Double bass SKU: M7.VHR-3903 Composed by Simone Drebenstedt. Sheet music....(+)
Double bass
SKU:
M7.VHR-3903
Composed
by Simone Drebenstedt.
Sheet music. Student's
edition. 172 pages.
Holzschuh Musikverlag
#VHR 3903. Published by
Holzschuh Musikverlag
(M7.VHR-3903).
ISBN
9783940069818.
Das
neue Schulwerk verbindet
Lieder und Aufgaben in
sehr übersichtlicher
Form. Viele Liedbeispiele
und Liedbegleitungen mit
Texten zum Singen
erleichtern den
Schülern den Zugang
zur Musik. Alle Seiten
dieses Unterrichtswerkes
sind gleich aufgebaut.
Das übersichtliche
Layout erleichtert
Lehrern und Schülern
die Orientierung. Der
Umfang des Materials ist
auf zwei Unterrichtsjahre
ausgerichtet.
Double bass SKU: M7.VHR-3908 Arbeitsbuch Kontrabass. Composed by S...(+)
Double bass
SKU:
M7.VHR-3908
Arbeitsbuch
Kontrabass. Composed
by Simone Drebenstedt.
Sheet music. 100 pages.
Holzschuh Musikverlag
#VHR 3908. Published by
Holzschuh Musikverlag
(M7.VHR-3908).
ISBN
9783940069863.
Umfa
ngreiches Schulwerk
für den
Streicherklassenunterrich
t- für 2
JahreBesetzung:
Kontrabass Das neue
Schulwerk verbindet
Lieder und Aufgaben in
sehr übersichtlicher
Form. Viele Liedbeispiele
und Liedbegleitungen mit
Texten zum Singen
erleichtern den
Schülern den Zugang
zur Musik. Alle Seiten
dieses Unterrichtswerkes
sind gleich aufgebaut.
Das übersichtliche
Layout erleichtert
Lehrern und Schülern
die Orientierung. Der
Umfang des Materials ist
auf zwei Unterrichtsjahre
ausgerichtet.
Double bass - Grade 2 SKU: RM.JOUB02056 Composed by Claude Henry Joubert....(+)
Double bass - Grade 2
SKU: RM.JOUB02056
Composed by Claude Henry
Joubert.
Deux-trois-quatre
contrebasses cordes.
Instrumental music.
Editions Robert Martin
#JOUB02056. Published by
Editions Robert Martin
(RM.JOUB02056).
Jo le fenouil Contre Basse - Débutant Martin, Robert
Double bass - Grade 1 SKU: RM.JOUB03814 Composed by Claude Henry Joubert....(+)
Double bass - Grade 1
SKU: RM.JOUB03814
Composed by Claude Henry
Joubert. Double bass and
piano. Instrumental
music. Editions Robert
Martin #JOUB03814.
Published by Editions
Robert Martin
(RM.JOUB03814).
Double bass - Grade 1 SKU: RM.JOUB02395 Composed by Claude Henry Joubert....(+)
Double bass - Grade 1
SKU: RM.JOUB02395
Composed by Claude Henry
Joubert. Double bass and
piano. Instrumental
music. Editions Robert
Martin #JOUB02395.
Published by Editions
Robert Martin
(RM.JOUB02395).
Double bass - Grade 1 SKU: RM.JOUB03816 Composed by Claude Henry Joubert....(+)
Double bass - Grade 1
SKU: RM.JOUB03816
Composed by Claude Henry
Joubert. Contrebasse a
cordes. Instrumental
music. Editions Robert
Martin #JOUB03816.
Published by Editions
Robert Martin
(RM.JOUB03816).
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85).
ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major.
Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Zum Konzert in E von Carl Ditters von Dittersdorf. By Heinz Karl Gruber. Edited ...(+)
Zum Konzert in E von Carl
Ditters von Dittersdorf.
By Heinz Karl Gruber.
Edited by Ludwig
Streicher. Double bass.
For bass. Level: 4.
Composed (1969). 02
pages. Published by
Doblinger (Austrian
import).
Zum Konzert von Wanhal. By Heinz Karl Gruber. Edited by Ludwig Streicher. Double...(+)
Zum Konzert von Wanhal.
By Heinz Karl Gruber.
Edited by Ludwig
Streicher. Double bass.
For bass. Level: 5.
Composed (1969). 02
pages. Published by
Doblinger (Austrian
import).
Double bass SKU: HL.49005367 Composed by John Fischer. Edited by Carlo Bo...(+)
Double bass
SKU:
HL.49005367
Composed
by John Fischer. Edited
by Carlo Bohlaender. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 32 pages.
Schott Music #ED 5045.
Published by Schott Music
(HL.49005367).
ISBN
9790001057790.
German.
Jazz ist
Rhythmus und
Improvisation. Diese
Anleitung will den Weg
weisen, wie sich jeder
das Improvisieren
aneignen kann. Von der
einfachen Ubung bis zum
vollendeten Chorus sind
alle Schwierigkeitsgrade
berucksichtigt. Daruber
hinaus konnen zwei oder
mehr Spieler
verschiedener Instrumente
sich durch gemeinsames
Uben mit der
Kollektiv-Improvisation
vertraut machen. Fur
diesen Zweck weisen die
Ubungen gleicher Nummer
bei allen Instrumenten
dieselbe Harmoniefolge
und dieselbe (klingende)
Tonart auf.Der Erfolg
wird sich einstellen,
wenn die Besonderheiten
des Rhythmus, die Regeln
der Melodiebildung und
die harmonischen
Grundlagen des Jazz in
den Schriften Geschichte
und Rhythmus und
Harmonielehre aus der
JAZZ-STUDIO-Reihe
beachtet werden. - Die
Melodiensammlung Old
Folks at Home bietet
zusatzlich fur das Uben
der Improvisation vierzig
bekannte Songs und
Spirituals.