Santorella Publications' proudly boasts our connection to some of the best studio players in the Los Angeles studio circuit. Each one of these great musicians, when they are not in a session or performing on a new movie soundtrack, are giving lessons to horn players of all ages. Santorella Publications is setting a new trend in the industry by making it possible for you to study with these talented professionals in a virtual world with Learn From A Pro. Mark Hollingsworth will walk you through all 23 lessons as if you're sitting in a studio by his side. If you went to Los Angeles and took 23 lessons, it would cost over $1,000.00. Now you can Learn "Flute" From A Pro for only $12.95 and in the privacy of your own home. Whether you are an early beginner or an adult, here is your chance to fulfill that dream. Do something for yourself and learn to play today with Santorella's Learn From A Pro series. About your private instructor, Mark Hollingsworth Mark Hollingsworth began studying music at five years of age. His background includes both classical and jazz training. After high school Mark won a scholarship from Berklee College of Music in Boston and graduated Magna Cum Laude, with a major in woodwind performance. Mark has over fifteen years experience as a studio musician in Los Angeles recording for movies, albums, television broadcasts and numerous "jingles" as well as cartoons for Warner Brothers and Walt Disney. He has also performed in concerts with a wide range of artists including Quincy Jones, Natalie Cole, Celine Dion, Whitney Houston, Donna Summer and Manhattan Transfer to name a few. Some of Mark's most significant accomplishments include memorable television appearances with Stevie Wonder, Ray Charles, Michael Bolton and Michael McDonald . He has worked on numerous recordings with Tom Petty, Luther Vandross, U2, the Library of Congress and soundtracks for the Ren and Stimpy show. Mark's musical breadth also includes skills on an extensive collection of flutes from around the world. For more information about Mark Hollingsworth visit: www.windshoremusic.com.

Flute - early intermediate

SKU: BT.DHP-1186044-404

Querflöte. Arranged by Markus Schenk. Hören, Lesen und Spielen. Tuition. Book with Online Audio. Composed 2018. 36 pages. De Haske Publications #DHP 1186044-404. Published by De Haske Publications (BT.DHP-1186044-404).

ISBN 9789043156240. German.

Hören , lesen and spielen ist die bewährte Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Sie ist gemä� den aktuellen Erkenntnissen und Ansprüchen der Musikerziehung konzipiert. Die perfekte Ergänzung zur Methode in drei Bänden bilden diverse Bücher mit Spielliteratur. Sie sind genau auf den Lernfortschritt in Hören, lesen and spielen abgestimmt, können aber auch unabhängig von der Schule eingesetzt werden.

Einige der schönsten Melodien aus Musicals der letzten Jahrzehnte sind im Musical-Spielbuch versammelt. Sie sind in ansteigendem Schwierigkeitsgrad angeordnet und wurden so bearbeitet,dass sie parallel zu allen drei Bänden von Hören, lesen and spielen verwendet werden können. Dabei können die Schüler mit den passenden Begleitungs-Tracks mitspielen, die online zum direkten Abspielen oder Herunterladen zur Verfügung stehen.

Flute - easy

SKU: BT.DHP-1185911-404

Flute. Arranged by Markus Schenk. Look, Listen and Learn. TV-Film-Musical-Show. Book with Online Audio. Composed 2018. 33 pages. De Haske Publications #DHP 1185911-404. Published by De Haske Publications (BT.DHP-1185911-404).

ISBN 9789043154710. English.

Look, Listen and Learn has set the standard for contemporary brass and woodwind teaching. These exciting method book/CD packs for beginners engage students and develop their understanding of music and their instrument through songs, puzzles, games and lots of fun pieces to play. Three progressive method books form the basis of the series, enhanced by several corresponding supplementary volumes.

Some of the most beautiful melodies from the world of music theatre over the last several decades are collected together in Play Musicals. They have been arranged in increasing order of difficulty in such a way that they can be used in conjunction with all three volumes ofLook, Listen and Learn. Students can also play along to the provided accompaniment tracks which are available to download or stream.

(22 Full Band Arrangements Correlated to Accent on Achievement (Flute)). By John O'Reilly and Mark Williams. Concert Band. For Flute. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Flute)). Arranged by John O'Reilly and Mark Williams. Concert Band. For Flute. Band Supplement; Book. Accent on Performance. Chanukah; Christmas; Winter. 24 pages. Published by Alfred Music (

Flute (Flute)

SKU: HL.50605869

Flute and Backing Tracks. Composed by Mark Nightingale. Warwick Music. Softcover Audio Online. Warwick Music #WARWWD004. Published by Warwick Music (HL.50605869).

By Johann Sebastian Bach. Edited by Besseler, Heinrich; Wenzinger, August. For Flute solo, Violin Solo, Harpsichord Solo, violin, viola, violoncello, basso continuo. Score; Urtext Edition. BWV 1050. Duration 21. Published by Baerenreiter-Ausgaben (German import).

For Flute. By Various. Instrumental Folio. Classics, Pop, Standards. Softcover. 104 pages. Published by Hal Leonard

Composed by Jules Massenet (1842-1912). Leduc. Classical. Softcover. 8 pages. Heugel and Cie #HE9626. Published by Heugel and Cie

Flute solo

SKU: BR.EB-8355

Composed by Immanuel Lucchesi. Edited by Immanuel Lucchesi. Solo instruments; Softbound. Edition Breitkopf. Music pedagogy. Score. 128 pages. Breitkopf and Haertel #EB 8355. Published by Breitkopf and Haertel (BR.EB-8355).

ISBN 9790004176627. 9 x 12 inches.

The most important prerequisite for success in studying the instrument is the ability to practise in a meaningful and rational manner - i. e. to aim at a steady progress through regular and purposeful application, with the least possible expenditure of time and energy. One can only be sure of making improvement when one practises daily, and as one improves so confidence grows and there is a proper basis for success. In this connection it should always be noted that the choice and the demands of individual exercises in respect of range and difficulty of technique and musicality should refer to the standard attained at the relevant time. In the whole curriculum the study has a very important place. In that it is by way of being and exercise, it deals with particular problems of playing in different compositional guises, and shows the necessary link between purely technical and mechanical matter and the literature (including that for concert use) of the instrument. When beginning work on a study the first thing to do is to determine the central problem posed by the composer. For this reason the study should first be read through so that the contents may be grasped and the transference of notes into sound as far as possible be accomplished. Breathing marks are to be put in at appropriate places. Then the study can be played through in slow time, with exact control of all the parts of the body involved in order to avoid inexactness.

76 etudes for daily practice.

By Elisabeth Rowe. For Flute. Book; DVD; Method/Instruction; Woodwind - Flute Method or Collection. The Ultimate Beginner Series. Beginner. 48 pages. Published by Alfred Music Publishing