(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm Ferling. Edited by Amy Porter. Arranged by Cyrille Rose. For flute and piano. Carl Fischer Classic Studies. Book and CD. 44 pages. Published by Carl Fischer

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.

For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. With Standard notation. 10 pages. Duration 4 minutes. Theodore Presser Company #114-41363. Published by Theodore Presser Company (PR.114413630).

By Martin Luther; Rowland H. Prichard; Wolfgang Amadeus Mozart; Anonymous; Antonin Dvorak; Charles F. Gounod; Franz Schubert; Hans Leo Hassler; Johann Pachelbel; Johann Sebastian Bach. Edited by Steven L Rosenhaus; William Arms Fisher. Arranged by Johann Sebastian Bach; Steven L Rosenhaus. For Flute Solo, Piano. Classical. Solo part with piano reduction. Composed 1999. 32 pages. Published by Theodore Presser Company.

(Flute/Piano)

SKU: HL.48181498

Composed by Henri Tomasi. Leduc. Post-1900. Softcover. 4 pages. Alphonse Leduc #AL21072. Published by Alphonse Leduc (HL.48181498).

UPC: 888680842635. 0.052 inches.

French composer and conductor, Henri Tomasi (1901-1971) composed The Little Corsican Goatherd in 1952. As with his other woodwind compositions, The Little Corsican Goatherd was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother. This is apparent in The Little Corsican Goatherd for Flute and Piano or Harp accompaniment. This Tomasi piece is suitable to intermediate level flautists and its popularity has been proven by its inclusion in the ABRSM grade 5 syllabus since 2005..

Chamber Music Bass Flute, Piano

SKU: PR.114418900

Composed by Daniel Dorff. Set of Score and Parts. 24+8 pages. Duration 14 minutes. Theodore Presser Company #114-41890. Published by Theodore Presser Company (PR.114418900).

ISBN 9781491129517. UPC: 680160668632.

A welcome addition to the bass flute repertoire, Dorff’s 14-minute sonata is designed as two pairs of slow-fast movements. While composed as a complete 4-movement sonata, either half may be performed alone as a 7-minute recital work. The movement titles are: I. Sprawling, burbling; II. Sparkling, glistening; III. Under Winter; and IV. Spring Spirits.
When Peter Sheridan commissioned me to write a piece for bass flute and piano, his only requests were a sonata-like multi-movement work, and some kind of reference to New York, where we both grew up. Just the thought of a bass flute, with its broad and mighty airstream, already reminded me of the mighty Hudson River: from the dense woods of upstate New York, through the beautiful landscapes of New Paltz and Poughkeepsie, down through the celebrated Manhattan waterway.As I daydreamed how to build a sonata inspired by the Hudson, I thought of its deep primal nature carved by the Ice Age, and the life within the river and on its shores long before humans arrived. I thought of how the river’s magnetism drew Native Americans who honored and built their lives around it. I thought of beautiful trees and wildlife, the annual cycles of ecosystems, and the natural symbiosis between the river itself, the life within, and the life on land spawned by the river’s resources.I wondered what if Thoreau had sat by the Hudson rather than by Walden Pond; I wondered what if Hesse had set Siddhartha in the Hudson Valley with this river as his metaphor for the flow of life and time.I wondered whether the sonata should flow from north to south, or have chronological references. I wondered if I should allude to the many poets and painters who have drawn inspiration from the mighty Hudson. Every thought led to the river’s essence, its own spirit and life — flowing through raw nature, from skinny trickles to mightiness spawning cities; supporting subtle life, and becoming a central commons for human societies.The subtitle Spirit of the Hudson brings it all together.* * *The sonata is built in 4 movements, with formal inspiration from the Baroque: A slow Mvt. 1 “Sprawling, burbling” leads directly to the rapid Mvt. 2 “Sparkling, glistening,” followed by another slow-fast pair: Mvt. 3 “Under Winter” which leads directly into Mvt. 4 “Spring Spirits.” In addition to performances of the complete sonata, either pair of movements may be performed on its own for a shorter concert segment.SONATA (SPIRIT OF THE HUDSON) was premiered at the International Low Flutes Festival in April 2018 by its commissioner, bass flutist Peter Sheridan, with Hyeeun Hahm as pianist.

(9 Classic Favorites for Flute and Piano). Composed by Various. Edited by Barbara Siesel, Keith Torgan. Arranged by Bruce Lazarus. For flute, piano. Classical. Solo part with piano reduction. 28 pages. Duration 0:21:45. Published by Theodore Presser Company

By Frederick C. Maker. Arranged by Rich Heffler. For solo flute with piano accompaniment. Level: Advanced. Set of parts. Published by Rich Heffler Music.

Chamber Music flute, piano

SKU: PR.114417750

Composed by Eric Ewazen. Performance Score. 12+2 pages. Duration 7 minutes. Theodore Presser Company #114-41775. Published by Theodore Presser Company (PR.114417750).

ISBN 9781491108161. UPC: 680160636570.

