Horn and piano SKU: BR.DV-32084 Composed by Reiner (Hrsg.) Heimbuch. Edit...(+)
Horn and piano
SKU:
BR.DV-32084
Composed
by Reiner (Hrsg.)
Heimbuch. Edited by
Reiner Heimbuch. Solo
instruments; Softbound.
Deutscher Verlag. Music
pedagogy. Score. 176
pages. Deutscher Verlag
fur Musik #DV 32084.
Published by Deutscher
Verlag fur Musik
(BR.DV-32084).
Horn and Piano SKU: BT.EC1090 Ausgewählte Literatur für Prüfu...(+)
Horn and Piano
SKU:
BT.EC1090
Ausgewählte
Literatur für
Prüfungen, Wettbewerb
und Vorspielabende.
Composed by Various
Artists. Book with CD.
Composed 2002. Echo
Verlag #EC1090. Published
by Echo Verlag
(BT.EC1090).
Chamber Music English Horn, Piano SKU: PR.114417250 For English Horn a...(+)
Chamber Music English
Horn, Piano
SKU:
PR.114417250
For
English Horn and
Orchestra. Composed
by Gaetano Donizetti.
Edited by Mark Biggam
Pedro Diaz. Sws each. See
the Historical Notes by
Michael Finkelman on the
second and third pages.
Romantic. Set of Score
and Parts. With Standard
notation. 16+8 pages.
Duration 12:30. Theodore
Presser Company
#114-41725. Published by
Theodore Presser Company
(PR.114417250).
ISBN
9781491110928. UPC:
680160631469. 9x12
inches. Key:
F.
Concertino in
FÂ for English Horn and
OrchestraPreviously known
only through a spurious
edition in G Major, the
authentic Concertino in F
was recently discovered
in Italy by Pedro Diaz,
English Hornist of the
Metropolitan Opera
Orchestra. Diaz prepared
this ground-breaking
authentic edition through
comparison of the
multiple historical
sources and an intimate
knowledge of Donizetti's
works. The new edition in
F Major is embellished
with footnotes regarding
sources and
ornamentation. The piano
reduction and orchestral
score and parts
(available on rental)
were prepared by
composer/oboist Mark
Biggam in tandem with
Diaz's work, and the
publication includes
extensive historical
notes by scholar Michael
Finkelman. PEDRO DIAZ
joined The Metropolitan
Opera Orchestra in 2005
and has performed as solo
English Hornist in
hundreds of productions.
As a sought after
teacher, Mr. DÃaz has
lectured extensively at
top music conservatories
including The Juilliard
School, The Manhattan
School of Music, The
Eastman School of
Music,The Hartt Music
School, and Duquesne
University. His
international appearances
include masterclasses in
Panama, Italy, Mexico,
Canada, Puerto Rico,
Leipzig, Berlin, and
Italy.A native of Puerto
Rico, he received his
early musical training in
the “Escuela Libre
de Musica,†an
esteemed public school
for the performing arts.
He has performed as a
guest artist with the
Chicago Symphony, New
York Philharmonic, and
many other leading
ensembles. His playing
has been hailed by
critics as evocative,
eloquent and expressive
and is considered one of
the pre-eminent players
of his generation. Mr.
DÃaz has performed
Wagner’s Tristan
und Isolde 24 times under
the batons of James
Levine, Daniel Barenboim,
and Sir Simon
Rattle.Pedro
DÃaz’s
recording of the
Donizetti Concertino in F
and other concerti is
available from Fox
Products and online
sources, performed with
members of the
Metropolitan Opera
Orchestra. MARK
BIGGAM’s
compositions have been
recognized in various
venues throughout the
United States, Central
America, Asia, and
Europe. He has received
awards from ASCAP and the
Cleveland Foundation. An
oboist himself, many of
Biggam’s
compositions have been
performed by notable
oboists and English Horn
players including John
Mack, Joseph Robinson,
Pedro DÃaz, Carolyn
Hove, and Dwight Parry.
Premieres of his works
have been featured at
events including the
International Double Reed
Society and John Mack
Legacy
Camp.Biggam’s
choral works have gained
recognition, awards, and
commissions from
organizations including
the Moravian Music
Foundation, Ohio
BoyChoir, and Triad Pride
Men’s Chorus. He
also has published
arrangements and piano
reductions of J.S.
Bach’s music for
Bärenreiter-Verlag.
His collaborations with
Pedro DÃaz include the
Donizetti Concertino in F
as well as works of the
lesser-known composers
Pilotti and Mares,
recorded by Mr. Diaz and
members of the
Metropolitan Opera
Orchestra. Biggam has
alsoprepared arrangements
and settings of works for
symphonic band, which
have been performed by
the Piedmont Wind
Symphony.
Horn and piano (original scoring: hn,orch) SKU: BR.DV-32002 Composed by F...(+)
Horn and piano (original
scoring: hn,orch)
SKU:
BR.DV-32002
Composed
by Franz Anton Rosler.
Edited by Peter Damm.
Solo instruments;
stapled. Deutscher
Verlag. Solo concerto;
Classical. Piano
reduction. 40 pages.
Deutscher Verlag fur
Musik #DV 32002.
Published by Deutscher
Verlag fur Musik
(BR.DV-32002).
Women's voice, cello solo, english horn, piano SKU: CA.1631900 For vio...(+)
Women's voice, cello
solo, english horn, piano
SKU: CA.1631900
For violoncello solo,
woman voice, english horn
and piano. Composed
by Walter Feldmann. This
edition: Paperbound.
(r)DOLCIFICARE A
PIACERE--(r)R.E.C.-1997.
Full score. Composed
1997. 28 pages. Duration
10 minutes. Carus Verlag
#CV 16.319/00. Published
by Carus Verlag
(CA.1631900).
