This short suite, much inspired by Bartók's Six Romanian Folk Dances, is based on traditional dances and songs of Argentina. Although the original rhythms and melodies are often transformed by the use of contemporary techniques, the piece preserves the authentic spirit of each of these folk forms.Zamba de Vargas, a well known folk song, refers to a battle in Argentina between two armies of gauchos during the civil wars of the nineteenth century.Ojos Azules (Blue Eyes) is an introspective lament for lost love of Quichua origin (Northwest of Argentina). It was first collected by musicologist Leda Valladares.Both the Milonga and the Valsecito Criollo, (folk forms which developed in rural areas and then made it to the outskirts of Buenos Aires at the turn of the century) are original themes written by me based on my own personal understanding of the genre.Lastly, the Baguala is inspired on a transcription documented by Isabel Aretz which was reproduced in Las Canciones Folklóricas de la Argentina and published by Instituto Nacional de Musicología of Buenos Aires in 1969.Commissioned by and dedicated to the Minnesota Sinfonia and to its Music Director, Jay Fishman. / Flûte, Alto Et Piano

Score and individual parts for Maurice Durufle's Prelude Recitatif Et Varations Op.3 for Flute Viola and Piano.

POUR ALTO, FLÛTE ET BASSO CONTINUO, ÉDITÉ PAR A. KNIPSCHILD MI PALPITA IL COR HWV 132 IS A SECULAR CANTATA DATING FROM THE YEARS 1706-1710, WHICH THE YOUNG HANDEL SPENT IN ITALY. THIS WORK IS KNOWN IN THREE DIFFERENT VERSIONS, ALL OF WHICH HAD BEEN PUBLISHED IN THE 19TH CENTURY AS PART OF THE HÄNDEL-GESELLSCHAFT EDITION. THIS NEW EDITION GIVES PRIORITY TO THE SETTING FOR ALTO AND OBBLIGATO FLUTE (HWV 132C) TRANSMITTED IN SEVERAL CONTEMPORARY COPIES.