A beautiful cantabile song without words, A SONG FROM THE HEART has all of Ewazen’sexpressive elegance, yet is performable by student-level players as well as on formal recitals.Originally composed for Trumpet and Piano, Ewazen created the flute transcription for CindyAnne Broz as the title track for her Albany CD including three Ewazen works.
A SONG FROM THE HEART was originally composed for Trumpet andPiano and is dedicated to Dennis Caron on the occasion of his retirement. It wascommissioned by his wife, Marsha Caron, and was premiered at Dennis’s retirementparty by our mutual friend Charles Schlueter, long-time principal trumpet of theBoston Symphony. A SONG FROM THE HEART is filled with lyricism and richharmonies, as the trumpet line sings and soars over a rich accompaniment.The flute version of this work was written for my dear friend Cindy Anne Broz, for herAlbany CD including first recordings of 3 of my flute pieces. Cindy was wonderfulin helping me with my flute arrangement, as I heard her lovely, bright high register– hence my putting some key passages of the piece up an octave, shaping the phrasestructures to flatter the lyrical flute sonorities.

Flute and piano - Level 2

SKU: LM.26463

Composed by Duncan Reid. Classical. Score. Editions Henry Lemoine #26463. Published by Editions Henry Lemoine (LM.26463).

ISBN 9790230964630.

BEET HOVEN : Theme, extrait de la sonate n. 27 pour piano Op.90 - CHOPIN : Valse - FOSTER : Jeanne aux cheveux d'or - HAENDEL : Hornpipe - SCHUBERT : Moment musical - STRAUSS : Valse, extrait de la Chauve-Souris - SULLIVAN : Peu importe le pourquoi et le comment - TCHAIKOVSKY : Theme, extrait du Lac des Cygnes.

From the Opera "Carmen" - Flute and Piano with Piano Accompaniment On CD. By Georges Bizet. Edited by Donald Peck. For Piano, Flute Solo. Carl Fischer CD Solo Series. Score and Audio CD. 4 pages. Published by Carl Fischer.
Level: Grade 3, Achievement Level.

Flute and Piano (Flute/Piano)

SKU: HL.14043857

Composed by Howard Blake. Music Sales America. TV-Film-Musical-Show. Softcover. Composed 2010. Chester Music #CH77066. Published by Chester Music (HL.14043857).

ISBN 9781849386005. 9.0x12.0x0.076 inches.

Raymond Briggs' charming Christmas story about the adventures of a boy and the snowman that comes to life is a modern children's classic. The tales popularity has been further enhanced by frequent television broadcasts of theaward-winning cartoon film The Snowman.

In this suite for Flute and Piano, composer Howard Blake recreated the story in words and music based on the scenes from the film. The music includes the hit song WalkingIn The Air.

Composed by Cesar Antonovich Cui (1835-1918). Leduc. Classical. Softcover. 96 pages. Heugel and Cie #HE26698. Published by Heugel and Cie

Flute and piano - Level 2

SKU: LM.26610

Composed by Jean Marc Allerme. Pop, jazz. Score and CD. Editions Henry Lemoine #26610. Published by Editions Henry Lemoine (LM.26610).

ISBN 9790230966108.

For a Blue Note - In the Emilie's Eyes - To Sing for Heaven - Michel Lives in USA - He Would like that - The End for Eddy - I'll be in the Show - Ballad for Jodie - I Prefer the Blue - You Miss Her - Ernie is Coming Back - Just for Babe - Modernesk - Romantic Tune - Ongobongo's Star.

Arranged by Bram Wiggins. For Flute solo and piano accompaniment. Flute. Classic. Intermediate. Book. Published by Kevin Mayhew Publishers

With Piano Accompaniment. By Various. Arranged by Jeanne Baxtresser. For Flute, Piano Accompaniment. Published by Theodore Presser Company.

Flute and piano - Level 2

SKU: LM.26609

Composed by Jean Marc Allerme. Pop, jazz. Score and CD. Editions Henry Lemoine #26609. Published by Editions Henry Lemoine (LM.26609).

ISBN 9790230966092.

Care -Free - With Gab - Walkin' in a Louisiana street - Two stomp for you - Robert's tune - As she like it - Around it - Eastern nostalgia - Hello Charlie - Leave me here - One note for you - Whistling in the street - Goodbye Kate - For Chris and Michel - So goes the life.

