern harmony. But,
instead of following a
pure gospel treatment,
the composer has allowed
the song to evolve into a
jazzier, more
contemporary style. Tune
My Soul! is written (both
words and music) from a
musician's perspective,
specifically that of a
choral singer.
SATB choir SKU: HP.8973 Composed by Lloyd Larson. Arranged by Lloyd Larso...(+)
SATB choir
SKU:
HP.8973
Composed by
Lloyd Larson. Arranged by
Lloyd Larson.
Accompaniment CD. Hope
Publishing Company #8973.
Published by Hope
Publishing Company
(HP.8973).
UPC:
763628189730.
Chris
tmas Musical The message
of Christmas is a message
of joy - and becomes the
central theme that is
woven throughout this
37-minute musical by
Lloyd Larson. Easily
learned, this work
contains eight selections
of both new and familiar
carols and spirituals,
including Keith Getty's
powerful song, 'Joy Has
Dawned. ' The work is
dynamically arranged for
SATB choirs and
orchestra, and is filled
with the joy of the
season, which
congregations will find
appealing, as the message
embraces the hope that we
have in both the good
days and the bad - that
joy has dawned upon the
world - giving us
something to
celebrate!
A
Christmas musical
composed & arranged by
Lloyd Larson,
orchestrated by Ed Hogan.
Included parts:
Conductor's Score, 2
Flutes, Oboe (or Soprano
Sax or Clarinet)*, 2
Clarinets, Bassoon (or
Bass Clarinet)*, 3 Horns
(or Alto Sax or
Clarinet)*, 3 Trumpets
(or Alto Sax)*, 2
Trombones (or Tenor Sax
or Baritone T.C.)*, Tuba,
Percussion, Harp, Piano,
2 Violins, Viola (or
Clarinet)*, Cello, Double
Bass/Electric Bass,
String Reduction,
*Alternate Parts on
CD-ROM.
SATB choir SKU: HP.8972 Composed by Lloyd Larson. Arranged by Lloyd Larso...(+)
SATB choir
SKU:
HP.8972
Composed by
Lloyd Larson. Arranged by
Lloyd Larson. Listening
CD. Hope Publishing
Company #8972. Published
by Hope Publishing
Company (HP.8972).
UPC:
763628189723.
Chris
tmas Musical The message
of Christmas is a message
of joy - and becomes the
central theme that is
woven throughout this
37-minute musical by
Lloyd Larson. Easily
learned, this work
contains eight selections
of both new and familiar
carols and spirituals,
including Keith Getty's
powerful song, 'Joy Has
Dawned. ' The work is
dynamically arranged for
SATB choirs and
orchestra, and is filled
with the joy of the
season, which
congregations will find
appealing, as the message
embraces the hope that we
have in both the good
days and the bad - that
joy has dawned upon the
world - giving us
something to
celebrate!
A
Christmas musical
composed & arranged by
Lloyd Larson,
orchestrated by Ed Hogan.
Included parts:
Conductor's Score, 2
Flutes, Oboe (or Soprano
Sax or Clarinet)*, 2
Clarinets, Bassoon (or
Bass Clarinet)*, 3 Horns
(or Alto Sax or
Clarinet)*, 3 Trumpets
(or Alto Sax)*, 2
Trombones (or Tenor Sax
or Baritone T.C.)*, Tuba,
Percussion, Harp, Piano,
2 Violins, Viola (or
Clarinet)*, Cello, Double
Bass/Electric Bass,
String Reduction,
*Alternate Parts on
CD-ROM.
SATB choir SKU: HP.8974 Composed by Lloyd Larson. Arranged by Lloyd Larso...(+)
SATB choir
SKU:
HP.8974
Composed by
Lloyd Larson. Arranged by
Lloyd Larson.
Accompaniment CD. Hope
Publishing Company #8974.
Published by Hope
Publishing Company
(HP.8974).
UPC:
763628189747.
Chris
tmas Musical The message
of Christmas is a message
of joy - and becomes the
central theme that is
woven throughout this
37-minute musical by
Lloyd Larson. Easily
learned, this work
contains eight selections
of both new and familiar
carols and spirituals,
including Keith Getty's
powerful song, 'Joy Has
Dawned. ' The work is
dynamically arranged for
SATB choirs and
orchestra, and is filled
with the joy of the
season, which
congregations will find
appealing, as the message
embraces the hope that we
have in both the good
days and the bad - that
joy has dawned upon the
world - giving us
something to
celebrate!
A
Christmas musical
composed & arranged by
Lloyd Larson,
orchestrated by Ed Hogan.
