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| Nemo Te Condemnavit
Chorale SSAATTBB
SSAATTBB A Cappella
Boosey and Hawkes
Ce motet a été commandé par le Yale Glee Club avec un texte de l'Evangile sel...(+)
Ce motet a été commandé par le Yale Glee Club avec un texte de l'Evangile selon Saint Jean, chapitre 8:10-11, où Jésus dit la femme prise en adultère d'aller et de ne plus pécher. Ce 6 minutes a cappella motet se distingue par ses textures full vocales et l'expression profonde rempli d'émotion. / Choeur Mixte (SSAATTBB) A Cappella
Délais: 2-5 jours - En Stock Fournisseur |
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| Missa Dunelmi
 Latin
Chorale SSAATTBB
SSAATTBB A Cappella [Conducteur]
Boosey and Hawkes
/ Choeur Mixte (SSAATTBB) A Cappella / 52 pages / Partition
Délais: 2-5 jours - En Stock Fournisseur |
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| Tenebrae Responsories
Chorale SSAATTBB
SSAATTBB A Cappella [Choral Score]
Boosey and Hawkes
Un paramètre puissant pour choeur 8-partie de trois des réponses vendredi à m...(+)
Un paramètre puissant pour choeur 8-partie de trois des réponses vendredi à matins: ' Tenebrae factae sunt ', ' Tradiderunt me' et ' Iesum tradidit impius '. Commandé par Cappella Nova (Directeur : Alan Tavener) et enregistrée par eux sur Linn Records. Un ajout important aux oeuvres de ce compositeur pour choeur de chambre standard avancé. / Choeur Mixte (SSAATTBB) A Cappella
Délais: 2-5 jours - En Stock Fournisseur |
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| James MacMillan: Tremunt
Videntes Angeli: SATB:
Vocal Score
Chorale SSAATTBB
SSAATTBB A Cappella
Boosey and Hawkes
This piece was commissioned for the dedication service of the Millenium Window i...(+)
This piece was commissioned for the dedication service of the Millenium Window in the Resurection Chapel of St Mary's Episcopal Cathedral Edinburgh. The text is taken from the 5th century hymn 'Aeterne Rex Altissime'. Arranged for double SATB choir a cappella.
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| James MacMillan: Data Est
Mihi Omnis Potestas:
Double Choir: Vocal Score
Chorale SSAATTBB
SSAATTBB A Cappella [Choral Score]
Boosey and Hawkes
aus The Strathclyde Motets-The Strathclyde Motets are communion motets setting p...(+)
aus The Strathclyde Motets-The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate standard choirs.Data est mihi omnis potestas is a communion motet for Ascension Day (Matthew 28: 18 19). For mixed choir (SATB) with Piano accompaniment for rehearsals only.
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| Herbert Howells: Creep
Afore Ye Gang: SATB:
Vocal Score
Chorale SSAATTBB
SSAATTBB A Cappella
Boosey and Hawkes
Two part songs by the eminent English choral composer Herbert Howells setting t...(+)
Two part songs by the eminent English choral composer Herbert Howells setting the words of James Ballantine and Seumas O’Sullivan.
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| James MacMillan: Deus
Noster Refugium: SATB:
Vocal Score
Chorale SSAATTBB
SSAATTBB, Orgue
Boosey and Hawkes
Psalm 45 (46)-A setting of Psalm 45 (46) in Latin commissioned by the Leeds Fest...(+)
Psalm 45 (46)-A setting of Psalm 45 (46) in Latin commissioned by the Leeds Festival Chorus and first performed by them in Leeds Town Hall in March 2014 conducted by Simon Wright. The work features a variety of choral and organ textures tempi and moods over its five-minute span in response to the vivid text. Suitable for advanced standard performers and in both sacred and secular contexts.
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| James MacMillan: Alpha
And Omega: Mixed Choir:
Vocal Score
Chorale SSAATTBB
Boosey and Hawkes
Revelation 21: 1-6a-Setting of Revelation 21: 1 6a commisioned by Soli Deo Glori...(+)
Revelation 21: 1-6a-Setting of Revelation 21: 1 6a commisioned by Soli Deo Gloria with support from Crossway Bibles and from the University of Chicago and premiered in June 2011 by the University of Chicago’s Rockefeller Chapel Choir and Motet Choir.A dramatic and powerful setting of an iconic text this work opens with a homophonic passage for full choir (divisi) with wide slow dynamic gradations and silences. Polyphonic sections alternate with further homophony; upper voices then usher in a very soft pasage over lower voice drones before a fortissimo ending derived from the work's beginning.
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