Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
L'un des compositeurs les plus prolifiques et influents de l'époque baroque, Vi...(+)
L'un des compositeurs les plus prolifiques et influents de l'époque baroque, Vivaldi est surtout connu pour ses compositions pour violon, par exemple, les quatre saisons. Il était aussi à l'aise dans la composition pour d'autres instruments, cependant, y compris la flûte, flûte à bec et basson.Ce volume présente une sélection de ses plus belles compositions pour instruments à vent, dont six concertos pour flûte et cordes: Concerto n o 1 en fa majeur, 'La Tempête' (RV 433)- Concerto #2 in G Minor, 'nuit' (RV 439), Concerto n o 3 en ré majeur, 'Le bouvreuil' (RV 428), Concerto n o 4 en sol majeur (RV 435), Concerto n o 5 en fa majeur (RV 434) et le Concerto n o 6 en sol majeur (RV 437).On y trouve aussi quatre 'connexes' concertos: Concerto n o 1b, variante (RV 570) pour flûte, hautbois, basson et cordes- Concerto n o 2c, variante (RV 501) pour basson et cordes- Concerto RV 422 pour (Soprano ) Flûte à bec en fa mineur et le Concerto RV 444 pour flûte à bec sopranino en ut majeur.Les musiciens et les mélomanes apprécieront cette compilation pratique des oeuvres récompenser par le maître italien, édité et avec une introduction de la musique baroque italienne expert Eleanor Selfridge-Field / Flûte Traversière Et Orchestre
F.A. Rössler (Antonio Rosetti), Bohème par naissance, a travaillé comme direc...(+)
F.A. Rössler (Antonio Rosetti), Bohème par naissance, a travaillé comme directeur de la musique de Cour en Ludwigslust/Mecklembourg. Il écrit à 14 concertos de flûte complètement le plus important qui est le concerto sol majeur, op. 14. Le mouvement de tête élargi combine la forme sonate avec la technique de la ritournelle du concerto grosso. Tout au début, les basses de la ' Mannheimer-Walzermotiv ' clairement que Rössler sait comment utiliser efficacement la technique orchestrale de son temps. Malgré tous les motivique et thématiques ainsi que l'abondance des harmonique, Rössler - atteint dans ce concerto une unité musicale presque naturelle. / Flûte Traversière Et Orchestre
F.A. Rösler (Antonio Rosetti), Bohème par naissance, a travaillé comme direct...(+)
F.A. Rösler (Antonio Rosetti), Bohème par naissance, a travaillé comme directeur de la musique de Cour en Ludwigslust/Mecklembourg. Il écrit à 14 concertos de flûte complètement le plus important qui est le concerto sol majeur, op. 14. Le mouvement de tête élargi combine la forme sonate avec la technique de la ritournelle du concerto grosso. Tout au début, les basses de la ' Mannheimer-Walzermotiv ' clairement que Rösler sait comment utiliser efficacement la technique orchestrale de son temps. Malgré tous les motivique et thématiques ainsi que l'abondance des harmonique, Rösler réalise dans ce concerto une unité musicale presque naturelle. / Flûte Traversière Et Orchestre
F.A. Rössler (Antonio Rosetti), Bohème par naissance, a travaillé comme direc...(+)
F.A. Rössler (Antonio Rosetti), Bohème par naissance, a travaillé comme directeur de la musique de Cour en Ludwigslust/Mecklembourg. Il écrit à 14 concertos de flûte complètement le plus important qui est le concerto sol majeur, op. 14. Le mouvement de tête élargi combine la forme sonate avec la technique de la ritournelle du concerto grosso. Tout au début, les basses de la ' Mannheimer-Walzermotiv ' clairement que Rössler sait comment utiliser efficacement la technique orchestrale de son temps. Malgré tous les motivique et thématiques ainsi que l'abondance des harmonique, Rössler - atteint dans ce concerto une unité musicale presque naturelle. / Flûte Traversière Et Orchestre
Par ROSETTI FRANZ ANTON (ROSLER). F. a. Rösler (Antonio Rosetti), Bohème par n...(+)
Par ROSETTI FRANZ ANTON (ROSLER). F. a. Rösler (Antonio Rosetti), Bohème par naissance, a travaillé comme directeur de la musique de Cour en Ludwigslust/Mecklembourg. Il écrit à 14 concertos de flûte complètement le plus important qui est le concerto sol majeur, op. 14. Le mouvement de tête élargi combine la forme sonate avec la technique de la ritournelle du concerto grosso. Tout au début, les basses de la ' Mannheimer-Walzermotiv ' clairement que Rösler sait comment utiliser efficacement la technique orchestrale de son temps. Malgré tous les motivique et thématiques ainsi que l'abondance des harmonique, Rösler réalise dans ce concerto une unité musicale presque naturelle./ Répertoire / Flûte Traversière et Orchestre
Trail Of Tears Flûte traversière,
Orchestre Boosey and Hawkes
