For Clarinet and Piano-25 tangos by the revolutionary tango musician and composer Astor Piazzolla arranged for clarinet and piano. These crowd-pleasing tangos borrow from classical jazz and Latin traditions. The collection includes Piazzolla's most famous tangos Libertango and Oblivion.

As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

14 Famous Pop Ballads. Par . Pop Ballads continues our new Schott Clarinet Lounge series which is aimed at Clarinet players looking for new playable arrangements. Our popular author Rudolf Mauz (Klarinette spielen - Mein schönstes Hobby) has arranged the exquisite selection of pop gems in an emotional, gripping, glamorous, yet also touching way. The melodic and easy-to-play arrangements - as performed by the author himself - are provided as downloadable audio tracks (voucher code printed inside). / Date parution : 2022-07-23/ Recueil / Clarinette et Piano

'Klassik für Kinder' wants to introduce clarinet pupils to the beauty of Baroque, Classical and Romantic concert literature. Cautiously, not only original clarinet literature was taken up, but catchy tunes and themes from the opera (The Freeshooter, The Magic Flute and others) and the concert hall (Four Seasons, Capriccio Italy, Reverie and others) were used as well. The edition starts with a piece from the Renaissance period, followed by the great composers of the Baroque, European Classical and Romantic eras and completed by several discoveries off the common concert programmes (Blasius, Reinagel, Sullivan). Four centuries of music history which will make the pupils enjoy classical music. The pieces are presented in easy arrangements and can be mastered after about two years of tuition, with the three-line octave being left out.

A collection of supplementary pieces ranging from folk and classical through to showtunes and popular songs for young clarinet players. Carefully selected and arranged each piece offers suggestions and guidelines plus a simple effective piano accompaniment. / Niveau : Facile / Méthode / Clarinette

For solo Clarinet in Bb and Ensemble.Clarinet and Piano Reduction.Commissioned by the Tanglewood Music Center through the generous support of the Mervyn Geffen M.D. and Norman Solomon M.D. New CommissionsFund.First performance by Brent Besner Clarinet and fellows of the Tanglewood Music Center August 2010.1. With Vigour2. Free and Enigmatic3. CalmoThere is usually some sort of extra-musicalstarting point for my pieces and for the Clarinet Concerto this was ‘The Cracked Bell’ by Baudelaire. In a short space of time the work seemed to take over and move further away the original stimulus with the character andinteractive roles of the soloist and ensemble were suggested by the wintry evocative atmosphere of the poem.The piece opens with declamatory cadenza-like passages in the clarinet that are in turn commented on by theensemble. A more playful section where the clarinet line is very virtuosic leads to a long gently-unfolding melody in the ensemble that begins in the depths of the bass register and gradually gets much higher. Virtuosicclarinet lines interject against the accompaniment and both pursue their own course until culminating in a high impassioned melody for the clarinet coloured by fast-moving passage work in the higher registers of ensemble. Themovement ends with the ‘call and response’ lines of its opening.The second movement opens with an extended solo for the clarinet in its haunting chalumeau register. With each rising phrase the clarinet line gets higheruntil the ensemble enters in unison. The movement becomes much faster and energetic from this point with brisk fleeting lines for soloist and ensemble.The third movement is the most reflective of the three. It opens witha flute solo leading to the solo clarinet line and makes much of the poignant singing style which is so characteristic of the instrument. A melancholy falling passage in the ensemble becomes a recurring feature before the

Beliebte Weihnachtslieder und internationale Christmas Songs. Par MAUZ RUDOLF (Arr.). Rudolf Mauz has arranged these pieces for clarinet and piano, some in a traditional style, others in an original way. All of the pieces are presented in a progressive order. The piano part is easy to play and quite varied. Texts are included providing interesting information and material for Christmas events. A great resource for Christmas concerts and fun around the Christmas tree at home! / Date parution : 2021-12-09/ Recueil / Clarinette et Piano

Clarinet and Piano-Part of the Anglo Music Play-Along Series Philip Sparke's 15 Intermediate Classical Solos is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke's 15 Easy Classical Solos.Specifically tailored to suit the individual instrument this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles from Handel to Tchaikovsky and from Clementi to Brahms.The book will provide invaluable additional material tocomplement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Par HARRIS PAUL. The Roaring Twenties and Thirties, a lost world of opulence and excess, of champagne parties lasting until dawn, where flappers and their partners danced to the vibrant new music of the latest jazz bands. Play Jazztime presents a selection of world famous hits from this brilliant, brittle era, from the seductive melodies of Gershwin to the archetypal Twenties hit Charleston . Relive the age of Gatsby and Play Jazztime ! / Niveau : Assez Facile / Jazz / Recueil / Clarinette et Piano

Par MANTOVANI BRUNO. La clarinette est l'instrument que j'ai le plus mis à l'honneur dans mon catalogue, de mon solo Bug jusqu'à Quasi lento où elle est un soliste permanent à l'intérieur d'un grand orchestre en passant par Mit ausdruck, concerto pour clarinette basse et orchestre. Depuis longtemps, j'éprouvais le désir de la confronter au piano dans une logique de sonate. Le centenaire de la disparition de Claude Debussy dont la Rhapsodie est un modèle du genre m'en a donné l'occasion. Waiting est un 'solo orchestré' dans la mesure où toute la matière pianistique semble déterminée par l'instrument à vent. Une longue mélodie mélismatique débute l'oeuvre, le piano entrant de façon très discrète par une note répétée comme un glas. Puis le piano agit en doublure de l'instrument soliste et enfin en relai, prolongeant la clarinette par des résonances ou des imitations. Malgré les nombreuses sections très rythmiques et virtuoses, le caractère monodique de l'ensemble et la permanence de tenues évoquant le bourdon médiéval créent un sentiment d'attente qui justifie le titre. Waiting est dédié à Romain Guyot et François Chaplin. / Contemporain / Répertoire / Clarinette et Piano

The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians to learn and enjoy. Bartók for Clarinet features selected highlights from Bartók's most popular pedagogical repertoire including For Children, Mikrokosmos, Romanian Folk Dances, Romanian Christmas Carols and others, arranged for clarinet with piano accompaniment by Hywel Davies. An accompanying audio CD features demonstration and backing tracks. / Clarinette Et Piano