(An entertainment based on the book by Kenneth Grahame). Composed by John Rutter (1945-). For narrator, SATB choir and chamber orchestra. Mixed Voices. Condensed score. Duration 32 minutes. Published by Oxford University Press

A Cantata. By Benjamin Britten. (Full Score). Boosey and Hawkes Scores and Books. Book only. 122 pages. Published by Boosey and Hawkes.

(SATB Chorus a cappella). By Dominick Argento. For Choral (SATB). BH Large Choral. 44 pages. Boosey & Hawkes #M051481910. Published by Boosey & Hawkes

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706000

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Full score. Composed 1856. Op. 4. 112 pages. Duration 45 minutes. Carus Verlag #CV 27.060/00. Published by Carus Verlag (CA.2706000).

ISBN 9790007181697. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706019

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Complete orchestral parts. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Set of Orchestra Parts. Composed 1856. Op. 4. Duration 45 minutes. Carus Verlag #CV 27.060/19. Published by Carus Verlag (CA.2706019).

ISBN 9790007199784. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and parts available separately - see item CA.2706000.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706005

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Choral Score. Composed 1856. Op. 4. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.060/05. Published by Carus Verlag (CA.2706005).

ISBN 9790007187095. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score available separately - see item CA.2706000.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706049

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Organ. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Organ. Composed 1856. Op. 4. 32 pages. Duration 45 minutes. Carus Verlag #CV 27.060/49. Published by Carus Verlag (CA.2706049).

ISBN 9790007199791. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706003

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Vocal score. Composed 1856. Op. 4. 60 pages. Duration 45 minutes. Carus Verlag #CV 27.060/03. Published by Carus Verlag (CA.2706003).

ISBN 9790007187088. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score available separately - see item CA.2706000.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, Org, Org ripieno

SKU: CA.2706015

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Double bass. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Double Bass. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/15. Published by Carus Verlag (CA.2706015).

Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Choral (SATB)

SKU: HL.615941

The Willamette Master Chorus Series. Arranged by David Schmidt. Pavane Choral. Christmas Sacred, Christmas/Advent Sacred. Octavo. 12 pages. Pavane Publishing #P1721. Published by Pavane Publishing (HL.615941).

UPC: 196288078944. 6.75x10.5x0.029 inches.

This joyful carol is also known as Personent Hodie. David Schmidt's arrangement begins by adding majesty and triumph. Then, a middle section brings new emotion in an a cappella rendering. Returning to the opening character, the piece concludes with a glorious finish.

Composed by David Rasbach. Sacred. Octavo. Published by Beckenhorst Press (BP.2118).

Composed by Derek Healey. For SATB choir and organ. Catholic Year C Most Holy Body and Blood of Christ. Communion, General, 21st Century. Octavo. Duration 2 minutes, 50 seconds. Published by E.C. Schirmer Publishing

SATB Choir and Organ

SKU: HL.14014119

Composed by A.W. Hamilton-gell. Music Sales America. Sacred. Choral Score. Music Sales #NOV440148. Published by Music Sales (HL.14014119).

SATB chorus a cappella (SATB) - Grade 2

SKU: ZB.ZE-3049

Composed by Jeff Guillen. Arranged by Jeff Guillen. This edition: Vocal score. Gospel Music, Sacred music, Vocal music. Gospel Off Prints. Arrangement for mixed voices a cappella. Gospel Music. Octavo. With standard. Zebe Publishing #ZE 3049. Published by Zebe Publishing (ZB.ZE-3049).

Single print from The Ultimate Gospel Choir Book - Christmas Collection (ZE3038) includes the vocal part.

By Neil Ginsberg. For SATB choir and piano. Concert. Octavo. Published by Heritage Music Press

SATB Choir, Orchestra

SKU: HL.14020995

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Studyscore. Composed 2002. 158 pages. Chester Music #CH61225. Published by Chester Music (HL.14020995).

ISBN 9780711961920.

Stud y score of The Three Kings, A Christmas Cantata for SATB soli, chorus and orchestra. Texts by George Mackay Brown and mediaeval, anonymous. This work was commissioned by the London Symphony Chorus to commemorate its 30th anniversary. First performed on 15th October 1995 at the Barbican Hall, London. Duration 50 minutes. Vocal Score also available for sale. Conductor's score and orchestral parts are available for hire.

By Stephen Foster. Arranged by Jack Halloran. (SATB). Fred Bock Publications. 10 pages. Published by Gentry Publications.

From Five American Songs. Arranged by John Wykoff. Amanda Quist Choral Series. Music Education. Octavo. 8 pages. Walton Music #WW1591. Published by Walton Music (GI.WW1591).

By Jay Althouse, based on a 16th century English carol, music by Jay Althouse. Choir Secular. SATB choir. Choral Octavo. Choral Designs. Christmas; Winter. 12 pages

(The Christmas Story Through Timeless Carols). By Larry Shackley. For SATB choir, piano (with optional instrumental accompaniment). Cantatas. Christmas. Published by Lorenz Publishing Company

Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bassoon, 2 violins, viola and basso continuo

SKU: CA.3911314

Kantate zum 22. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. TVWV 1:1724. Violoncello/double bass. Sacred vocal music, Trinity. Single Part, Cello/Double Bass. TVWV 1:1724. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.113/14. Published by Carus Verlag (CA.3911314).

ISBN 9790007215521. Language: German.

A solo cantata for bass-baritone (B-f1), whose two recitatives and arias are framed with two chorale verses sung by the choir. Particularly beautiful is the first aria, accompanied by flute, oboe and basoon. The flute part can be also be performed by an alto recorder. Score and part available separately - see item CA.3911300.

Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bassoon, 2 violins, viola and basso continuo

SKU: CA.3911303

Kantate zum 22. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. This edition: Paperbound. TVWV 1:1724. Sacred vocal music, Trinity. Vocal score. TVWV 1:1724. 12 pages. Duration 15 minutes. Carus Verlag #CV 39.113/03. Published by Carus Verlag (CA.3911303).

ISBN 9790007095062. Language: German.

A solo cantata for bass-baritone (B-f1), whose two recitatives and arias are framed with two chorale verses sung by the choir. Particularly beautiful is the first aria, accompanied by flute, oboe and basoon. The flute part can be also be performed by an alto recorder. Score available separately - see item CA.3911300.

Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bassoon, 2 violins, viola and basso continuo

SKU: CA.3911300

Kantate zum 22. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. This edition: Paperbound. TVWV 1:1724. German title: Wo soll ich fliehen hin. Sacred vocal music, Trinity. Full score. TVWV 1:1724. 20 pages. Duration 15 minutes. Carus Verlag #CV 39.113/00. Published by Carus Verlag (CA.3911300).

ISBN 9790007094362. Language: German.

A solo cantata for bass-baritone (B-f1), whose two recitatives and arias are framed with two chorale verses sung by the choir. Particularly beautiful is the first aria, accompanied by flute, oboe and basoon. The flute part can be also be performed by an alto recorder.

Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bassoon, 2 violins, viola and basso continuo

SKU: CA.3911319

Kantate zum 22. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Complete orchestral parts. Sacred vocal music, Trinity. Set of Orchestra Parts. TVWV 1:1724. Duration 15 minutes. Carus Verlag #CV 39.113/19. Published by Carus Verlag (CA.3911319).

ISBN 9790007144319. Language: German.

A solo cantata for bass-baritone (B-f1), whose two recitatives and arias are framed with two chorale verses sung by the choir. Particularly beautiful is the first aria, accompanied by flute, oboe and basoon. The flute part can be also be performed by an alto recorder. Score and parts available separately - see item CA.3911300.