This doo-wop novelty favorite from 1957 was recorded by both The Rays and Herman's Hermits and will surely be an audience favorite! This doo-wop novelty favorite from 1957 was recorded by both The Rays and Herman's Hermits and will surely be an audience favorite!

Otis Redding's classic ballad was a huge hit in 1968 and still remains popular to this day. A soulful and lazy song that manages to be both uplifting and moving and exemplifies Redding's prestigious talent.This wonderful arrangement by Mac Huff is for an unaccompanied SSAA upper voice choir. A pleasing and effective setting faithful to the original with easy-going vocal harmonies.

Here is the treasured Franz Gruber folk carol as arranged by Philip Lawson for the King's Singers. Includes original German and optional English texts. Arranged for SSAA choir.

Ysaye Barnwell is a member of Sweet Honey in the Rock and the unique stylings and vocal techniques of that famed ensemble are evident in this piece. “Wade in the Watah” borrows from another spiritual “Done MadeMy Vow ” and references the great Harriet Tubman as freedom's guide. The incredible train effects are amazing. The broad range of this piece which occasionally divides into six-part treble covers the full spectrum from lowD to high B! A most impressive entry for contest festival or worship. “Wade in the Watah” will leave listeners in awe!

Sherwin Manning's A Nightingale Sang In Berkeley Square arranged by Michael Neaum for SSAA Choir with Piano accompaniment.

Sacred was originally part of a Mass setting in which the composer combined the traditional Latin Mass movements with elements from the Sámi yoik tradition other Norwegian folk music and traditional Finnish music. This version for upper voices was recorded by Cantus on their album Northern Lights and is very approachable for choirs of all abilities. There are no words only ‘yoik syllables’ with no meaning for which a pronunciation guide is included. Fjellheim’s distinctive and approachable musical language which many will recognise from the use of his music at the opening of Disney’s Frozen will appeal to both singers andaudience.

Joni Jensen Choral Series-As the inscription on the statue that greets you as you enter Texas Woman's University this message is powerful and empowering. The primary octavo is for SSAA choir piano and percussion but there is an alternate full score and parts for string quartet and percussion. Singing of making a path in a pathless wilderness and pressing forward with unswerving courage this song addresses the strength of women and their ability to conquer adversity in ways that only they can.

from Impressions-Reflections on Humanity-Impressions is a set of three outstanding pieces by Kevin Memley for treble voices. The texts are favorites of many and Kevin's treatments are exquisite masterpieces. Although the 3 selections are released separately they arebest presented as a trilogy. High school and college.

Let all the world in every corner sing was commissioned by Colston?s Girls? School in Bristol for the Chamber Choir and their Director of Music Matthew Redman and was written in August 2008 for the service to mark the school?s acquisition of Academy status.   It is a tour-de-force for upper voices ? the organ introduction leads to a tapestry of rich variety climaxing with the choir splitting into four parts for the antiphonal cries against the full organ. The music is highly rhythmic throughout its time changes dictated by the rhythm and stress of the text. An exciting addition to the intermediate upper voice choir repertoire.

Vocal Score (Lat)-Arrangement for female choir (SMezAA) based on the Urtext of the 'New Mozart Edition'.Straightforward Piano reduction.Mozart's 'Missa in C major' (K. 220) nicknamed the 'Sparrow Mass' for its frequently recurring characteristic motifs in the violins has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started 'Bärenreiter Female Choir' series.Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorusparts. He has thereby retained the work's original substance while giving it a wholly new and delightful sound.Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert.The vocal score is compatible with the performance material of the original work for mixed chorus BA 5343.

Stephen Chatman's Sunset for SSAA chorus is an arrangement from his original set Due West for SATB chorus commissioned by the Vancouver Chamber Choir in 1997. The charming text by Tara Wohlberg rings specifically to a western theme. Chatman uses simple but exquisite harmonies and sustained arching melodic lines. Duration: 1:40.

The mixed voices setting was released years ago and became a strong selling anthem. This SSAA setting displays K. Lee Scott's adaptability. His command of vocal writing is excellent and his arranging style is never overdone. Arefined reserve to his technique make this an elegant spiritual setting for high school college and church treble choirs.

Le 'Gloria' RV 589 est l'un des compositions les plus populaires de Vivaldi aujourd'hui et l'un des plus régulièrement effectué des oeuvres vocales sacrées de l'époque baroque. Le travail était, selon toute probabilité, composé autour de 1716 pendant le temps de Vivaldi à l'Ospedale della Pietà, un orphelinat pour filles à Venise.Bien que Vivaldi 'Gloria' (BA 8953) a été écrit pour voix solistes et choeur mixte, il est probable qu'il a été effectuée à l'orphelinat des filles avec des voix féminines seulement. Prenant cela en compte, arrangement soigneux Malcolm Bruno pour choeur SSAA revêt une certaine pertinence. Le travail, lorsqu'il est réglé pour les voix féminines ou choeur d'enfants, demeure un véritable chef-d'oeuvre.Le 'Kyrie' RV 587 (BA 8954) pour deux choeurs et deux ensembles à cordes, comme prévu ici pour choeur de femmes, affiche son propre charme. Elle peut être réalisée en collaboration avec le Gloria comme un type de masse court.Les deux régimes sont fondés sur les éditions Urtext récemment publiés de ces oeuvres. Les réductions pour piano de Malcolm éditeur de Bruno sont faciles à jouer et à préserver le caractère des oeuvres.- Des dispositions efficaces pour choeur de femmes- Avant-propos en anglais et en allemand- Simple, les réductions pour piano idiomatiques- Kyrie et le Gloria peuvent être combinés pour des performancesLes parties orchestrales pour la version originale SATB peut être utilisé pour l'exécution de ces dispositions. / Ssaa

Joni Jensen Choral Series. This beautiful and lamenting poem by French poet Charles Beaudelaire is captured in all of its sadness and intimacy. A detailed IPA makes the language barrier go away. And women's choirs will flourish as they make this text their own.