Women's voice, cello solo, english horn, piano SKU: CA.1631909 For vio...(+)
Women's voice, cello
solo, english horn, piano
SKU: CA.1631909
For violoncello solo,
woman voice, english horn
and piano. Composed
by Walter Feldmann.
(r)DOLCIFICARE A
PIACERE--(r)R.E.C.-1997.
Single Part, 4
Instrumente. Composed
1997. 96 pages. Duration
10 minutes. Carus Verlag
#CV 16.319/09. Published
by Carus Verlag
(CA.1631909).
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Thi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Performance score, Parts
(2). Opus 17.
Baerenreiter
Verlag #BA10939.
Published
by Baerenreiter Verlag
Music for Horn & Piano Cor et Piano [Conducteur et Parties séparées] - Avancé Furore Verlag
By Ruth Schonthal (1924-). For horn and piano. Horn. Work premiere: 13.06.1978 L...(+)
By Ruth Schonthal
(1924-). For horn and
piano. Horn. Work
premiere: 13.06.1978 La
Guardia College New York,
Arthur Goldstein: Horn,
Ruth Schonthal, Piano.
Instrumental Music.
Advanced. Score and part.
Composed 1978. Duration
11'
Horn and piano (solo: hn - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.EB-10704 U...(+)
Horn and piano (solo: hn
- 0.2.0.0 - 2.0.0.0 -
str)
SKU:
BR.EB-10704
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Arranged by Jan
Philip Schulze. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Piano
reduction. 44 pages.
Duration 16'. Breitkopf
and Haertel #EB 10704.
Published by Breitkopf
and Haertel
(BR.EB-10704).
ISBN
9790201807041. 9.5 x 12
inches.
Prank or
Color Code? Mozart
composed all of his horn
concertos for Joseph
Leutgeb, a long-standing
friend of his family. In
Salzburg Leutgeb was in
the service of the court
ensemble as horn player
and violinist before
departing for Vienna,
where he became known as
a performer of Mozart's
horn concertos. In 1786
Mozart wrote his fourth
horn concerto in E flat
major, which,
unfortunately, survives
only as an incomplete
fragment. For the present
new edition in Breitkopf
Urtext, a reliable early
print for the missing
sections is used.
Nevertheless, this
autograph is still a very
valuable source, since it
contains Mozart's
notation of the work in
colored ink! The question
as to whether this was
one of Mozart's typical
jokes aimed at Leutgeb or
whether he had something
else in mind, remains
inconclusive to this day.
Whoever is curious can
take a guess as well,
since Breitkopf is
printing (in its new
edition and in autograph
form) the sections in
color that were
originally transmitted as
such.
Horn and piano (solo: hn - 0.2.0.2 - 0.0.0.0 - str) SKU: BR.EB-10701 U...(+)
Horn and piano (solo: hn
- 0.2.0.2 - 0.0.0.0 -
str)
SKU:
BR.EB-10701
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Arranged by Jan
Philip Schulze. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Piano
reduction. 44 pages.
Duration 12'. Breitkopf
and Haertel #EB 10701.
Published by Breitkopf
and Haertel
(BR.EB-10701).
ISBN
9790201807010. 9.5 x 12
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical
edition.
In
Cooperation with G. Henle
Verlag. EB 10701 contains
the parts for horn in F
and Eb.
Horn and piano (solo: hn - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.EB-10702 U...(+)
Horn and piano (solo: hn
- 0.2.0.0 - 2.0.0.0 -
str)
SKU:
BR.EB-10702
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Arranged by Jan
Philip Schulze. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Piano
reduction. 40 pages.
Duration 15'. Breitkopf
and Haertel #EB 10702.
Published by Breitkopf
and Haertel
(BR.EB-10702).
ISBN
9790201807027. 9.5 x 12.5
inches.
Wolfgang
Amadeus Mozart's horn
concertos: the Mozart
expert Henrik Wiese edits
the central work genre of
Viennese classicism
according to the current
status of international
Mozart research. Mozart
wrote the Horn Concerto
K. 417 - like the other
works of this genre as
well - for his
horn-playing friend
Joseph Leutgeb. The jokes
which the composer made
at Leutgeb's expense are
wellknown. For example,
he called the dedicatee a
donkey in the autograph,
and, as Henrik Wiese
evidences in his preface,
Mozart also occasionally
enjoyed a bit of
tomfoolery with the
soloist in the musical
text as well.Otherwise
the editor's task was
anything but amusing. The
main source - the
autograph score - is
incomplete: missing are
the close of Movement I
as well as the entire
slow middle movement. For
these two sections, Wiese
used a copy of the score
from the archive of the
publisher Johann Andre.
The unusual circumstance
that Mozart generally
left the horn part almost
unmarked recurs in the
Concerto K. 417 and was
deliberately maintained
in the Urtext
edition.
Violin, horn, piano SKU: BA.BA07052 Composed by Diether De La Motte. Stap...(+)
Violin, horn, piano
SKU: BA.BA07052
Composed by Diether De La
Motte. Stapled. Für
Aufführungen werden 3
Spielpartituren
benötigt. Performance
score. Composed 1977. No.
1-5. Baerenreiter Verlag
#BA07052_00. Published by
Baerenreiter Verlag
(BA.BA07052).
ISBN
9790006484782.
Fur
Auffuhrungen werden 3
Spielpartituren
benotigt
Composed by Alexander Glazunov (1865-1936). Op. 24. Instrumental solo book for f...(+)
Composed by Alexander
Glazunov (1865-1936). Op.
24. Instrumental solo
book for french horn solo
and piano accompaniment.
With solo part, standard
notation and piano
accompaniment. 7 pages.
Published by Belaieff
Verlag.