Double bass SKU: BA.BA07896-85 Composed by Camille Saint-Saens. Edited by...(+)
Double bass
SKU:
BA.BA07896-85
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
78. 15 pages.
Baerenreiter Verlag
#BA07896_85. Published by
Baerenreiter Verlag
(BA.BA07896-85).
ISBN
9790006563395. 32.5 x
25.5 cm inches. Key: C
minor.
In this work
I gave everything I had
to give. [...] What I did
here I will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass solo SKU: GI.G-J221 The Instrumental Series. Composed ...(+)
Double bass solo
SKU:
GI.G-J221
The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Method Book. Jump
Right In. Music
Education. Book. 32
pages. GIA Publications
#J221. Published by GIA
Publications (GI.G-J221).
English.
The
newly revised Jump Right
In: The Instrumental
Series for Strings
incorporates hundreds of
improvements designed to
make the series
practical, engaging, and,
most of all, musical.
Like its counterparts for
winds and recorder, the
string series includes
high-quality CD
recordings of folk songs
and melodies and
performances by some of
the worldâ??s greatest
musicians. And, of
course, this series
incorporates the latest
research and is sequenced
according to Edwin E.
Gordonâ??s Music
Learning Theory. The
522-page Teacherâ??s
Guide incorporates all of
Book 1 and 2 and includes
complete lesson plans, an
introduction to Music
Learning Theory,
connections to the
National Standards, and
information on testing,
recruiting, scheduling,
and many other critical
issues.
Double bass SKU: BA.BA08841-85 Composed by Claude Debussy. Edited by Doug...(+)
Double bass
SKU:
BA.BA08841-85
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 3 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_85. Published by
Baerenreiter Verlag
(BA.BA08841-85).
ISBN
9790006541256. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA07887-85 Composed by Gabriel Faure. Edited by Robin...(+)
Double bass
SKU:
BA.BA07887-85
Composed by Gabriel
Faure. Edited by Robin
Tait. This edition:
urtext edition. Folded.
Barenreiter Urtext.
Single part. Opus 50. 3
pages. Duration 16
minutes. Baerenreiter
Verlag #BA07887_85.
Published by Baerenreiter
Verlag (BA.BA07887-85).
ISBN 9790006558544.
32.5 x 25.5 cm
inches.
The
popularity of Faure's
Pavane is mostly
attributed to its many
arrangements but the
original version for
orchestra is being
published here for the
first time. Shortly after
completing the orchestral
work, Faure began work on
a version for choir,
which was actually
premiered before the
orchestral
version.
This new
Barenreiter edition
offers conductors and
orchestras a reliable
Urtext edition of the
Pavane's original
orchestral version which
will surely enhance
symphonic concert
programmes
everywhere.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA09584-85 Composed by Josef Suk. Edited by Zdenek No...(+)
Double bass
SKU:
BA.BA09584-85
Composed by Josef Suk.
Edited by Zdenek Nouza.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. Opus 35. 3
pages. Baerenreiter
Verlag #BA09584_85.
Published by Baerenreiter
Verlag (BA.BA09584-85).
ISBN 9790260107878.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 45/2. 8
pages. Baerenreiter
Verlag #BA10402_85.
Published by Baerenreiter
Verlag (BA.BA10402-85).
ISBN 9790260108288.
32.5 x 25.5 cm inches.
Key: G minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
