Par CASTAGNET YVES. J?ai composé cette messe dans les premières années de ma présence à Notre-Dame, avant la création de l?association Musique sacrée à Notre-Dame de Paris et la restructuration de la maîtrise sous sa forme actuelle. La maîtrise existait déjà, bien sûr ; on enseigne en effet le chant en ce lieu depuis le Moyen-Âge, à l?époque où la cathédrale était encore en construction, il y a plus de 850 ans. À la fin des années 1980, la maîtrise était bien différente de ce qu?elle est devenue maintenant. Elle était alors dirigée par le chanoine Jehan Revert, maître de chapelle, qui fut pour moi un véritable guide, et dont la mémoire restera toujours dans le c?ur des musiciens de Notre-Dame. C?est donc à cette époque que j?ai composé cette messe qui fut à la fois ma première composition et ma première ?uvre liturgique. Elle est volontairement très courte, d?où son titre, pour répondre du mieux possible aux contraintes liturgiques. Elle est aussi le reflet de mon profond attachement à ce lieu unique et tellement inspirant pour le jeune musicien que j?étais alors. Yves Castagnet / Date parution : 2024-01-10/ Répertoire / Ch?ur Mixte SSATB et Orgue

Par BECKSCHAFER MAX. / Date parution : 2023-03-21/ Répertoire / Choeur Mixte (SSATB) a Cappella

Par BECKSCHAFER MAX. / Date parution : 2023-03-21/ Répertoire / Choeur Mixte (SSATB) a Cappella

Par BECKSCHAFER MAX. / Date parution : 2023-03-21/ Répertoire / Choeur Mixte (SSATB) a Cappella

10 Vocal Parts/Gesangspartituren. Par PINK FLOYD. / Date parution : 2022-05-03/ Répertoire / Choeur SSATB

Photo 51. for SSATB unaccompanied Composed for International Women's Day, this mesmerizing piece celebrates the centennary of Rosalind Franklin and sets her own words with additional text by the poet Sean Street.

Puer Pacis. Puer Pacis (The Dulwich Peace Carol) was jointly commissioned by Dulwich College and Dulwich College International, with the generous support of the Alvarez Family. First performed by the Choir of Dulwich College, directed by Richard Mayo, on 6 December 2019 at Southwark Cathedral. Scored for unaccompanied divisi choir, the text asks what can we offer to the baby in the manger when it is Mary's gift to humanity that is the greatest of all.

A wedding anthem for mixed voices SSATB setting the text of Richardâ??s brother Thomas.

The harmonic turns and piano configurations in La vie ant?rieure ??? the ???former life??? ??? seem almost exuberantly lyrical. At the beginning the archaic sounds and words of the male choir conjure up a dream world that is soon flooded with the power of the waves and the rich polyphonic harmony of the choir and the piano. With the outcry ???C???est l? que j???ai v?cu!??? [I have lived there] which expresses the fervent yearning to return to a past life the collective desperately reinforces the longing for the past. Once more the women???s choir conjures up this lost paradise in an undulating soft sound before the desolate sadness is pierced by the power of the music of the piano postlude creating a moment that is completely in the present.

Par BACH JOHANN SEBASTIAN. Ausgaben Für Die Praxis Nach Der Neuen Bach-Ausgabe. Urtext/ Répertoire / Solistes (SSATB), Choeur Mixte (SSATB) et Orchestr

No Christmas season would be complete without hearing this well-loved song. Kern's fresh a cappella approach, featuring a world-rhythm drum part, really makes the classic shine. 'Pa-rum-pum-pum-pum!? / Choeur Mixte (SSATB) A Cappella

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum? in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum?. Here it is called 'Te Deum for Cannons? after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea?, the masque which was composed at almost the same time. Though in many respects this 'Te Deum? is reminiscent of the 'Utrecht Te Deum?, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition? (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum?./ Répertoire / SSATB et Orchestre