Trombone octet SKU: SU.50001520 For Trombone octet. Composed by Ed...(+)
Trombone octet
SKU:
SU.50001520
For
Trombone octet.
Composed by Eddie Bass.
Brass, Brass Ensemble.
Score and Parts. Seesaw
Music Corp #50001520.
Published by Seesaw Music
Corp (SU.50001520).
A continuous
set of variations on the
chorale melody
Herzliebster Jesu, was
hast do verbrochen (Ah
Holy Jesus, how has Thou
offended?). Commissioned
by the University of
Georgia Trombone Choir,
Dr. Phillip Jameson,
Director; dedicated to
the memory of Mark A.
Lea. Published by: Seesaw
Music.
Trombone Ensemble SKU: SS.50001520 Composed by Eddie Bass. Score and Part...(+)
Trombone Ensemble
SKU:
SS.50001520
Composed
by Eddie Bass. Score and
Parts. Published by
Seesaw Music Corp
(SS.50001520).
Partite is a
continuous--that is,
connected--set of
variations on the chorale
melody Herzliebster Jesu,
was hast do verbrochen
translated in some modern
hymnals Ah Holy Jesus,
how has Thou offended?.
The basic form of the
work is rather
traditional--a theme
played by bass trombone
preceded by an
introduction and followed
by a series of
variations. A more
fundamental aspect,
however, is the shape
created by a succession
of moods: the
introduction is
questioning, or perhaps
questing; the statement
of the theme is quiet but
troubled; the three
variations following
become gradually more
mocking and sarcastic,
but are overcome by the
serene and accepting
final section, which
incorporates one of J.S.
Bach's most moving
harmonizations of the
chorale. Partite was
commissioned by the
University of Georgia
Trombone Choir, Dr.
Phillip Jameson,
Director. It is dedicated
to the memory of Mark A.
Lea. Copyright 1987.
8-part Trombone Ensemble - Advanced SKU: CY.CC3143 Composed by David Wilb...(+)
8-part Trombone Ensemble
- Advanced
SKU:
CY.CC3143
Composed by
David Wilborn. Classical.
Score and Parts. Cherry
Classics #CC3143.
Published by Cherry
Classics (CY.CC3143).
ISBN 9790530111116.
8.5 x 11 in
inches.
Here is a
description of this
beautiful work by the
composer: Reflection and
Celebration for 8-part
Trombone Ensemble is a
musical homage to a man
who was revered for his
mentorship, musical
intellect and delightful
humor. The work opens
with a somber melodic
solo, capturing the noble
spirit of this great
mentor. Several
repetitive 5-note
ascending motives follow
which is a symbolic
reference to students
learning and
accomplishing under
Conklin's mentorship. The
bold fanfare style (in
measure 32) is presented
to capture the presence
and tall stature of
Conklin. Finally,
Conklin's down-to-earth
personality and his
infectious humor is
referenced (in measure
83). Even the fanfare
theme returns in a faster
tempo, thus highlighting
the frivolity,
lightheartedness, and
wisdom of this adored
music teacher. The music
is about 6 1/2 minutes in
length and is appropriate
for moderately advanced
performers.
8-part Trombone Ensemble - Advanced SKU: CY.CC3172 Composed by Johann Seb...(+)
8-part Trombone Ensemble
- Advanced
SKU:
CY.CC3172
Composed by
Johann Sebastian Bach.
Arranged by Ralph Sauer.
Classical. Score and
Parts. Cherry Classics
#CC3172. Published by
Cherry Classics
(CY.CC3172).
ISBN
9790530111420. 8.5 x 11
in inches.
Motet
Lobet den Herrn, BWV 230,
for four part chorus has
no known date of
composition and was first
published in 1821. It has
a different character
from the previous motets
in that it was not
written for a funeral and
has no chorale melody,
but rather a joyous
Hallelujah. Mr. Sauer has
done a magnificent job
transcribing all six of
Bach's choral motets BWV
225-230 for 8-part
Trombone Ensemble. This
is a major undertaking.
All are very worthy
additions to the Trombone
Ensemble repertoire. This
work for 8-part Trombone
ensemble is is inspired
from text drawn from
Psalm 117 and is about 6
1/2 minutes in length.
This music is appropriate
for advanced performers.
The top two voices have
parts supplied in both
alto and tenor clef.
Composed by Hector
Berlioz. Arranged by
Randall Malmstrom. French
Romantic. Score and
parts. Published by
Cherry Classics
(CY.CC2756).
Symphonie
Fantastique was written
in 1830 as one of the
first program symphonies
in musical history. The
Witches' Sabbath is the
fifth and final movement
tells the story of the
author himself amongst a
hideous gathering of
sorcerers, monsters and
witches who have come
together for his funeral.
The original melody from
the first movement is now
a vulgar and grotesque
dance. Berlioz also
combines the Dies irae
melody to strike even
more fear into the
listener.
This
arrangement of about 10
minutes in length by
Randall Malmstrom is a
full transcription of the
movement and is
appropriate for advanced
performers.