Flute and Piano - intermediate SKU: BT.DHP-1196145-404 16 new Klezmer melodies for flute and piano. Composed by Joachim Johow. Book with Part and Audio-Online. Composed 2019. 79 pages. De Haske Publications #DHP 1196145-404. Published by De Haske Publications (BT.DHP-1196145-404). ISBN 9789043157209. English-German-French-Dut ch. Since the revival of Klezmer in the 1990s, the style has enjoyed a continued popularity. Hey Klezmorim! presents 16 new pieces of music from the pen of Joachim Johow, inspired by traditional Yiddish music. This edition is especially aimed at flautists who wish to be accompanied on the piano. It therefore also contains easy-to-play piano accompaniment parts while play-along recordings are available online. Additional demo recordings that encourage you to develop your own personal Klezmer playing style should help you to enjoy this unmistakable and diverse music! Sinds de revival van klezmer in de jaren negentig is deze muziekstijl onophoudelijk populair gebleven. Hey Klezmorim! presenteert zestien fraaie nieuwe muziekstukken van de hand van Joachim Johow, die zich heeft laten inspireren door traditionele Jiddische muziek. Deze uitgave is bedoeld voor fluitisten die graag op de piano worden begeleid. Ze bevat eenvoudig speelbare pianobegeleidingen, en online zijn ook meespeelopnamen beschikbaar, plus demo-opnamen die de muzikant een idee geven van de samenklank én hem of haar aanmoedigen een eigen klezmerspeelstijl te ontwikkelen. Een bundel vol afwisselende muziek die veel speelvreugde zal opleveren! Seit seinem Revival in den 90er-Jahren des vergangenen Jahrhunderts erfreut sich der Klezmer-Musikstil einer ungebrochenen Beliebtheit. Hey Klezmorim! präsentiert 16 neue Musikstücke aus der Feder von Joachim Johow, die an die traditionelle jiddische Musik anknüpfen. Die Ausgabe wendet sich besonders an Flötisten, die sich gerne am Klavier begleiten lassen möchten, und enthält daher gut spielbare Klavierbegleitungen als Notentext sowie in online verfügbaren Play-along-Aufnahmen. Zusätzliche Demo-Aufnahmen sollen dazu anregen, einen eigenen, persönlichen Klezmer-Spielstil zu entwickeln. Viel Freude mit dieser unverwechselbaren, abwechslungsreichen Musik! La musique klezmer jouit d’une popularité sans faille depuis son renouveau dans les années 90. Hey Klezmorim! présente 16 nouveaux morceaux de la plume de Joachim Johow, inspirés de la musique traditionnelle yiddish. Cette édition s’adresse tout particulièrement aux fl tistes désireux de jouer avec un accompagnement de piano. De ce fait, elle comprend des accompagnements de piano faciles jouer, la fois sous forme de partitions et sous forme d’enregistrements en ligne. D’autres enregistrements de démonstration sont également disponibles sur le site, afin d’encourager les musiciens développer leur style personnel de klezmer. Nous vous souhaitons beaucoup de plaisir jouer cette musique aux accents variés, unique en son genre !

Composed by Adrienne Albert. Set of Score and Parts. 12 4 pages. Duration 6 minutes. Theodore Presser Company #114- 42266. Published by Theodore Presser Company

For Flute and Piano. Composed by Dave Heath. Music Sales America. Jazz. Book Only. Composed 2002. 10 pages. Chester Music #MUSCH55693. Published by Chester Music

For Two Flutes and Piano. By Gary Schocker. Wind duo. For Flute I, Flute II, Piano. Score and parts. 16 pages. Published by Theodore Presser Company.

Chamber Music flute, piano

SKU: PR.114424240

Free at Last!. Composed by Adolphus Hailstork. Set of Score and Parts. Duration 11 minutes. Theodore Presser Company #114-42424. Published by Theodore Presser Company (PR.114424240).

ISBN 9781491137581. UPC: 680160691036.

THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with the composer’s own piano reduction. The work features lengthy cadenzas, and exhilarating dance-like sections with the ensemble. Hailstork describes the historical inspiration: Abused in life and death, an enslaved man (Mr. Fortune) was owned by a surgeon who preserved his skeleton to study anatomy. The bones remained with the doctor’s family for generations, and were given a proper burial making national news in 2013, 215 years after Mr. Fortune’s death.
Abused in life and death, an enslaved man known as Mr. Fortune was honored with an elaborate funeral more than 200 years after he died in Connecticut.Mr. Fortune was owned by Dr. Preserved Porter on a farm in Waterbury, Connecticut. When Fortune died in 1798, Porter, a bone surgeon, preserved his skeleton by having the bones boiled to study anatomy at a time when cadavers for medical study were disproportionately taken from slaves, servants and prisoners.One of Porter’s descendants gave the skeleton in 1933 to Mattatuck Museum in Waterbury, where it was displayed from the 1940s until 1970. The descendant referred to the slave as “Larry” and his name was forgotten at the time.A study by forensic anthropologists at the Quinnipiac University School of Medicine concluded that Fortune was about 5 feet 5 inches tall and died at around 55 years old. He suffered a number of painful ailments, including a fracture in his left hand, a severe ankle sprain and lower back pain. “He was an individual who was in considerable distress,” a forensic professor, Richard Gonzalez said.I was taken by the bizarre story of Mr. Fortune and decided to use it as the stimulus for this work.

(A Method for the Intermediate Flutist with Piano Accompaniment, Vol. 2). By Patricia George, Phyllis Avidan Louke. For Flute. Classical. Intermediate. Solo part with piano reduction. Standard notation. 100 pages. Published by Theodore Presser Company

By Carl August Nielsen. For Flute, Piano or Harp Accompaniment. Classical. Sheet Music. 5 pages. Published by Edition Wilhelm Hansen.

By Patricia George and Phyllis Avidan Louke. For flute, piano. Piano accompaniment book. Standard Notation. 36 pages. Published by Theodore Presser Company