Ce concerto pour flûte est un voyage musical dans l'esprit humain qui a toujour...(+)
Ce concerto pour flûte est un voyage musical dans l'esprit humain qui a toujours à découvrir des moyens pour faire face aux bouleversements, le besoin et la misère. Le premier mouvement où le vent soufflait libre 'a été inspiré par une citation de l'Indien Geronimo chef (1829-1909):' Je suis né dans les prairies où le vent soufflait libre et il n'y avait rien pour briser la lumière du soleil 'tandis que la fin de ce mouvement, avec son turbulent instrumentale coda, est devenu un mort mars, le 'Trail of Tears'. 'Incantation' Le mouvement de réflexion deuxième médite sur la mort de personnes chères et l'espoir d'une meilleure vie après la mort. 'Danse du soleil' Le dernier mouvement évoque l'une des cérémonies les plus spectaculaires et les plus importantes de danse religieuses des Indiens d'Amérique du Nord des Prairies du 19ème siècle qui se pratique encore aujourd'hui, après plusieurs années de détention aux réserves indiennes. / Flûte Et Orchestre
Illuminations - Capriccio For Flute And Orchestra was composed by Erik Norby in...(+)
Illuminations - Capriccio For Flute And Orchestra was composed by Erik Norby in 1977. Programme Note:The title should rightly be pronounced in French (same spelling) as the piece was composed for and is dedicated to French flute virtuoso Jean-Pierre Rampal who premiered ILLUMINATIONS in connection withhimreceiving the Danish Sonnings Musikpris in 1978.The title reflects my endeavour to create different illuminative effects in sound for which the flute is an excellent medium with its apparent ability to transform lightphenomena into musical shapes. Tue music in ILLUMINATIONS sometimes sounds like glitteringreflections sometimes like a roaring bonfire. The absence of ordinary flutes in the orchestra further enables the soloist to shine above a darker orchestral background. Several motives and shapes are illuminated along the way and the music progressesin kaleidoscopic pattems of prismatic refractions. Erik Norby
Mozart's Concerto in G major For Flute K.313 composed in 1778 in an authoritat...(+)
Mozart's Concerto in G major For Flute K.313 composed in 1778 in an authoritative Urtext edition based on the New Mozart Edition. Scored for Flute Solo Flute (2) Oboe (2) Horn (2) Strings. Mozart exhibited a special affinity with the woodwind family writing prolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts and features a short editorial and scholarly history of the piece making it the ideal choice for both academic study and informed concert performance. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all theavailable sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. Full score Flute & Piano reduction (BA4854-90) and performance material (BA4854) available for sale.
Wodka Cola En Français Flûte traversière,
Orchestre[Partition] Noetzel
Il n'y a guère d'élève pianiste qui ne se soit essayé à cette pièce - elle...(+)
Il n'y a guère d'élève pianiste qui ne se soit essayé à cette pièce - elle compte assurément parmi les oeuvres classiques pour piano les plus populaires de tous les temps. Et pourtant, des questions restent ouvertes jusqu'à ce jour. Elles concernent aussi bien des détails du texte musical que le fameux nom de l'intitulé. Est-ce que la lecture traditionnelle de la dédicace à 'Elise' est vraiment correcte? Ne devrait-il pas plutôt s'agir de 'Therese'? Qui peut bien être ce personnage de l'entourage de Beethoven? Les conclusions actuelles à ces questions sont documentées dans la présente édition Henle Urtext. Le texte musical révisé est maintenant publié préalablement au volume de 'Klavierstücke' tant attendu de l'édition des oeuvres complètes que la spécialiste de Beethoven, Joanna Cobb Biermann, est en train de préparer. / Piano / Chanson En Séparée
The solo flute here is kept in high profile by the absence from the orchestra no...(+)
The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes but also of violins and oboes; in addition the trumpets are used sparingly (they do not for instance play in the slowmovement) so that for much of the time the flute is playing against a mellow ensemble of clarinets horns bassoons and low strings. If this is nevertheless one of Davies's most open-spirited pieces that comes partly from theready flights of the soloist partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio) partly from the dancing character of so much of the music and partly from the harmonicclarity in a light region not far from C minor.
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