Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry. This TTBB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment. / Choeur TTBB Et Piano

The traditional text with spiritual roots has been adapted by the composer. With an unadorned melody set in a simple but beautiful musical language with open transparent harmonies this music can be sung well by groups of many different abilities and in many situations. Duration: 3:00.

This sheet music is a ‘Fred Waring Arrangement’ originally published by Waring’s own music publishing house and it is very much a period item though one of rollicking energy and good humour. The traditional spiritual Dem Bones has been arranged for male Voices TTBB with Piano String Bass and Percussion. There are Percussion cues for the sounds of the various ‘bones’ to be played by the singers as well as a pronunciation guide for dialect renderings of the lyrics.Fred Waring was a bandleader Choral director and choir trainer in the US for much of the 20th century. His Vocal groups The Fred Waring Singers with his band The Pennsylvanians were wildly popular sellingmillions of records of songs like Battle Hymn of the Republic Smoke Gets in Your Eyes and White Christmas.

Lodovico Grossi da Viadana (c.1560 1627) was an Italian composer teacher and Franciscan Friar. He is known for the important contribution he made to the development of Baroque music being one of the first people touse figured bass as a means of notating a basso continuo line. From 1594 onwards he was choirmaster at various Italian cathedrals when his O Sacrum Convivium was most probably written. It is an arrangement of theancient Christian prayer for TTBB Male Voice Chorus and is a perfect anthem for any Eucharist service.

Merry Christmas To You-Music by Mel Torme and Robert Wells. Arranged by Roy Ringwald. Version for TTBB Choir (Men's Voices) and Piano.

Perhaps some of the most exciting works for men's chorus that exist in our repertoire today. Iconic Estonian composer Veljo Tormis celebrates the tradition of 'runosongs,' music that has been passed down through generations. These dynamic works use a minimalistic compositional style reminiscent of Estonian folksong. Simple in construction and unbelievably dynamic - and often humorous - in sound. Ten songs included in this collection that may be performed as a set, in small sets, or individually. / Choeur TTBB

A shimmering a cappella refrain provides an especially memorable highlight at the end of Mark Hayes', otherwise accompanied, choral arrangement. Originally penned by the 'Father of American Music,' this beloved song has long been associated with the grand pageantry of the Kentucky Derby. / Choeur TTBB

Admirers of Shawnee Press' best-selling The Awakening will find this choral to be as compelling and effective. Based on Tennyson's work Ulysses Joseph Martin creates a piece of power and inspiration. The Quest Unending is amusical masterpiece to challenge every choir.

Next Year-This popular contemporary Jewish song is masterfully set by John Leavitt. As the simple memorable Hebrew chorus is restated the music unfolds in a rich and sonorous outpouring supported by the authentic orchestration.Available: SATB SAB SSA TTBB Instrumental Pak ShowTrax Cassette. Performance Time: Approx. 3:40.

Offenbach was a French composer of German origin and was with Johann Strauss (ii) one of the two composers of outstanding significance in popular music of the 19th century. His 'Gendarmes' is written for TTBB.

Though also available for mixed voices (HMC2321) here Dan Forrest sets this anonymous text for male voices TTBB with piano. Optional violin horn timpani and percussion (HMC2357a) are also possibilities. High school men or more mature voices would find success enjoyment with this piece.

This set of three motets for unaccompanied male choir sets the Latin words for the De Profundis Ave Maria and Laudate and manifests Lewkovitch's fascination both with chant and with modality.Contemporary Danish composer conductor and Organist Bernhard Lewkovitch has followed a rare path among modern composers. From 1947 he was Organist at St Ansgars Kirches and later remained connected with the Catholic Church by working as an Organist. Clearly he is inspired by the Catholic liturgy and sees his great output of ecclesiastical music as a vocation and a great responsibility. For many years his work by inspired by Gregorian chant and was composed in church modes then inthe mid 1950’s he began to expand into modern bitonality and polytonality culminating in Il cantico delle creature in 1962/3 in which there was no conventional notation and no fixed pitch. After that Lewkovitch had somewhat of a hiatus later returning again to the inspirations of the mid1950’s.

Uses: Lent Holy Week PentecostScripture: Hosea 11:1-9; Isaiah 12:3; Ezekiel 34:11-16This sacred song takes us on a journey into the heart of Christ's mercy and grace. The music has the sonority of afolk hymn and yet there is fresh quality in the sound. Crafted to perfection this arrangement uses the richness of the choir to go from the whispered silence to soaring crescendos of praise. Available separately: SATB TTBB.Duration: ca. 4:15.

This spiritual is a heartfelt expression of faith and representative of the rich heritage of African-American music. This accessible arrangement will be a dramatic addition to any concert program and powerful in performance.Available separately: SATB a cappella TTBB a cappella. Duration: ca. 2:00.