For Bass-Baritone with Double Bass Obbligato and Orchestra. By Wolfgang Amadeus Mozart. Edited by Eugene Levinson. Arranged by Eugene Levinson. Mixed chamber ensemble. For Bass, Baritone, Double Bass, Piano. Classical. Piano/Vocal Score. K 612. 16 pages. Published by Carl Fischer.

(Pour Contrebasse Et Piano - For Double Bass and Piano). By Wolfgang Amadeus Mozart (1756-1791). For Contrabass, Piano. Collection Richard Dubugnon. Originally For Bassoon And Orchestra. Difficult. Score and part(s). 20 20 pages. Duration 18 minutes, 30 seconds. Published by Gerard Billaudot Editeur

Edited by J. Peter Close/Holger Sassmannshaus. For double bass and piano. Stapled. Barenreiter's Double Bass Collection. Level 2. Piano reduction, part(s). Text Language: German/English. 32/64 pages. Published by Baerenreiter Verlag

By Hartley. For Piano Accomps for Bks 1 & 2. Published by Oxford University Press.

By J. Peter Close / Holger Sassmannshaus. For double bass ( piano). This edition: Stapled. Barenreiter's Sassmannshaus. Instructional Method. Performance score, Part(s), Teaching material. Text Language: English/German. 64/16 pages. Published by Baerenreiter Verlag

Composed by Ellen Taaffe Zwilich (1939-). Premiere: Michael Cameron bass; International Society of Bassists annual convention, Ithaca College School of Music, Ithaca, NY. Solo part with piano reduction. With Standard notation. Composed 2017. Duration 6 minutes. Theodore Presser Company #144-40702. Published by Theodore Presser Company (PR.144407020).

Composed by Frantisek Hertl. Stapled. Performance score, Part, anthology. Baerenreiter Verlag #BA11556. Published by Baerenreiter Verlag

Composed by Daniel Pinkham (1923-2006). For double bass, organ or harpsichord. Score and part. 28 pages. Duration 8 minutes. Published by Ione Press

Double Bass

SKU: HL.48180251

Composed by Domenico Dragonetti. Leduc. Classical. Softcover. 28 pages. Alphonse Leduc #AL16930. Published by Alphonse Leduc (HL.48180251).

UPC: 888680846367. 9.75x12.5x0.088 inches.

This famous Concerto for Double Bass and Piano accompaniment by Edouard Nanny is part of the?Double Bass Classics. It is the famous piece No. 23 of this collection which, even though attributed to Dragonetti, is commonly acknowledge as a tribute to him composed by Edouard Nanny. The book features a score and double bass part. Written in A major and divided in three parts, Allegro Moderato, Andante and Allegro Giusto, all its movements start with the piano which is later joined by the double bass. This latter then becomes the main element, the piano accompaniment being mainly chords. Quite difficult, this piece would fit the skills and abilities of advanced players, for recitals or concerts. Edouard Nanny (1872-1942) was a well-known French double bass player, composer and professor.

Composed by Frantisek Hertl. Stapled. Performance score. Published by Baerenreiter Verlag

(Concerto Pour Contrebasse Et Orchestre, Reduction Pour Contrebasse En Re Et - (Concerto for Double Bass and Orchestra, Diminution for D Double Bass and Piano)). By Patrick Michel. For Double Bass and Orchestra. This edition: reduction for double bass and piano. Bernard Salles. Reduction for double bass and piano. Advanced. Score and part(s). Standard notation. Duration 4 minutes, 30 seconds. Published by Gerard Billaudot Editeur

For String Bass and Piano. By Ernest Bloch. Arranged by Stuart Sankey. For Contrabass Solo, Piano. Solo part with piano reduction. 6 pages. Published by Carl Fischer.

(Double Bass with Piano Reduction). Composed by Johann Baptist Vanhal (1739-1813). Edited by Tobias Gl�¶ckler. For Double Bass, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN979. Published by G. Henle

For String Bass and Piano. By Arthur Olaf Andersen. For String Bass, Piano. Classical. Solo part with piano reduction. 11 pages. Published by Carl Fischer.

Contrabass & Piano or CD Play Back / Play Along - Grade 2, Grade 3

SKU: MA.EMR-54487

Composed by John G. Mortimer. Score and parts. Duration 17'26. Editions Marc Reift #EMR 54487. Published by Editions Marc Reift (MA.EMR-54487).

1. Arabian Tales / 2. Pinocchio / 3. King Arthur / 4. Legends Of Crete.

Trumpet, 2 Violins, Viola, Cello, Double Bass and Piano

SKU: HL.50560605

Violoncelle, Contrebasse Et Piano. Composed by Camille Saint-Saens. Editions Durand. Set (Score & Parts). Composed 2001. Editions Durand #DF2899. Published by Editions Durand (HL.50560605).

8.5x12.0x0.3 inches.

Double Bass and Piano

SKU: BT.PL3384

Composed by Claude-Henry Joubert. Book and Part(s). Pierre Lafitan Editions #PL3384. Published by Pierre Lafitan Editions (BT.PL3384).

By Cesar Auguste Franck (1822-1890). Edited by Stuart Sankey. For String bass and piano

By Benedetto Marcello (1686-1739). Edited by Stuart Sankey. For String bass and piano. Published by International Music Company

By Georg Philipp Telemann (1681-1767). Edited by Stuart Sankey. For String bass and piano

16 pieces in various styles. By Lode Leire. De Haske Play-Along Book. Book with CD. Composed 2008. 16 pages. De Haske Publications #1084474. Published by De Haske Publications

Double Bass and Piano - Intermediate-Advanced

SKU: FP.FDW03

Composed by Charles Francois Gounod. Arranged by Andrew Wilson-Dickson. Sheet Music and Books. A striking arrangement of the Gounod favourite, arranged for Double Bass and Piano by A. Wilson-Dickson. Suggested grade 5. Classical. Collection. Forsyths Publications #FDW03. Published by Forsyths Publications (FP.FDW03).

ISBN 9790570500789.

Goun od's classic piece, arranged for double bass, with piano accompaniment.

The music in the beginning tells the listener that two of the members of the Marionette troupe have had a duel and one of them has been killed. A party of pallbearers is organised and the procession sets out for the cemetery in march time.

The piece soon takes on a more cheerful spirit, for some of the troupe, wearied with the march, seek consolation at a wayside inn, where they refresh themselves and also descant upon the many virtues of their late companion. At last they get into place again and the procession enters the cemetery to the march rhythm -- the whole closing with the bars intended to reflect upon the briefness and weariness of life, even for marionettes.