Change the World Chorale TTBB TTBB A Cappella Barbershop Harmony Society
By Eric Clapton. Arranged by David Wright, Deke Sharon. Barbershop Harmony Socie...(+)
By Eric Clapton. Arranged
by David Wright, Deke
Sharon. Barbershop
Harmony Society.
Barbershop, Pop. Octavo.
8 pages. Barbershop
Harmony Society #211164.
Published by Barbershop
Harmony Society
(HL.234449).
By Billy Joel. By Billy Joel. Barbership Harmony Society. Octavo. 10 pages. B...(+)
By Billy Joel. By Billy
Joel. Barbership Harmony
Society. Octavo. 10
pages.
Barbershop Harmony
Society
#211514. Published by
Barbershop Harmony
Society
Arranged by Gene Cokeroft. Barbershop Harmony Society. A Cappella, Barbersho...(+)
Arranged by Gene
Cokeroft.
Barbershop Harmony
Society. A
Cappella, Barbershop,
Standards. Octavo. 8
pages.
Barbershop Harmony
Society
#210319. Published by
Barbershop Harmony
Society
15 mehrstimmige Gesange. Urtext der Neuen Schubert-Ausgabe. By Franz Schubert. E...(+)
15 mehrstimmige Gesange.
Urtext der Neuen
Schubert-Ausgabe. By
Franz Schubert. Edited by
Theis, Guido;Berke,
Dietrich. For Men's
choir-TTB, Men's
choir-TTBB, Men's
choir-TTBBB. Chormusik
des 19. Jahrhunderts.
Singing Score; Urtext
Edition. Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006479047.
By Franz Schubert. Edited by Werle(Urtext). For TTB, TTBB, TTBBB (a cappella/pia...(+)
By Franz Schubert. Edited
by Werle(Urtext). For
TTB, TTBB, TTBBB (a
cappella/piano;4 horn).
TTB(5);TTBB(18);TTBBB(2):
some with Pf and/or with
incidental solos;one with
4 Horns. Secular Choral
Works. Published by C.F.
Peters.
Railways 1846 Chorale TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano
SKU: PR.312419270
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes. Theodore Presser
Company #312-41927.
Published by Theodore
Presser Company
(PR.312419270).
ISBN
9781491137918. UPC:
680160692606. English.
Charles
Mackay.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Choral TTBB choir SKU: CF.CM9571 Eternal Life. Composed by Joseph ...(+)
Choral TTBB choir
SKU:
CF.CM9571
Eternal
Life. Composed by
Joseph P. Webster. Edited
by John Ratledge.
Arranged by Aaron Humble.
Sanford F. Bennett
(1836-1898). Jbc.
Performance Score. With
Standard notation. 12
pages. Duration 3
minutes, 47 seconds. Carl
Fischer Music #CM9571.
Published by Carl Fischer
Music (CF.CM9571).
ISBN 9781491153659.
UPC: 680160911158. 6.75 x
10.5 inches. Key: Gb
major. English. Sanford
F. Bennett
(1836-1898).
Aaron
Humble's arrangement of
this beloved old favorite
from American hymnody is
appropriate for both
school and church. With
soaring obligato lines
and shimmering harmony,
when sung with a warm and
gentle tone,?The Sweet By
and By?is certain to
paint a picture of a
better time for us all to
look forward. Also
available for SATB Voices
(CM9572). I have great
memories of my family
gathering around the
piano to sing hymns. As
my sister and I learned
more about music through
lessons, band and choir,
we started adding harmony
and really making music.
The old American hymnody
really holds a special
place in my heart.
Webster set Bennett's
text in a time when
American theology had
taken a turn away from
earlier ideas where God
was a god of vengeance
and anger. With this in
mind, this arrangement
should be sung with a
warm and gentle tone
allowing the dissonances
to shimmer, the sweetness
of the harmonies to
bloom, and the obbligato
lines to soar.
Arranged by Craig Hella
Johnson. Voices Rising.
Concert. Octavo.
Published by Hal Leonard
(HL.274199).
UPC:
888680739744.
6.75x10.5x0.024
inches.
The TTBB
arrangement of this Carly
Simon song, as arranged
by Craig Hella Johnson,
has been sung and enjoyed
by hundreds of thousands.
Now, skillfully adapted
and arranged by Emily
Crocker, both men's and
women's choirs can now
experience this vibrant
concert-pop work. The
ranges and parts have
been carefully scored for
the most positive
results.
By Anton Bruckner. Edited by Nowak. For TTBB, TTTBB, TTBB-TTBB,. Bruckner comple...(+)
By Anton Bruckner. Edited
by Nowak. For TTBB,
TTTBB, TTBB-TTBB,.
Bruckner complete
critical edition, Volume
23/2. Published by
Bruckner Verlag
(Musikwissenschaftlicher
Verlag).
Men's choir (TTBB) and organ, children's choir ad libitum SKU: HL.49019921(+)
Men's choir (TTBB) and
organ, children's choir
ad libitum
SKU:
HL.49019921
A
cantatina for 4 male
voices with accompaniment
of organ obbligato and
choir ad lib..
Composed by Giacomo
Meyerbeer. Edited by
Hermann Max. This
edition: Saddle
stitching. Sheet music.
Choral.
Textquelle:Gotthold
SalomonPredigten in dem
neuen israelischen Tempel
zu Hamburg, Band 1Hamburg
1820. Softcover. Composed
1989. Op. 137. 22 pages.
Schott Music #ED21740.
Published by Schott Music
(HL.49019921).
ISBN
9790001195430. UPC:
888680022976.
9.0x12.0x0.152 inches.
German.
Giacomo
Meyerbeer hat sich wie
kein Zweiter mit seinen
Opern darum verdient
gemacht, 'die Kirche ins
Theater zu tragen'.
Zugleich aber hat er auch
fur den
kirchenmusikalischen
Gebrauch einige
kompositorische
Schmuckstucke
hinterlassen. Zu ihnen
gehort auch das in der
Reihe der 'Schatze der
Chormusik' erschienene
Hallelujah fur Mannerchor
(TTBB), obligate Orgel
und Kinderchor ad
libitum. Der Text zu
dieser Cantatine findet
sich in den Predigten in
dem neuen israelischen
Tempel zu Hamburg des
deutschen Rabbiners
Gotthold Salomon.
Meyerbeer setzt in dieser
Komposition den
pathetischen Gehalt der
Worte musikalisch
eindrucksvoll um. Das
Werk beginnt mit vollen,
majestatischen Klangen
der obligaten Orgel,
bevor der imposante
vierstimmige Mannerchor
in den herrlichen
Lobpreis Gottes
einstimmt. Der Einsatz
von Kinderstimmen ist
zwar freigestellt,
verleiht dem Werk aber
durch mehrere kurze,
einfache
Halleluja-Einwurfe einen
besonderen, zu Herzen
gehenden Effekt.