Francis Jackson's From A Railway Carriage for Unison Voice and Piano. This piece features words by Robert Louis Stevenson.

Gerald pulls it off again with this Continental treat. The French theme of Rene Delfau's original 'Rossignnolet du Bois' pumps through this frisky transcription. As the vocal parts imitate the pipes the piece thrusts forward and seems to almost burst out the bags in a crescendo of ecstasy.

The “Hymnz4Kidz” series burst forth last year with considerable fanfare led by one of the brightest new names in sacred music Heather Sorenson. Now comes the latest release: This Is My Father's World.Traditional hymns dressed in fresh and snazzy outfits that captivate young singers and teach them our legacy of hymnody is grabbing everyone's attention. The series offers a host of correlating products: Accompaniment Tracks Orchestral Score and Parts and a downloadable Digital Toolkit (including a short skit director's resources activity sheet and much more). Teaching old hymns has never been so much fun!

Einstimmige Messe, Jesu Dulcis Memoria. Par ACS JOZSEF / LISZT FRANZ / WERNER ALAJOS. Messen, lateinisch - Verwendung / Anlässe: Marienfeste, Marianische Gesänge -/ Répertoire / Choeur Unison

Unison Song with Piano Accompaniment arranged from the original figured bass by Percey E. Fletcher.

When 18th century British composer Thomas Arne included his song Rule Britannia! in a masque based on the life of Alfred the Great that was presented at Cliveden the country home of Frederick Prince of Wales he could not have imagined that more than two hundred seventy years later his ditty would be known throughout the British Isles and beyond. Rule Britannia! is widely used in the Royal Navy and British Army and is featured each year at the Last Night of the Proms in the Royal Albert Hall as a national sing-along.At the time of writing the Dutch actually ‘ruled the waves ’ so this song was more an exhortation than a status report. The lyrics were also a statement ofcivil liberty. Since Cromwell’s time Britain had had a standing army which could be turned against the native population. A standing navy however existed solely to protect the nation from invaders protecting a free populace.Rule Britannia! has been quoted extensively by other composers among them Beethoven Wagner Strauss and Arthur Sullivan. Thomas Arne also penned a version of God Save The King which came to be the British national anthem.

Following on the success of her two operatic works for children and teens - Douce et Barbe Bleue, Les Fables Enchantées, Little Thummie and Cendrillon (based on Perrault), as well as the adaptation of Maupassant's short story The Dumpling (2014) - Isabelle Aboulker once again hits the bull's eye with Myla And The Boat-Tree, a commission from the Villecroze Music Academy. In 2015, this musical tale for Narrator, Children's Choir and Instrumental Accompaniment, was awarded the 'Music for Young Performers Prize? by the French Music Publishers Association. Both in the French version and Marci Meth's excellent English translation, it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing.With her trademark finesse and sensitivity, the composer tells the story of a little girl dealing with the death of a person she'd cherished above all: her grandfather. Written for choir in unison, this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart.The work was written in three versions:for Narrator, Children's Choir and Piano (AL30732)for Narrator, Children's Choir and Trio (Clarinet in Bb, Cello and Piano: AL30733)for Narrator, Children's Choir and instrumental ensemble (Flute, Oboe, Clarinet in Bb, Bassoon, Horn, Trumpet in C, Trombone, Percussion, 2 Violins, Alto, Cello, Bass: AL30734)Choral score: AL30743 / Choeur A L'Unison Et Piano

Somebody's Knockin' at Your Door. Spirituals are an important part of the educational canon for young singers, and they serve as a powerful reminder of the enduring cultural importance of the African American musical tradition. This unison/2-Part setting offers aplayful sense of urgency as well as alternate lyrics for church and