Included parts:
Conductor's Score, 2
Flutes, Oboe (or Soprano
Sax or Clarinet)*, 2
Clarinets, Bassoon (or
Bass Clarinet)*, 3 Horns
(or Alto Sax or
Clarinet)*, 3 Trumpets
(or Alto Sax)*, 2
Trombones (or Tenor Sax
or Baritone T.C.)*, Tuba,
Percussion, Harp, Piano,
2 Violins, Viola (or
Clarinet)*, Cello, Double
Bass/Electric Bass,
String Reduction,
*Alternate Parts on
CD-ROM.
Faithful Is God Chorale SATB SATB [Octavo] Hope Publishing Company
By Joseph M. Martin. Edited by Joseph Martin J. Williams. Arranged by Joseph Mar...(+)
By Joseph M. Martin.
Edited by Joseph Martin
J. Williams. Arranged by
Joseph Martin J.
Williams. For SATB choir.
Sacred. Choral octavo. 12
pages. Published by Hope
Publishing Company
SATB choir - Easy SKU: LP.765762154902 An Easter Celebration for Any C...(+)
SATB choir - Easy
SKU:
LP.765762154902
An
Easter Celebration for
Any Choir. Composed
by Marty Parks. Musical.
Excel Series.
Multicultural and Sacred.
Score and parts.
Published by Lillenas
Publishing Company
(LP.765762154902).
UPC:
765762154902.
This
deeply moving and
compelling musical is a
beautiful response to
God's loving, sacrificial
and powerful act of
redemption. Sacred and
cherished hymns, popular
worship songs, and new,
expressive compositions
combine in arrangements
that are both poignant
and moving, while
retaining a level of
difficulty that even the
smallest choir can
master. The emotive
narrations are derived
directly from the
scriptures and perfectly
frame the musical
settings. In addition,
the work includes several
solo and congregational
opportunities for
participation. Echoing
the song of heaven's
eternity, this 47-minute
presentation is assembled
in 4 main sections: I.
Worthy of Praise II.
Worthy of Our Love III. A
Worthy Sacrifice IV.
Worthy of
Exaltation
These
arrangements are easy to
sing and easy to learn!
Very highly recommended!
Complete parts for
accompaniment by live
orchestra. Includes full,
transposed conductor's
score and parts for
instruments which you may
reproduce for added
players.
By Hillsong. By Ben Fielding and Reuben Morgan. Arranged by Ed Hogan. PraiseSo...(+)
By Hillsong. By Ben
Fielding
and Reuben Morgan.
Arranged
by Ed Hogan. PraiseSong
Choral. General Worship,
Sacred. Octavo. 16 pages.
Published by PraiseSong
Flee we to our Lord Chorale SATB SATB divisi, A Cappella Oxford University Press
SATB choir, a cappella (SATB) SKU: OU.9780193869349 Composed by Libby Lar...(+)
SATB choir, a cappella
(SATB)
SKU:
OU.9780193869349
Composed by Libby Larsen.
Sacred choral - mixed
voices. Vocal score. 4
pages. Duration 4'.
Oxford University Press
#9780193869349. Published
by Oxford University
Press (OU.9780193869349).
ISBN 9780193869349. 12
x 8 inches.
For
SATB unaccompanied This
choral octavo is drawn
from Larsen's It I am.
This is a lovely, hushed
and meditative hymn that
is simple and eloquent.
The brevity and
expressive beauty of this
piece can be equally used
in both sacred and
secular settings.
God, and God Alone Chorale SATB SATB, Orgue [Octavo] Hope Publishing Company
By Joel Raney. For SATB choir with optional Organ, Handbells and Brass. Choral m...(+)
By Joel Raney. For SATB
choir with optional
Organ, Handbells and
Brass. Choral music.
General, Sacred. Choral
octavo. 12 pages.
Published by Hope
Publishing Company
By Gabriel Faure. For Orch. (SATB with SB Soli). Choral Worship Cantata. Kalmus...(+)
By Gabriel Faure. For
Orch. (SATB with SB
Soli). Choral Worship
Cantata. Kalmus Edition.
Masterwork; Sacred. Book.
80 pages. Published by
Alfred Publishing.
SATB choir; orchestra SKU: HP.C5875O Composed by Mary McDonald. Piano Acc...(+)
SATB choir; orchestra
SKU: HP.C5875O
Composed by Mary
McDonald. Piano
Accompaniment with
Optional Orchestra.
General Worship, Sacred.
Set of Instrumental
Parts. Hope Publishing
Company #C5875O.
