Performed by Billy Joel, arranged by Kirby Shaw. Octavo for TTBB choir (a cappel...(+)
Performed by Billy Joel,
arranged by Kirby Shaw.
Octavo for TTBB choir (a
cappella). G Major.
Series: Hal Leonard
Choral. 8 pages.
Published by Hal Leonard.
Performed by The Beach Boys. By Gary Usher, Brian Wilson. Arranged by Roger Emer...(+)
Performed by The Beach
Boys. By Gary Usher,
Brian Wilson. Arranged by
Roger Emerson. (TTBB).
Pop Choral Series. Size
6.75x10.5 inches. 8
pages. Published by Hal
Leonard.
You're My Best Friend Chorale TTBB TTBB A Cappella Contemporary A Cappella Publishing
Arranged by Deke Sharon. For Choral (TTBB A Cappella). Choral. 8 pages. Contempo...(+)
Arranged by Deke Sharon.
For Choral (TTBB A
Cappella). Choral. 8
pages. Contemporary A
Cappella Publishing
#D201109. Published by
Contemporary A Cappella
Publishing
In My Life Chorale TTBB TTBB A Cappella Hal Leonard
By The Beatles. By John Lennon and Paul McCartney. Arranged by Steve Zegree. For...(+)
By The Beatles. By John
Lennon and Paul
McCartney. Arranged by
Steve Zegree. For Choral
(TTBB A Cappella). Pop
Choral Series. 8 pages.
Published by Hal Leonard
By Tommy Dorsey. Arranged by Robert Sterling. For Choir. (TTBB). Choral Octavo....(+)
By Tommy Dorsey. Arranged
by Robert Sterling. For
Choir. (TTBB). Choral
Octavo. Pop Choral
Series. Level: Moderately
Difficult (grade IV).
Choral Octavo. Published
by Alfred Publishing.
Music by Billy Preston, Bruce Fisher, Jeff Silbar, Larry Henley, arranged by Gre...(+)
Music by Billy Preston,
Bruce Fisher, Jeff
Silbar, Larry Henley,
arranged by Greg Gilpin.
Vocal score for TTBB
chorus and piano
accompaniment. With vocal
score notation and piano
accompaniment. 8 pages.
Published by Alfred
Publishing.
Choral (TTBB Choir) SKU: HL.50600722 Andrea Ramsey Choral Series. ...(+)
Choral (TTBB Choir)
SKU: HL.50600722
Andrea Ramsey Choral
Series. Composed by
Derrick Fox. Andrea
Ramsey Choral Series.
Concert, Festival.
Octavo. 8 pages.
Published by G. Schirmer
(HL.50600722).
ISBN
9781495075469. UPC:
888680646110. 6.75x10.5
inches.
Introducing
?Four Shape Note? singing
to your young singers,
this arrangement from the
Sacred Harp is full of
energy. Young singers
will relate to the
positive message and they
will be surprised that
19th century music can be
so much fun to sing.
Composed by David Foster and Linda Thompson Jenner. Arranged by Mark Hayes. Choi...(+)
Composed by David Foster
and Linda Thompson
Jenner. Arranged by Mark
Hayes. Choir Secular.
Men's Choir. Choral
Octavo. Pop Choral.
Christmas; Secular;
Winter. 12 pages.
Published by Alfred Music
Composed by Irving
Gordon. Arranged by Mac
Huff. Pop Choral Series.
Fifties, Light Concert,
Pop, Show Choir,
Standards. Octavo.
Duration 210 seconds.
Published by Hal Leonard
(HL.209822).
UPC:
888680658717.
6.75x10.5x0.036
inches.
One of the
top standards of all
time! This rich setting
will showcase concert,
community and pop choirs
with dreamy rubato
phrasing, warm harmonies
and the full range of
emotional
expressivity.
This
festive call to praise
affirms the voice of
worship and invites the
world to sing along.
Solid writing permeates
the piece, giving choirs
much to work with as they
seek a full confident
sound. The inclusion of
the beloved tune LANDAS
with the text of How Can
I Keep from Singing is a
moving moment, making
this an excellent choice
for choirs returning to
the loft.
Voices Rising
Series. Composed by
John Bucchino. Edited by
Judith Clurman. Voices
Rising. Concert,
Inspirational, Pop.
Octavo. 20 pages.
Published by Hal Leonard
(HL.198551).
UPC:
888680648183. 6.75x10.5
inches.
From the
musical “Urban
Myths” here is an
inspirational work for
concert choir. Lush
harmonies and a piano
accompaniment that leads
to an thrilling climax
make this a perfect
selection for graduation,
Thanksgiving or concert
closer.
Choral TTBB choir, piano SKU: CF.CM9635 Composed by Victor Johnson. Fold....(+)
Choral TTBB choir, piano
SKU: CF.CM9635
Composed by Victor
Johnson. Fold.
Performance Score. 12
pages. Duration 3
minutes, 19 seconds. Carl
Fischer Music #CM9635.
Published by Carl Fischer
Music (CF.CM9635).
ISBN 9781491157077.
UPC: 680160915637. 6.875
x 10.5 inches. Key: E
major. English, English.
Abram Joseph Ryan
(1838-1886).
Victor
Johnson captures the
mystery and nuance of the
bittersweet poem, Wake Me
a Song, by American poet,
Abram Joseph Ryan.
Nuance, text, and
Johnson's rich harmonies
paired with intertwining
textures make this a
noteworthy addition to
any program. Also
available for SATB Voices
(CM9561). About the
Author Abram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states. Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky. About the Song
Wake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment. To master
a performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections. One strategy
that could be used to
ensure proper phrasing is
the idea of Painting the
Phrase. The singer should
make a motion as if they
have a paintbrush in
their hand and paint the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept. About the
AuthorAbram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states.Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky.About the
SongWake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment.To master a
performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections.One strategy
that could be used to
ensure proper phrasing is
the idea of
“Painting the
Phrase.†The singer
should make a motion as
if they have a paintbrush
in their hand and
“paint†the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept.
