Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn A favorite of audiences and performers this concerto glows with exuberance and solid structural beauty. You play either the first or second part; or get together with a friend for a thrilling duet concerto eperience with full orchestra! Contains a printed solo part newly engraved and printed on beautiful acid-free ivory paper; and two compact disc featuring the complete concerto performed with both solo violins then again in three accompaniment versions: minus the first violin; minus the second violin; and minus both violins; and the accompaniments given again at -20%speed for practice purposes.

Classiques No.29-A transcription of Mozart's Bassoon Concerto in Bb arranged here for Double Bass and Piano. In the key of A. Double bass insert is in G.

Concerto For Double-Bass And Orchestra. Par RAUTAVAARA EINOJUHANI. / Répertoire / Contrebasse

Par RAVEL MAURICE. In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane”. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane” and both versions remain a 'must” for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane” from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D'Aranyi's fingering/ Répertoire / Contrebasse

Contents: Bourré (Bach) ' Grave (Abaco) ' Concerto (Vivaldi) ' Prelude and Allegro (d'Andrieu) ' Sonata in C Minor (Handel) ' Sonatina and Minuet (Beethoven) ' Elegy and Andante (Bottesini)' Aria from Rigoletto (Verdi) ' Adagio (Geissel) ' Vocalise (Rachmaninoff) ' Romance (Prokofiev) ' Introduction and Tarentelle (Franchi) ' Serenade (Beveridge) ' Chaconne (Russell).

New Technique for the Double Bass part 5- Bass player François Rabbath born in 1931 in Aleppo is a real character in the world of music. He settled in Paris in 1955 where he played with the stars (Barbara Aznavour…) while continuing as a classical instrumentalist. Throughout the four preceding volumes Rabbath’s Nouvelle technique de la contrebasse presented in a four-language version (French English German and Spanish) endeavours to free the pupil from the shackles of traditional teaching. Always guided by the same conviction -that there is no need to torture one’s body to become an instrumentalist - Rabbath rounds off his educational epic with this fifth book which will offer great musical pleasure to the trainee bass player who can take pride in having overcome the technical difficulties covered in the first four books. This collection includes real concert pieces - works of great charm such as the nostalgic Cri de Venise for double bass and piano and the Troisième Concerto with its enveloping lyricism as well as short pieces such as Souviens-tu des douze peupliers and the irresistible Mama Bahija for bass drum and organ.

Par NANNY. Complete method for the Double Bass & Part 2 is the first of a series of two, created by Edouard Nanny, a French Double-Bass player, teacher and composer. Conceived to acquire correct technique and a good sonority, the Complete method for the four and five stringed Double Bass & Part 2 is perfect for intermediate players. Including scales, exercises and small studies, this second volume follows on Part 1, also available at Alphonse Leduc. Edouard Nanny (1872-1942) had internal recognition as a composer during his lifetime and composed two concerti and additional methods such as 'Twentyvirtuoso studies', among others. / Niveau : Débutant à Intermédiaire / Méthode / Méthode / Contrebasse