To every pupil, the first concert is a special experience. The period of intensive preparation, the mixture of trepidation and joyful anticipation, the concentration during the performance, the applause of the audience and the pride after the successful performance. Such impressions will all stick in the pupil's mind and quite often influence his or her entire future development. The choice of the 'right' performance piece is of vital importance: It should be neither too long nor too short, make a strong impression and give great pleasure in practising.The edition Mein erstes Konzert contains 23 easy pieces for clarinet and piano for music lessons and first auditions. The selection of the original works invites the performer on a trip through various music epochs - starting from classical via Romantic to contemporary music. Further highlights are pieces from the areas of klezmer, jazz, rock and pop music.Most pieces can be played after 1-2 years of music lessons. The first pieces in this volume are exclusively written in the low register - without overblowing.Approaching the works is made easier by the enclosed CD which contains all pieces as a demo version and as a play-along version with just piano accompaniment. / Clarinette Et Piano

This is an updated edition of Francis Poulenc's 1962 work Sonata For Clarinet And Piano edited by Millan Sachania. Featuring the full score and separate Clarinet part this exclusive editionalso includes a download card giving you instant online access to demonstration and accompaniment tracks.   Originally completed in 1962 Poulenc tragically passed away before it could bedefinitively engraved leaving behind a work with a number of ambiguous notational marks that resulted in an incomplete first edition published just a year later. A number of revisions have taken place but this expertly editedby Millan Sachania aims to provide a playable legible precise and authoritative score that reflect closest Poulenc's intentions.   This new edition includes accidentals that may havebeen intended by Poulenc within square brackets as well as cautionary accidentals and the deletion of redundant accidentals. Other amendments like the redistribution of notes between the Piano staves extendingslurs so as to incorporate second or final tied notes in contrast to the previous edition. At all points Sachania has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection ofwhat Poulenc himself may have intended.   What makes this edition of Sonata For Clarinet And Piano really special is the unique download card that provides exclusive onlineaccess to demonstration and accompaniment audio tracks. Professionally-recorded by renowned clarinettist Joy Farrall and pianist Huw Watkins the demonstration track allows you to hear exactly how the piece as a whole shouldsound before the independent Piano-only track lets you take the place of the clarinettist in your very own performance. This is a unique opportunity for clarinettists to learn from an authoritative score and play along to a

Composed by Pierre Gabaye Sonatina is a piece for Bb Clarinet and Piano lasting 12 minutes. Divided into three distinctive parts this piece is rated as difficult and can be played by advanced players and above levels. The first part Allegro (4/4 tempo: 120-126) is really energetic as a start evolved shortly after between slower and faster sections. The second part slower (Largo) starts with the Piano on its own for two measures. This part is strongly influenced by Jazz and features long Clarinet lines supported by a rich Piano accompaniment. Finally the third part is really fast (Prestissimo) and displays a Piano more present slightly taking over the Clarinet. This really melodious piece is perfect to be played in contests or for a recital.

for Solo Bb Clarinet and Piano-Cette oeuvre en deux mouvements pour clarinette et orchestre fut commandée par Musica Reservata vof Belgique et est dédiée à Eddy Vanoosthuyse un bon ami et confrère du compositeur. Elle connut du succès à sa première mondiale le 10 décembre 2008à Salt Lake City (Etats-Unis) interprétée par l?orchestre Utah Philharmonia sous la direction de Robert Baldwin avec Eddy Vanoosthuyse comme soliste. Par la suite l?oeuvre fut mise de côté pendant quelques années surtout parce que les agendaschargés des deux protagonistes ne leur permettaient pas de trouver le temps pour un enregistrement discographique. Pour finir l?oeuvre fut enfin enregistrée en juin 2015 à Nagoya (Japon) avec le Central Aichi Symphony Orchestra mené par l?étoilemontante vénézolane SergioRosales. La même semaine le 12 juin l?oeuvre fut présentée en concert pour la première fois au Japon par les mêmes interprètes et connut ici aussi un grand succès. Après Concerto Doppio pour deux clarinettes et orchestre à cordes composé en 2001 voici la deuxième oeuvre de concert de Jan Van der Roost qui met la clarinette en vedette.Le premier mouvement Doloroso e Contemplativo transmet le côté sérieux de la clarinette et par conséquent il n?y figure presque pas de virtuosité ou de spectacle. Au contraire l?orchestration colorée et variée qui est entrelacée autour de lapartie solo est bien plus qu?un simple accompagnement et prend la forme de partenairemusical d?importance comparable au soliste. Une introduction un peu mystérieuse mène à une première apogée orchestrale en passant par des cellules musicales ascendantes. Ensuite on entend l?entrée du soliste d?abord par des idées musicales plusfragmentaires puis par des lignes mélodiques plus longues. L?orchestre entre en dialogue avec le soliste et son instrumentation délicate et colorée crée un parfait encadrement musical. Vers la fin l?atmosphère du début est réaffirmée et lesoliste finit par la même note par laquelle il avait commencé.Le deuxième mouvement Giocoso e Con Bravura est une toute autre histoire : ici le côté virtuose et parfois presqu?acrobatique de la clarinette est exploré. Des cascades imposantes et continuelles de notes demandent une dextérité exceptionnelleau soliste ce qui à un certain moment et « récompensé » par l?orchestre par un clin d?oeil au « Hallelujah » de Handel ? vraiment mérité après ces feux d?artifice ! De temps en temps l?instrument solo présente une phrase humoristique : laclarinette ne peut pas que chanter briller et pleurer mais aussi rire et plaisanter. Plusieurs passages sont presque caricaturaux ! La palette variée de cet instrument magnifique est démontrée parfaitement parfois avec un brin d?humour oud?ironie. En effet les deux mouvements contrastants de ce concerto démontrent les différentes facettes de l?instrument qui s?est établi sur la scène de musique classique ainsi que la musique légère (quel nom peu prom

