SATB/SATB choir, [basso continuo]

SKU: CA.3001300

Composed by Johann Ludwig Bach. German title: Sei nun wieder zufrieden. Sacred, Motets. Full score. Carus Verlag #CV 30.013/00. Published by Carus Verlag (CA.3001300).

ISBN 9790007020156. Language: German.

The motets of Johann Ludwig Bach occupy an outstanding position within this genre. Though rooted firmly in the shorter motets from the Thuringian tradition, nonetheless they reach dimensions which are seldom observed in that tradition. This is also true with respect to polychoral music, which here is raised from the exception to the rule - on the other hand, it is valid, when one bears in mind the necessity of representing the prestige of a royal court. Varying ensembles and dialogue-like passages contribute to these richly expressive compositions. Without a doubt these motets by the Meininger Bach, highly regarded by J. S. Bach, are a treasured enrichment of the repertoire of all choirs.

SATB/SATB choir, [basso continuo]

SKU: CA.3000900

Motette. Composed by Johann Ludwig Bach. German title: Gedenke meiner, mein Gott. Sacred, Motets. Full score. Carus Verlag #CV 30.009/00. Published by Carus Verlag (CA.3000900).

ISBN 9790007019884. Key: G major. Language: German.

The motets of Johann Ludwig Bach occupy an outstanding position within this genre. Though rooted firmly in the shorter motets from the Thuringian tradition, nonetheless they reach dimensions which are seldom observed in that tradition. This is also true with respect to polychoral music, which here is raised from the exception to the rule - on the other hand, it is valid, when one bears in mind the necessity of representing the prestige of a royal court. Varying ensembles and dialogue-like passages contribute to these richly expressive compositions. Without a doubt these motets by the Meininger Bach, highly regarded by J. S. Bach, are a treasured enrichment of the repertoire of all choirs.

SATB choir - Level 4

SKU: CA.965850

Les Quatrains Valaisans V. Composed by Cyrill Schurch. Edited by Stefan Schuck. CARUS CONTEMPORARY. Chemin Qui Tourne (Lqv V). Secular choral music. Full score. 4 pages. Duration 2 minutes. Carus Verlag #CV 09.658/50. Published by Carus Verlag (CA.965850).

ISBN 9790007164959. Text language: French. Text: Rilke, Rainer Maria. Text by Rainer Maria Rilke.

In his settings of five quatrains by Rilke, Cyrill Schurch explores the colorfulness of the literary model. His mainly homophonic, song-like style of setting corresponds to the compactness of the poetry. Schurch wanders freely, but always comprehensibly, through the keys and employs dissonances pointedly and economically. In this way, Schurch's songs for choir are comparable to Hindemith's sophisticated choral settings of Rilke, while speaking their very own tonal language. The short compositions with their poetically sanguine basic character will enrich every concert program focused on the topics of nature and landscape. They represent a rewarding project for any choir that finds pleasure in exploring tone colors and delicate emotional nuances.

SATB choir

SKU: CA.965820

Les Quatrains Valaisans II. Composed by Cyrill Schurch. Edited by Stefan Schuck. CARUS CONTEMPORARY. Apres Une Journee (Lqv Ii). Secular choral music. Full score. Composed 2. 4 pages. Duration 3 minutes. Carus Verlag #CV 09.658/20. Published by Carus Verlag (CA.965820).

ISBN 9790007164973. Text language: French. Text: Rilke, Rainer Maria. Text by Rainer Maria Rilke.

In his settings of five quatrains by Rilke, Cyrill Schurch explores the colorfulness of the literary model. His mainly homophonic, song-like style of setting corresponds to the compactness of the poetry. Schurch wanders freely, but always comprehensibly, through the keys and employs dissonances pointedly and economically. In this way, Schurch's songs for choir are comparable to Hindemith's sophisticated choral settings of Rilke, while speaking their very own tonal language. The short compositions with their poetically sanguine basic character will enrich every concert program focused on the topics of nature and landscape. They represent a rewarding project for any choir that finds pleasure in exploring tone colors and delicate emotional nuances.

SATB choir - Level 4

SKU: CA.965810

Les Quatrains Valaisans I. Composed by Cyrill Schurch. Edited by Stefan Schuck. CARUS CONTEMPORARY. O Bonheur De L'Ete (Lqv I). Secular choral music. Full score. 4 pages. Duration 1 minute. Carus Verlag #CV 09.658/10. Published by Carus Verlag (CA.965810).

ISBN 9790007164966. Text language: French. Text: Rilke, Rainer Maria. Text by Rainer Maria Rilke.

