This arrangement of Silent Night is the 2009 Setting by Stephen Cleobury for SATB Choir with Organ Ad Lib. A setting of the enduring Christmas carol with lyrics by Joseph Mohr and melody by Franz Gruber a full performance lasts around 3 minutes.

Star of the East by Gordon Thornett for SATB (with divisions) and Piano or Orchestra.Thornett's setting of this Epiphany text also known as 'Brightest and best' makes effective use of arching melodies and a variety of choral textures. The piece builds to a dramatic final verse with a Soprano/Tenor descant before a gentle ending. The accompaniment features bell effects and quotations of Gruber's famous 'Silent night' melody. For choirs who are low on male numbers there are options for omitting Tenor and Bass divisi parts.

Lully, Lullay was written at the request of Philip Reed, music director of the Bury St Edmunds Bach Choir, which gave the first performance on 17 December 2011 at Holy Trinity Church, Long Melford, Suffolk. Inspired by the familiar medieval text of the Coventry Carol , it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses, where the melody is passed between the upper and lower voices, clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University, followed by an M.A. in composition with Martyn Harry and António Pinho Vargas. Harriet's main compositional interests are sacred and secular contemporary choral and chamber music, and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber), Psappha, the Allegri String Quartet, St John's College Choir, Durham, the Bury St Edmunds Bach Choir and the Fishburn Band - broadcast on BBC Radio 2's Listen to the Band . After graduating from Durham University, Harriet continued her studies at the University of Edinburgh, where she read for an LL.M. in innovation, technology and the law. She has subsequently pursued a career in music publishing where she works in copyright and composes in her spare time. / Choeur SATB

Influencé par Felix Mendelssohn Bartholdy, compositeur irlandais Sir Charles Villiers Stanford (1852-1924) a développé un en langue anglaise romantique musicale de la sienne.Cette évolution est perceptible surtout dans ses trois motets en latin dans lequel un cadre typiquement 'anglais' ton règne qui se caractérise par des mélodies, des harmonies très fluides et lisses singability grande et évite plutôt les contrastes. Avec Edward Elgar et Hubert Parry, Stanford a grandement contribué à la rénovation de la musique anglaise.Ces trois compositions sont parfaites pour les services religieux et des concerts. / Choeur Mixte (SATB) Et Piano

Cette messe ordinaire est écrite à la suite du requiem pour tous les défunts. C'est l'ordinaire de la messe qui est illustré ici avec ses cinq mouvements. Le langage harmonique utilisé est proche du jazz, dans un style pandiatonique. Le Kyrie est fondé sur des modes augmentés, le gloria, le credo, et le sanctus sont écrits dans les couleurs du système majeur, avec des accords riches en degrés. L'agnus dei est écrit avec des accords de quarte parallèles, ce qui lui confère une sonorité particulière. Les mélodies sont simples, mais les Choeurs sont un peu en dehors des accords. Un orgue de Choeur (ou un synthétiseur) serait préférable pour l'interprétation car les rythmes sont serrés et demandent une mise en place précise. L'oeuvre est caractérisée par l'unité et la concision du langage. Elle s'adresse à tous les Choeurs, amateurs ou professionnels. Cette messe a été créée à Notre Dame de Chatou en juin 2006, sous la direction d'Hubert Haye (titulaire de l'orgue et compositeur). / Choeur Mixte (SATB) Et Orgue

Four Romantic Madrigals is a new edition of selected madrigals (for unaccompanied SATB choir) composed by John Stainer (1840 1901). Jeremy Dibble of Durham University brings Stainer’s expressive and enticing part-songs to a wider audience by presenting them in modern notation. This edition coincides with the release of the CD English Romantic Madrigals (Hyperion CDA68140) an exciting new recording of works by Stainer Sir Hubert Parry Elgar and other composers of nineteenth-century English part-songs performed by Rupert Gough and the Royal Holloway Choir.

The full vocal score for SATB and double mixed choir for C.Hubert H. Parry's Songs of Farewell. These six pastoral motets include settings of texts by John Donne Henry Vaughan and Thomas Campion. A Piano accompaniment is included as a reference for rehearsal purposes.

More Than Hymns is a new two-volume collection of anthems for mixed voice choirs featuring extended arrangements of existing hymn tunes together with original anthem-style settings of the texts of several well known hymns. Of the sixteen works in this first volume six are published here for the first time including new arrangements by composers of today: Malcolm Archer Rogers Covey-Crump John Joubert Barry Rose and Gavin Williams. The texts cover many seasons of the church's year - Advent Epiphany Passiontide Easter Ascension as well as celebratory occasions such as festival services and weddings.

Lully Lullay was written at the request of Philip Reed music director of the Bury St Edmunds Bach Choir which gave the first performance on 17 December 2011 at Holy Trinity Church Long Melford Suffolk. Inspired by the familiar medieval text of the Coventry Carol it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses where the melody ispassed between the upper and lower voices clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University followed by an M.A. in composition with Martyn Harry and António Pinho Vargas.Harriet’s main compositional interests are sacred and secular contemporary choral and chamber music and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber) Psappha the Allegri String Quartet St John’s College Choir Durham the Bury St Edmunds Bach Choir and the Fishburn Band broadcast on BBC Radio 2’s Listen to the Band.After graduating from Durham University Harriet continued her studies at the University of Edinburgh where she read for

Acht Weihnachtslieder in deutscher Ubersetzung (Eight carols in German translation). Par RUTTER JOHN. for SATB and piano or organ For countless singers and listeners, the carols of John Rutter form the quintessential repertoire of any Christmas concert or service. This selection includes eight of Rutter's most popular carols in German translation, together with a full list of orchestral accompaniments available on hire and sale. / Date parution : 2023-06-01/ Répertoire / SATB et Piano ou Orgue

There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)

Par DE HAAN JACOB. The Spirit of Christmas ist ein Medley aus bezaubernden Weihnachtsliedern mit internationalem Flair. Dieses Chorstimmen-Set (25 Expl. SATB) ist passend zu allen erhältlichen Ausgaben (Blasorchester, Brass Band, Fanfareorchester, variables Bläserquartett, Akkordeonorchester). / Niveau : 2.5 / Recueil / SATB

Exuberance and joy fill this work and its dramatic call to praise. A triumphant nuematic alleluia melody alternates between the voices giving the song a thorough and continuous theme of praise. Available separately: SATB SAB Brass Parts.

An original gospel spiritual for Easter from Rollo Dilworth paired with “Christ the Lord Is Risen Today.” The percussive piano accompaniment and rhythm section make this anthem dance with joy. Put a smile on everyone'sface Easter morning with this exuberantly high-energy anthem! Performance Time: Approx. 4:05.Available separately: SATB ChoirTrax CD and Instrumental ePak (Parts for Guitar Bass and Drums)