31 Works for Treble (Alto) Recorder and Piano. Peter Bowman and Kathryn Bennetts present the third volume in the Renaissance Recorder Anthology series. Featuring well-known and lesser known pieces scored for treble recorder and keyboard instrument from the Renaissance period. Including CD. / Niveau : 3 / Date parution : 2017-11-20/ Recueil / Flûte à Bec Alto et Piano

Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010.The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James?s Church Piccadilly on Thursday 19 May 2011.1. Ritual/Pastorale2. Fertility Dance3. Ghost Dance/Song4. Sacrificial Dance Composer's Note The idea for the genesis of this work and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Herm?n Cort?s an event that was to eventually lead to the demise of the Aztec civilisation.Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life.I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work.????????Edward Gregson

A superb collection of classical favourites, show tunes and Latin-American dances, as well as ragtime and enticing new pieces by John Pitts, arranged and graded for Recorder players of any age. Designed to be used alongside the best-selling Treble Recorder From The Beginning tutor series. Pieces begin using the first eight notes taught in the tutor book, before steadily increasing. The pieces themselves are absorbing and exciting, offering inspiration and incentive to develop new skills and rhythmic awareness. You will also find eight duets - a superb chance to experience the wonders of small-ensemble performance, either with a teacher or a fellow pupil! / Flûte A Bec Alto Et Piano

Ces pièces ont, pour l'essentiel, été pris des collections compilé et arrangé par Alfred Moffat pour violon et Piano. Composé à l'origine au cours de la periond lorsque l'enregistreur était un instrument favori en Angleterre, on peut supposer que bon nombre de t / Flûte A Bec Alto Et Piano (Clavecin)

L'édition fait partie du programme ABRSM (grade 2,3,8) / Flûte A Bec Alto Et Piano

Par CHOSTAKOVITCH DIMITRI. Shostakovich composed a wide variety of music. His music includes Symphonies, String Quartets, Concertos, Sonatas, Film Music and Jazz inspired pieces. In this publication we feature the very famous Waltz No.2 from his Suite for Variety Orchestra arranged for treble recorder and piano by Irmhild Beutler and Sylvia Rosin. Familiar to many as the title music to the movie Eyes Wide Shut, Dmitri Shostakovich's Waltz No. 2 from the Suite for Variety Orchestra - which is better known as Jazz Suite No. 2 - has mysterious and lascivious qualities that call to mind circus or variety music. Sylvia Rosin and Irmhild Beutler have arranged this dramatic Russian performance piece for treble recorder and piano, thus adding another well-known classic to the instrumental literature available. Shostakovich's stirring Waltz No. 2 will be thoroughly enjoyed by players and audiences alike. Effective Russian performance piece Easy arrangement for treble recorder and piano Famous title music from the film 'Eyes Wide Shut' / Date parution : 2015-11-20/ Répertoire / Flûte à Bec Alto et Piano

Par TELEMANN GEORG PHILIPP. Format: New Edition portrait/ Répertoire / Flûte à Bec Alto et Piano

Par TELEMANN GEORG PHILIPP. Format: New Edition portrait/ Répertoire / Flûte à Bec Alto et Clavecin ou Piano

'.. .ce travail est susceptible de devenir un travail standart très rapidement et est à recommander à toutes les écoles où sont entrepris des études de l'enregistreur ' (Oliver James, Contact Magazine) / Flûte A Bec Alto Et Piano

Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) “...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James, Contact Magazine) These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation. / Pédagogie / Recueil / Flûte à Bec Alto et Piano

Par MASSON THIERRY. Ce recueil s'adresse aux élèves qui, après avoir étudié la flûte à bec soprano durant les deux premières années, débutent la flûte à bec alto et souhaitent découvrir le plaisir du duo avec des jeunes pianistes. Les pièces présentées sont courtes, peu difficiles, afin de se consacrer à la musicalité et à l'écoute, deux qualités essentielles pour jouer ensemble. Mes remerciements les plus sincères à Aline Béhar pour sa compétence apportée à la réalisation de ce recueil. Je remercie également Claire-Dominique Jullien pour sa collaboration. / Niveau : Débutant / classique / Répertoire / Flûte à Bec Alto et Piano

Par PERRONE DAVIDE. Une ambiance Soft (y) à la flûte à bec qui, appelée par les claquements de doigts du pianiste, se met au jazz. Le rythme ternaire et l'ambiance décontractée des premières mesures rappellent le piano bar… mais les imitations, septièmes diminuées, inversions sont bien là, et la pièce se déroule en profitant de tout le registre de la flûte à bec, qui prend alors une dimension lyrique. / Niveau : Assez Facile / Moderne / Répertoire / Flûte à Bec Alto et Piano