In his settings of five quatrains by Rilke, Cyrill Schurch explores the colorfulness of the literary model. His mainly homophonic, song-like style of setting corresponds to the compactness of the poetry. Schurch wanders freely, but always comprehensibly, through the keys and employs dissonances pointedly and economically. In this way, Schurch's songs for choir are comparable to Hindemith's sophisticated choral settings of Rilke, while speaking their very own tonal language. The short compositions with their poetically sanguine basic character will enrich every concert program focused on the topics of nature and landscape. They represent a rewarding project for any choir that finds pleasure in exploring tone colors and delicate emotional nuances.

SATB choir - Level 4

SKU: CA.965830

Les Quatrains Valaisans III. Composed by Cyrill Schurch. Edited by Stefan Schuck. CARUS CONTEMPORARY. Vois-Tu, La Haut (Lqv Iii). Secular choral music. Full score. 4 pages. Duration 1 minute. Carus Verlag #CV 09.658/30. Published by Carus Verlag (CA.965830).

ISBN 9790007164980. Text language: French. Text: Rilke, Rainer Maria. Text by Rainer Maria Rilke.

In his settings of five quatrains by Rilke, Cyrill Schurch explores the colorfulness of the literary model. His mainly homophonic, song-like style of setting corresponds to the compactness of the poetry. Schurch wanders freely, but always comprehensibly, through the keys and employs dissonances pointedly and economically. In this way, Schurch's songs for choir are comparable to Hindemith's sophisticated choral settings of Rilke, while speaking their very own tonal language. The short compositions with their poetically sanguine basic character will enrich every concert program focused on the topics of nature and landscape. They represent a rewarding project for any choir that finds pleasure in exploring tone colors and delicate emotional nuances.

SATB chorus a capella

SKU: HH.HH457-VOC

Composed by Timothy Raymond. Satb A Capella. Rehearsal score. Edition HH Music Publishers #HH457-VOC. Published by Edition HH Music Publishers (HH.HH457-VOC).

ISBN 9790708146643.

This atmospheric, sensitive piece for solo SATB (or small vocal ensemble) with optional string quartet was written by Timothy Raymond for the 2017 Lower Machen Festival. The contemporary harmonic language, with distant echoes of Britten, Holst and Howells, and the delicate, often sensuous textures combine to make a work of considerable expressive power that perfectly captures the essence of W. B. Yeats’s poem. Around six minutes long, it is a welcome addition to the rich repertoire of British vocal music.

SATB chorus w/optional string quartet

SKU: HH.HH457-FSP

Composed by Timothy Raymond. Satb W/Optional String Quartet. Full score and parts. Edition HH Music Publishers #HH457-FSP. Published by Edition HH Music Publishers (HH.HH457-FSP).

ISBN 9790708146667.

This atmospheric, sensitive piece for solo SATB (or small vocal ensemble) with optional string quartet was written by Timothy Raymond for the 2017 Lower Machen Festival. The contemporary harmonic language, with distant echoes of Britten, Holst and Howells, and the delicate, often sensuous textures combine to make a work of considerable expressive power that perfectly captures the essence of W. B. Yeats’s poem. Around six minutes long, it is a welcome addition to the rich repertoire of British vocal music.

SATB choir and organ accompaniment

SKU: PL.1515

Composed by David Barton. Lent, General. Choral score. Paraclete Press #1515. Published by Paraclete Press (PL.1515).

Texts by John Keble and Hall's Psalms and Hymns form the basis of this contemplative anthem. Discreet and supportive organ accompaniment with much unison singing that blooms into four-parts.

(An Introit for Palm Sunday). Arranged by Joel Raney. For SATB choir with optional unison choir, organ and 9 handbells (Level 1). Octavo. 8 pages. Published by Hope Publishing Company

Soprano voice solo, SATB choir, 2 violins, basso continuo - Level 3

SKU: CA.5034519

Composed by Michael Haydn. Edited by Charles H. Sherman. Ave Maria In F (Offertorium) Mh 72. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1765. MH 72. Duration 5 minutes. Carus Verlag #CV 50.345/19. Published by Carus Verlag (CA.5034519).

ISBN 9790007145491. Key: F major. Language: Latin.

The present offertory Ave Maria is one of Haydn's earliest Salzburg sacred compositions. Dating, in all probability, from the year 1765, it displays the modest means and genial lyricism that is typical of his music from the time. Score and parts available separately - see item CA.5034500.

Choral SATB Choir

SKU: PR.M300600048

Composed by Robert Lau. Communion Anthem Series. Score. With Standard notation. Abingdon Press #M300600048. Published by Abingdon Press (PR.M300600048).

ISBN 9790300600048. UPC: 843504003364.

