SKU: HL.154015

UPC: 888680098247. 6.75x10.5 inches.

A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.

SKU: BA.BA08957

ISBN 9790006525515. 29 x 21 cm inches. Text Language: German, English, Latin. Preface: Münden, Gerd-Peter.

Year after year, during Advent and the Christmas season, compositions are sought which present well-known carols in a new light, whether it be compositions set for small or larger groups, for children or adults, with or without accompanying keyboard instruments. This collection by Gerd-Peter Münden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adultsâ?? or childrenâ??s choir.


The Editor
Gerd-Peter Münden is one of the most creative German church-musicians today. From 1992 to 1999 he worked as the cantor in Minden, where he also directed the music school for choristers. From 1999 he has been the Cathedral-Cantor at the Braunschweig Cathedral and the director of the cathedral school for choristers. He is the initiator and artistic director of a successful school project throughout Germany encouraging youngsters to sing.

SKU: SU.80101438

Veni Sancte Spiritus (2011) is a motet setting of the familiar Golden Sequence text. Commissioned by two Renaissance choirs, the piece explores a dialogue between elements of Renaissance and Medieval. Instrumentation: SATTB Voices Duration: 2011 Composed: 7' Published by: Zimbel Press.

SKU: BA.BA25009

ISBN 9790006568031. 29.7 x 21 cm inches. Language: German.

Separate edition from BA 5902, â??Geistliche Chor-Musicâ?? SWV 369-380, The six and seven-part motets, nos. 13-29:

In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled â??Geistliche Chor-Musicâ? (Sacred Choir Music). Here, the term â??Chorâ? (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding