By Traditional. Arranged by Paul Sjolund, Fred Bock. (TTBB). Fred Bock Publications. 8 pages. Published by H.T. FitzSimons Company.

(from the cantata Mysterium). By Nino Rota (1911-1979). TTBB. Schott. 6 pages. Schott Music #C54020. Published by Schott Music

By The Suntones. Arranged by Various. Barbershop Harmony Society. A Cappella, Barbershop. Octavo. 52 pages. Contemporary A Cappella Publishing #211535. Published by Contemporary A Cappella Publishing

By Jack Curtis Dubowsky. Chorus. For TTBB choir and optional SA (TTBB choir and optional SA). Country Western; humor; cabaret; folk; Americana; Pythonesque. Sheet music. Composed 2006. Duration 3:10

Composed by David Conte (1955-). Arranged by David Conte. Advanced/Collegiate. Secular, 21st century. Piano/choral score for TTBB version. Published by E.C. Schirmer Publishing (EC.8196).

TTBB choir, piano accompaniment - Late intermediate

SKU: GI.WW1734

Composed by Eurico Carrapatoso. Concert. Walton Choral. Classical. Octavo. 16 pages. Walton Music #WW1734. Published by Walton Music (GI.WW1734).

UPC: 785147016168. English. Text by William Blake.

The Ecchoing Green is the second movement from Carrapatoso’s two-movement work, Diptych of Innocence and Light. One of Portugal's most prolific composers, Carrapatoso's artistry and brilliance is capured in this work for more advanced TTBB chorus. With a flowing and supportive piano accompaniment and a beautiful William Blake text, this will be a good addition to any TTBB concert program.

By Steven Sametz (1954-). For TTBB soli, TTBB chorus (Men's Voices). Secular. Choral. Published by E.C. Schirmer Publishing

Arranged by Mack Wilberg. For TTBB choir and piano/orchestra (3 flutes ( piccolo), 2 oboes, 2 clarinets, 2 bassoons, 4 horns. 3 trumpets (C), 3 trombones, tuba, timpani, 3 percussion (triangle, suspended cymbal, bass drum, chimes), harp, organ, strings). Male Voices. Spirituals, Leaflet. Level B (easy). Vocal score. 12 pages. Duration 5'. Published by Oxford University Press

Orchestra version: TTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, contrabass; organ version: TTBB choir, organ

SKU: CA.5017211

Composed by Josef Gabriel Rheinberger. Sacred vocal music, Mass, latin. German title: Missa In B (Orchesterfassung). Sacred vocal music, Masses, Latin. Single Part, Double Bass. Composed 1892. Op. 172. 4 pages. Duration 23 minutes. Carus Verlag #CV 50.172/11. Published by Carus Verlag (CA.5017211).

ISBN 9790007080549. Key: B flat major. Language: Latin.

The Mass in B flat, op. 172, dates from 1892 and was published in two authentic versions. The instrumental accompaniment can be played either by an ensemble of wind instruments or by organ. Between Gloria and Credo Rheinberger placed a powerfully expressive a cappella Ave Maria, probably due to the fact that the Mass was first performed on a major feast day of the Virgin Mary: on the feast of Purification (Candlemas) in Breslau Cathedral. Score and part available separately - see item CA.5017200.

Arranged by Robert L. Jefferson. For TTBB choir, a cappella. Male Voices. Spirituals, Leaflet. Level B (easy). Vocal score. 8 pages. Duration 3'. Published by Oxford University Press

TTBB & Piano

SKU: SU.YR2600V1

For TTBB & Piano. Composed by Charles Baker. Vocal/Choral, Sacred Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #YR2600v1. Published by Subito Music Corporation (SU.YR2600V1).

Traditional texts (two in Hebrew, one in Yiddish and English) and melodiesTTBB & piano Composed: 1992 Published by: Yelton Rhodes Music.

TTBB a cappella Choral (TTBB a cappella)

SKU: HL.1108589

Arranged by Michael Ware. Daybreak Choral Series. A Cappella, General Worship, Sacred. Octavo. 8 pages. Duration 180 seconds. Published by Daybreak Music (HL.1108589).

UPC: 196288103349. 6.75x10.5x0.019 inches. Mark 5:36, Proverbs 3:5-6.

A unique offering, this unaccompanied anthem takes on the character of a sea chanty in style and spirit. Featuring a soloist, the call and response format invites creative singer placements, along with two voicings, as performance options.

By Craig Courtney. For TTBB choir. Sacred. Choral octavo. Published by Beckenhorst Press

By Elizabeth Alexander. For Men's Chorus (TTBB choir a cappella). Collegiate Repertoire, Community Chorus, Concert Music. Courage, Hardship, Sacred (Worship and Praise), Choral. Moderately Advanced. Octavo. Text language: English. Duration 6 minutes. Published by Seafarer Press

TTBB a cappella. Arranged by David C. Dickau. (TTBB). Pavane Choral. Size 6.8x10.5 inches. 12 pages. Published by Pavane Publishing. (8301655) 6-PACK includes six original copies of this piece.

TTBB & Piano

SKU: SU.YR1C17V1

For TTBB & Piano. Composed by Edgar Colon-Hernandez. Vocal/Choral, Secular Choral. Accompanied by piano, Men’s Chorus. Choral Octavo. Subito Music Corporation #YR1C17v1. Published by Subito Music Corporation (SU.YR1C17V1).

Two traditional Puertorican Villancicos arranged by Edgar Colon-HernandezTTBB & piano Composed: 2010 Published by: Yelton Rhodes Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.

By Kenneth Jennings. For choir. (TTBB). Choral Octavos. Cantus. Secular. Choral Octavo. Published by Neil A. Kjos Music Company.

Arranged by Paul Sjolund, Fred Bock. (TTBB). H.T. Fitzsimons Co. Size 6.75x10.5 inches. Published by H.T. FitzSimons Company.

By Edward MacDowell. (TTBB a cappella). Walton Choral. 10 pages. Published by Walton Music.

By Jay Althouse. For Choir. (TTBB, a cappella). Choral Octavo. Spiritual, Christmas. Level: Level 3 (grade L3). Choral Octavo. 8 pages. Published by Alfred Publishing.

By James Engel. For keyboard (TTBB choir, or Unison Voices). Choral Music. Choral. Christmas. Moderately Easy. Octavo. Published by MorningStar Music Publishers

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

By Dale Grotenhuis. For TTBB choir and piano. Choral Music. Published by MorningStar Music Publishers.

By Greg Gilpin. For TTBB choir, Descant, piano. Concert, Graduation. Octavo. Published by Heritage Music Press. (15/2457H)

Composed by Larry Shackley. For TTBB choir, piano 4-hand (with optional piano). Sacred Anthem. Octavo. Lorenz Publishing Company #10/4723L. Published by Lorenz Publishing Company