Come now and take the body of the Lord.., an invitation to us all to experience renewal. Lau's gentle setting of this historic text brings a newness that will invite your singers and congregation to sing praise to Jesus, the Lord with us now..

Soprano voice solo, SATB choir, 2 violins, basso continuo - Level 3

SKU: CA.5034511

Composed by Michael Haydn. Edited by Charles H. Sherman. Ave Maria In F (Offertorium) Mh 72. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. Composed 1765. MH 72. 2 pages. Duration 5 minutes. Carus Verlag #CV 50.345/11. Published by Carus Verlag (CA.5034511).

ISBN 9790007081393. Key: F major. Language: Latin.

The present offertory Ave Maria is one of Haydn's earliest Salzburg sacred compositions. Dating, in all probability, from the year 1765, it displays the modest means and genial lyricism that is typical of his music from the time. Score and part available separately - see item CA.5034500.

Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, 3Tenor Voice Solo, 3Bass Voice Solo, SATB Choir, recorder-A, 2 Fl, Ob, Ob-dam, bassoon, Trp, Str, Continuo) - Level 3

SKU: BA.BA05310

Ein Lammlein geht und tragt die Schuld. Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Telemann Musical Works. Band 29. 1745. Passionen (Passion Music, Easter). Edition of selected works, Score. Composed 1745. TWV 5. Duration 1 hour, 50 minutes. Baerenreiter Verlag #BA05310_00. Published by Baerenreiter Verlag (BA.BA05310).

ISBN 9790006497881. 33.1 x 25.9 cm inches.

In the autumn of 1721, when Georg Philipp Telemann became cantor at the Hamburg Johanneum and music director of the city’s five principal churches, he faced the challenge of composing and performing a new Passion setting every year.

The ninety-minute St. John Passion of 1745 was written in a winningly clear and transparent style, with two large choral numbers, six chorales (probably joined by the congregation) and several turbae that pose interesting yet manageable demands on the chorus. The plain and unassuming recitatives and the eleven sharply defined yet contemplative arias give soloists broad leeway for artistic interpretation. This volume follows the Urtext of vol. 29 of the Telemann Edition, thereby offering a reliable text at the pinnacle of modern scholarship.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soprano voice solo, SATB choir, 2 violins, basso continuo - Level 3

SKU: CA.5034513

Composed by Michael Haydn. Edited by Charles H. Sherman. Ave Maria In F (Offertorium) Mh 72. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello/Double Bass. Composed 1765. MH 72. 2 pages. Duration 5 minutes. Carus Verlag #CV 50.345/13. Published by Carus Verlag (CA.5034513).

ISBN 9790007081416. Key: F major. Language: Latin.

The present offertory Ave Maria is one of Haydn's earliest Salzburg sacred compositions. Dating, in all probability, from the year 1765, it displays the modest means and genial lyricism that is typical of his music from the time. Score and part available separately - see item CA.5034500.

Soprano voice solo, SATB choir, 2 violins, basso continuo - Level 3

SKU: CA.5034512

Composed by Michael Haydn. Edited by Charles H. Sherman. Ave Maria In F (Offertorium) Mh 72. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. Composed 1765. MH 72. 2 pages. Duration 5 minutes. Carus Verlag #CV 50.345/12. Published by Carus Verlag (CA.5034512).

ISBN 9790007081409. Key: F major. Language: Latin.

The present offertory Ave Maria is one of Haydn's earliest Salzburg sacred compositions. Dating, in all probability, from the year 1765, it displays the modest means and genial lyricism that is typical of his music from the time. Score and part available separately - see item CA.5034500.

SATB choir, percussion

SKU: CA.965700

Composed by Daniel Elder. Edited by Stefan Schuck. Carus Contemporary. CARUS CONTEMPORARY. Full score. 20 pages. Carus Verlag #CV 09.657/00. Published by Carus Verlag (CA.965700).

ISBN 9790007165079. Text language: English.

Into the Wordless compares two poems by Walt Whitman, both from his landmark publication Leaves of Grass. These two disparate texts fit together in a hauntingly symbiotic way, and in this setting they are compared musically in two distinct styles that represent a dual-reality experienced by the narrator. As the poems are interwoven section by section, the plagal nature of Gliding Over All joins seamlessly with the pa n-diatonicpatterns in A Clear Midnight, in particular their shared weight of A-flat major - historically theorized as the key of the grave (Christian Schubart's Ideen zu einer Asthetik der Tonkunst, 1806) - albeit in different harmonic contexts. (Daniel Elder).

SATB choir, a cappella - Medium/Difficult

SKU: PL.1608

Composed by Stuart Forster. Sacred, Evensong. Choral score. Paraclete Press #1608. Published by Paraclete Press (PL.1608).