Published by Hope
Publishing Company
(HP.C5875O).
UPC:
763628258757. Words by
Charles H. Gabriel.
Isaiah 53:4, Matthew
26:39, Mark 2:12, Mark
14:36, Luke 5:26, Luke
22:39, Luke 22:40, Luke
22:41, Luke 22:42, Luke
22:43, Luke 22:44, 1
Corinthians 13:12, 2
Corinthians 5:21,
Ephesians 2:4, Ephesians
5:2, 1 Peter 2:24, 1 John
3:1.
Original
anthem with words by
Charles H. Gabriel Charles Gabriel
penned the words I stand
amazed in the presence of
Jesus the Nazarene in
1905, and did so as an
expression of his own awe
and amazement of Jesus'
love. Mary McDonald has
taken that hymn text and
expertly crafted a new
melody befitting of
soaring choral lines that
more adequately express
How marvelous! How
wonderful! my song shall
ever be.
>The
Orchestration includes a
Conductor's Score and
parts for: 2 flutes,
oboe, 2 clarinets in
B-flat, bassoon, 3
trumpets in B-flat, 2
trombones, tuba, timpani,
percussion, harp, piano,
2 violins, viola, cello,
and string bass.
SATB choir SKU: CA.967800 Composed by Ko Matsushita. Edited by Stefan Sch...(+)
SATB choir
SKU:
CA.967800
Composed by
Ko Matsushita. Edited by
Stefan Schuck. CARUS
CONTEMPORARY. Sacred
vocal music. Full score.
4 pages. Duration 2
minutes. Carus Verlag #CV
09.678/00. Published by
Carus Verlag (CA.967800).
ISBN 9790007240882.
Language:
Latin.
Matsushita's
Ave Maria is a very
intimate short
unaccompanied piece of
true inward devotion. An
experienced composer,
Matsushita has chosen a
tonal musical language
for this homophonic
piece. His enchanting
modulations, well-placed
and precisely-judged, are
particularly effective
without overloading the
simple character of the
work. All the parts are
written in comfortable
registers throughout and
without divisi, so that
the piece can easily be
performed by all choirs.
In short: a jewel!
SATB choir SKU: LP.OR-2286 Arranged by Thomas Fettke. Anthems. Mountain-T...(+)
SATB choir
SKU:
LP.OR-2286
Arranged
by Thomas Fettke.
Anthems. Mountain-Top
Choral Series. Southern
Gospel and Sacred. Score
and parts. Published by
Lillenas Publishing
Company (LP.OR-2286).
UPC:
765762122505.
Give
your men's section a
chance to shine in Tom
Fettke's arrangement of a
traditional gospel
favorite. From a 6/8
gospel swing feel at the
beginning to a
rip-roaring finish it's
fun all the way and a
glimpse of the Glory that
lies ahead for
believers!!
SATB Choir (Mixed choir (SATB)) SKU: BA.BA08966-91 Composed by Charles Fr...(+)
SATB Choir (Mixed choir
(SATB))
SKU:
BA.BA08966-91
Composed by Charles
Francois Gounod. Edited
by Hans Schellevis. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Choral score. 48
pages. Baerenreiter
Verlag #BA08966_91.
Published by Baerenreiter
Verlag (BA.BA08966-91).
ISBN 9790006565450. 27
x 19 cm inches. Text
Language:
Latin.
Sacred works
occupy a large part of
Charles Gounod's oeuvre.
It was the Messe
solennelle en l'honneur
de Sainte Cecile that
established his fame as a
church composer. Its
melodic invention and
effective handling of the
orchestra reveal a close
proximity to opera. This
Urtext edition is based
not only on the original
print of 1856 but also on
copyists' manuscripts and
autograph sources.
Rounding off this
well-researched Urtext
edition are an
informative Introduction
and a detailed Critical
Commentary. The edition
is being published to
celebrate the 200th
anniversary of Gounod's
birth.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Mixed choir (SATB); organ ad libitum - intermediate SKU: HL.49018273 Comp...(+)
Mixed choir (SATB); organ
ad libitum - intermediate
SKU: HL.49018273
Composed by Sir Peter
Maxwell Davies. This
edition: Saddle
stitching. Sheet music.
Choral. Choral score.
Composed 2009. 6 pages.
Duration 2'. Schott Music
#ED13295. Published by
Schott Music
(HL.49018273).
ISBN
9790220131721.
8.25x11.75x0.052 inches.
Latin.
During his
time as Master of the
Queen's Music, Sir Peter
Maxwell Davies wrote a
new carol for Her Majesty
the Queen each Christmas.