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

Sonatina was written for solo Clarinet in B flat with Piano accompaniment. It was first published in 1982.Rory Boyle (b.1951) is a Scottish composer and educator currently Professor ofComposition at the Royal Conservatoire of Scotland. He was a chorister at St George’s Chapel Windsor before studying Piano Organ Clarinet and conducting at the RSAMD and composition with Frank Spedding and Lennox Berkeley. Hismusic covers every style from large orchestral works to solo instrumental pieces. He is regularly in demand for commissions from Festivals Music Societies and leading performers.

Double Take is a work by South-African composer Kevin Volans arranged for Clarinet in A with Accompaniment. Double Take was commissioned by the Music Network with theassistance of the Arts Council of Ireland. Volans a key member of the post-minimalist community states that he finds composing for solo instruments the most difficult of tasks. Originally composed as a duet for a singleplayer Volans started to hear a subtle ostinato underneath the main melody which became the opening of the piece.

Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano

All aboard for another musical tour of the globe, led by Mike Mower! Junior Musical Postcards containes eleven brand-new pieces in eleven fascinating world music styles, tailor-made for younger players. The trip starts with a boisterous Cajun stomp, and finishes with an elegant Viennesse polka, taking in places as diverse as China, Jamaica and Wales along the way - all with accompaniments on the playalong CD.The Junior Musical Postcards book contains melody lines, with chord symbols to help improvisation. The pieces are brought to life by background information and illustrations, and playing hints too. The CD contains two versions of each tune - one with a solo part for listening and learning, the other without, for accompanying performances.Junior Musical Postcards is available for flute, clarinet, alto saxophone, trumpet and violin- there is also a book for keyboard accompaniments. / Clarinette Et Piano

As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

Music Through Time is an exciting series of instrumental repertoire books designed to provide young musicians with enjoyable interesting and stimulating material in the early stages of their playing career. The contents of each volume are arranged chronologically and each piece is accompanied by short notes which place the music in its wider historical context so that the student can more easily relate the style of the music to its period. Book 1 covers grades 1-2. The solo clarinet part is also included as a separate insert.

Joseph Horovitz (b. 1926) is a British composer and conductor who is best known for his involvement the 1951 Festival of Britain and for works such as Captain Noah and His Floating Zoo. HisConcertante (1948) was his first published composition written while he was still studying under Gordon Jacob at the RCM. It was modelled on the Weber’s Concertino for Clarinet but is written in adecidedly 20th century idiom. Originally scored for Clarinet and String Quartet this version for Clarinet and Piano was transcribed by the composer.

20 Easy Solos with Piano Accompaniments-First Festival Solos: 20 easy Clarinet solos with Piano Accompaniments. Carl Fischer presents a new collection of solo pieces with piano accompaniments for use at festival adjudicated events or in recitals. These solos are written by two of the most popular composers of music for students: Larry Clark and Sean O'Loughlin. The solos range in difficulty from grades 1 to 2 and are progressively arranged in the book. There is a wide variety of musical styles from original compositions to beautiful arrangements of folk songs and classical pieces. Each volume includes a CD of full-version recordingsfor the student to use as examples as well as piano-only recordings to use in practice. The CD also contains piano accompaniments as printable PDF files so that the student can print the solo they need for the accompanist. This collection of solos is destined to be on every state contest/festival required music list.

14 Stücke aus 4 Jahrhunderten. Par . The last book in the clarinet?s Easy Concert Pieces series. Contains pieces for intermediate players from a broad range of eras, Baroque to Modern. Recordings and backing tracks for all the pieces are included (mp3). This volume is part of the series Easy Concert Pieces which offers a rich treasure trove of easy-to-play musical literature for lessons, concerts and leisure time. There are three books per instrument in the Easy Concert Pieces series, ascending in difficulty from very easy to intermediate. / Date parution : 2023-10-31/ Recueil / Clarinette et Piano