A setting of the Phos hilaron for a cappella choir, Forster's typical sensitivity to text and musical subtlety illuminate the text. The modal tonality and varied voicing all contribute to a depth of feeling that is most attractive.

SATB choir with optional vocal solo

SKU: LP.OR-2244

Arranged by Thomas Fettke. Anthems. Blended and Sacred. Score and parts. Published by Lillenas Publishing Company (LP.OR-2244).

UPC: 765762109902.

What a profound choice of words for a lyric: I have one deep supreme desire that I may be like Jesus. Our choirs don't sing songs of aspiration and commitment enough these days. It's as if the flow of lyrical thought has gone in other directions. It seems to me the ultimate in praise and worship is to emulate our Lord and Savior. We need to sing about it and strive with all of our beings to live it. You may wish to involve congregation on this anthem.

A Noble Theme. Composed by Heather Sorenson. Brookfield Choral Series. General Worship, Sacred. Octavo. 12 pages. Published by Brookfield Press

SATB choir

SKU: ST.EM20

Canzonets to Four Voices. Composed by Giles Farnaby. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Paperback. Madrigals. Choral Score. Stainer & Bell Ltd. #EM20. Published by Stainer & Bell Ltd. (ST.EM20).

ISBN 9790220206337.

Reme mbered chiefly for his virginal music, this always fresh and charming composer - who was probably an instrument maker by trade - may well have penned these pieces simply for the enjoyment of his London friends living in the wards of Bishopsgate and Cripplegate. His experience as a keyboard player may have led him to some chromatic vocal writing, particularly in the admirable Construe my meaning, rivalling strangenesses in the work of his Italian contemporary, Gesualdo.

CONTENTS
Among the daffadillies (SSAB)
Ay me, poor heart (SATB)
Blind Love was shooting (SSAB)
Carters, now cast down (SAT (or A) B)
Construe my meaning (SATB)
Daphne on the rainbow (SSA (or T) T (or B))
Lady, the silly flea (SATB)
Lady, when I behold your passions (SSA (or T) B)
Love shooting among many (SSAB)
Love shooting at another (SSA (or T) B)
My Lady's coloured cheeks (SAT (or A) B)
Pearce did dance with Petronella (SAT (or A) B)
Pearce did love fair Petronella (SAAB)
Phillida bewailed (SAT (or A) B)
Simkin said that Sis was fair (SSAB (or T))
Some time she would (SATB)
Susanna fair (SSTB)
The curtain drawn (SATB)
The wavering planet (SSAB (or T))
Thrice blessed be the giver (SSAB (or T))
Witness, ye heavens (SSS (or A) AAT (or B) BB).

Composed by Jon Paige and Tom Mitchell. Arranged by Jon Paige. Shawnee Sacred. Advent, Sacred. Octavo. 16 pages. Published by Shawnee Press

AT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo

SKU: CA.3116105

Cantata for the 16th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Choral Score. Composed 1716. BWV 161. 4 pages. Duration 19 minutes. Carus Verlag #CV 31.161/05. Published by Carus Verlag (CA.3116105).

ISBN 9790007113070. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score available separately - see item CA.3116100.

SATB Choir

SKU: SU.80101242

For SATB Choir. Composed by Arnold Rosner. Vocal/Choral, Sacred Large Choral Works. Piano Vocal Score. Zimbel Press #80101242. Published by Zimbel Press (SU.80101242).

This volume contains three choral masses of Arnold Rosner in a single volume: Missa Greensleeves, Missa L'homme armé, and Missa In nomine. Rosner's choral masses are cantus firmus masses that blend the techniques of the Renaissance masters with a contemporary harmonic language and rhythmic idiom. They are exceptionally compelling works designed for strong choirs and will make a stunning impact in performance. Published by: Zimbel Press.

SSATB vocal soli, SSATB choir, 2 clarinos, 3 trumpets, 3 trombones, timpani, 2 violins, 3 violas, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067649

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1696. 24 pages. Carus Verlag #CV 40.676/49. Published by Carus Verlag (CA.4067649).

ISBN 9790007220167. Text language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067613

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Viola 1. Composed 1696. 8 pages. Carus Verlag #CV 40.676/13. Published by Carus Verlag (CA.4067613).

ISBN 9790007220112. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067611

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1696. 12 pages. Carus Verlag #CV 40.676/11. Published by Carus Verlag (CA.4067611).

ISBN 9790007220099. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067609

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1696. 48 pages. Carus Verlag #CV 40.676/09. Published by Carus Verlag (CA.4067609).

ISBN 9790007220082. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and parts available separately - see item CA.4067600.