for SSAA Chorus a cappella-Now available for treble choirs this readily accessible setting sounds at once modern and medieval. Starting in unison and evoking plain chant it gradually unfolds into wider harmonies and more modern harmonic language.

Howard Goodall's setting of Love Divine for accompanied SSAA choir uses a well-loved text by Charles Wesley.

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

Hugo Cole (1917-1995) was a British composer cellist and music critic. He studied under Herbert Howells at the Royal College of Music and with Nadia Boulanger in Paris. He is best remembered for writing several operas and choral works as well as much chamber music but he also wrote a series of pedagogical Cello books and had a successful career as a music critic for The Guardian and Country Life. Cole’s Magnificat was set in the key of G major and first published in 1957. It is scored for Female or Boys’ Choir (SSAA) with Piano accompaniment.

Regina caeli. for SSAA unaccompanied. This Marian text for Eastertide, Regina caeli, was set four times by Morales. This setting for four voices was first published in the Spanish composer's 1543 collection and notated in high clefs.

O Regem caeli. for SSAA unaccompanied. Consisting of two sections, this large-scale Christmas motet opens with a rich homophonic texture that is synonymous with Victoria's compositions. This is followed by imitation in the vocal lines before atriple-metre section of resounding 'alleluia's.

Par MCCARTHY JAMES. The words of Peaceful was the Night are taken from John Milton?s ode On the Morning of Christ?s Nativity, written in 1629. Milton describes the universe halting in utter stillness at the moment of Christ?s appearing on the earth. (As the poet wrote: ?His reign of peace upon the Earth began. ?) In James McCarthy?s carol, the voices play a dual role, as narrator, and by evoking the atmosphere of a singular moment of frozen time. Although commissioned by Sonoro for performance during the Christmas period, this singable, lyrical setting would fit well into a programme of music suitable for any time of the year. / Date parution : 1905-07-10/ Feuillet / SSAA a Cappella

This jubilant new work is a fine festival selection. It can be performed with the 4-hands piano accompaniment or with small orchestra added which also makes it suitable for an any-time concert program.

This song is an inspired reminder of God's faithfulness. Tender and fragile, the theme opens with innocence and clarity, articulating the seasons of life and the constancy of the Almighty. Though composed in a singer-songwriteridiom, the choral parts are deep and satisfying, bringing warmth and sincerity. A reference to Psalm 119 is crowned with the affirmation, I choose to live in faith, not fear. Truly a song for this season of challenges! NOTE: FullPerformance and Part Dominant MP3's are for the SATB voicing only.

30 Sacred Masterworks presents a wealth of invaluable original repertoire for Upper Voice choirs selected and edited by Judith Blezzard.Part of Faber Music's acclaimed Choral Programme series this practical resource features many new performance editions from Medieval to Modern Renaissance to Romantic.A vibrant and versatile collection that will cater for services concerts and events throughout the year.

(New Edition)-One of our most treasured octavos this definitive arrangement has been a best-seller since its release in 1985. Now a new edition appears with updates by the composer and for the first time a superb orchestration. The Chopin-esque accompaniment is beloved by all who have played it and with the voicing options this true classic is a permanent part of the Holy Week repertoire. Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-3 tba glock perc timp hp pno vn 1-2 va vc db) available as a digital download.