Ave, Plena Gracia ,
written for Christmas
2009, was the fifth in
this series after An
Heavenly Song, Wonder
Tidings, The Yule-tide
Bell and Kings and
Shepherds all of which
are published in the
Schott Royal
Collection.First
performed in St. James's
Palace by the choir of
the Chapel Royal on the
Epiphany at the end of
the 2009/2010 Christmas
period, Ave, Plena Gracia
is a short and
traditional Latin setting
that would be perfect for
amateur choirs looking
for new repertoire.
Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, SATB cho...(+)
Solo soprano voice, solo
alto voice, solo tenor
voice, solo bass voice,
SATB choir, orchestra
(Soprano solo, Alto solo,
Tenor solo, Bass solo,
Mixed choir (SATB),
Orchestra) - Level 3
SKU: BA.BA04660-02
Composed by Franz Joseph
Haydn. Edited by Gunter
Thomas. This edition:
urtext edition.
Paperback. Score. Hob.
XXII:11. Duration 12
hours. Baerenreiter
Verlag #BA04660_02.
Published by Baerenreiter
Verlag (BA.BA04660-02).
ISBN 9790006565375. 31
x 24.3 cm inches. Text
Language: Latin. Preface:
Gunter
Thomas.
Haydn's
Missa in Angustiis, also
known as theNelson Mass,
was composed in 1798. It
is one of the six great
Mass settings that forms
the crowning glory of his
vocal music along with
The Creation and The
Seasons.
Continuing the
collaboration between
Barenreiter and the G.
Henle publishing company
regarding Haydn's
large-scale choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the Works of
Joseph Haydn.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
God's
Greatest Gift, Our
Greatest Choice.
Arranged by Cliff Duren,
Danny Zaloudik & Mike
Speck. Musical.
Multicultural, Christmas
and Sacred. Score and
parts. Published by
Lillenas Publishing
Company (LP.OR-9376).
UPC:
765762073500.
In
his first Christmas
offering for Lillenas
Mike Speck does what he
does best - create a
dynamic and heart-felt
expression for Christmas.
A plethora of classic
carols southern gospel
ballads and contemporary
songs are featured in
this message-centered
musical. A much needed
reminder that beneath the
glitter and beyond the
tinsel the invitation is
offered for each of us to
re-discover the heart of
Christmas. Experience the
making of The Heart of
Christmas by clicking on
the video link under
Samples and Soundbytes.
The streaming video
features an interview
with Mike Speck and
scenes from rehearsals
and recording sessions.
Also available are audio
samples from each
song.
SATB Chorus & Piano Discount Lot of 20(with opt. Synthesizer, Guitar, Bass, Drum...(+)
SATB Chorus & Piano
Discount Lot of 20(with
opt. Synthesizer, Guitar,
Bass, Drums)
SKU:
SU.27010020B
For
SATB Chorus & Piano
Discount Lot of 20(with
opt. Synthesizer, Guitar,
Bass, Drums).
Composed by Sandy Wilbur.
Vocal/Choral, Secular
Choral. Subito Music
Corporation #27010020B.
Published by Subito Music
Corporation
(SU.27010020B).
SATB Chorus,
Piano, Synthesizer,
Guitar, Bass, Drums
Duration: 4' ' Composed:
2012 Published by: Sandy
Wilbur Music, Inc. NEW!
Now available as a
discounted lot of 20
Choral Octavos! Save
20%! Written by Sandy
Wilbur and arranged by
TONY and EMMY Award
winning arranger Larry
Hochmann (Spamalot!, The
Book of Mormon) and
Judith Clurman, We the
People is a setting of
the preamble to the US
Constitution,and
masterfully celebrates
the greatest and most
admired political
document ever written.
Suitable for all ages, We
the People is an
excellent learning tool
for young singers and the
perfect addition to any
core choral curriculum.
We the People uses
Wilbur's fun musical
setting to teach and
reaffirm the democratic
fundamentals of
government on which our
nation was founded.
Available in versions for
SATB Chorus, SA, Chorus
and Unison Chorus. We the
People features an
optional kickin' rhythm
section accompaniment
(Guitar,Bass, Piano,
Synth and Drums). In
addition to the full
score and set of parts,
Subito Music also offers
an instrumental
accompaniment CD that can
be used for rehearsal as
well as for performance.
Also available:
(27010010) (27010011)
(27010021) (27010022)
(27010025).
![Missa ad octo voces inaequales, Op. 65[bis], without Credo](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dwc7cc98fa/images/3206/21433206_cover-large_file.png)
