Composed by William Bay. Flatpicking, Lute, Baroque, Contemporary, Technique...(+)
Composed by William Bay.
Flatpicking, Lute,
Baroque,
Contemporary, Technique,
Theory and Reference,
Solos.
Achieving Guitar
Artistry.
Book. 76 pages. Published
by
Mel Bay Publications, Inc
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6763EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6763EM.
Published by Metropolis
Music Publishers
(IS.G6763EM).
Guitar Solo SKU: IS.G6761EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6761EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6761EM.
Published by Metropolis
Music Publishers
(IS.G6761EM).
Guitar Solo SKU: IS.G6765EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6765EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6765EM.
Published by Metropolis
Music Publishers
(IS.G6765EM).
Guitare Guitare classique [Partition] Edward B. Marks Music Company
Composed by Johann Sebastian Bach (1685-1750), arranged by Leon Block. For guita...(+)
Composed by Johann
Sebastian Bach
(1685-1750), arranged by
Leon Block. For guitar
solo. Format: guitar solo
songbook. With standard
guitar notation. Baroque.
16 pages. 9x12 inches
By Silvius Leopold Weiss. Arranged by Richard Sayage. Solo. For Classical Guitar...(+)
By Silvius Leopold Weiss.
Arranged by Richard
Sayage. Solo. For
Classical Guitar. Savage
Classical Guitar
Virtuouso Editions.
Complete Lute Sonatas
from the master lutenist
transcribed and arranged
for solo classical
guitar. Baroque. Level:
Intermediate. Book.
Standard. 22 pages.
Published by Savage
Classical Guitar
Transcriptions.
By Silvius Leopold Weiss. Arranged by Richard Sayage. Solo. For Classical Guitar...(+)
By Silvius Leopold Weiss.
Arranged by Richard
Sayage. Solo. For
Classical Guitar. Savage
Classical Guitar
Virtuouso Editions.
Complete Lute Sonatas
from the master lutenist
transcribed and arranged
for solo classical
guitar. Baroque. Level:
Intermediate. Book.
Standard. 34 pages.
Published by Savage
Classical Guitar
Transcriptions.
By Various. Arranged by Robert Tarchara. For guitar. This edition: Paperback. Co...(+)
By Various. Arranged by
Robert Tarchara. For
guitar. This edition:
Paperback. Collection.
Classical. Book. Text
Language: English. 48
pages. Published by
Santorella Publications
130 Easy Concert Pieces from 6 Centuries for Guitar. Composed by Various. Ed...(+)
130 Easy Concert Pieces
from
6 Centuries for Guitar.
Composed by Various.
Edited
by Martin Hegel. Guitar.
Softcover. 124 pages.
Schott
Music #ED22626. Published
by
Schott Music
Guitar SKU: SP.TS348 Composed by Robert Tarchara. Collection; Classical. ...(+)
Guitar
SKU:
SP.TS348
Composed by
Robert Tarchara.
Collection; Classical.
Book and CD. Santorella
Publications #TS348.
Published by Santorella
Publications (SP.TS348).
ISBN
9781585607327.
Clas
sical Masterpieces for
Fingerstyle Guitar is a
rare compilation of
carefully selected
masterworks from the
Baroque, Classical, and
Romantic periods arranged
for Classical Guitar.
While there are many
collections which feature
lesser-known works for
Classical Guitar, we
believe none comes close
to our complete
collection of these most
well-known and beloved
works created by the
greatest composers that
ever lived. These great
works of the masters from
the 17th, 18th, and 19th
centuries have stood the
test of time as they
continue to be revered to
this day. Classical
Masterpieces for
Fingerstyle Guitar
eliminates the need for
multiple teaching
resources and musical
supplements, since many
of the greatest pieces
ever written are now
contained in this one
outstanding publication.
Each piece has been
carefully transcribed and
specifically arranged in
a classic style perfectly
suited for guitar.
Extreme care was given in
the choice of key
signatures and fingering
demands of the left-hand,
with a careful focus on
understanding octave
ranges, and placement of
page turns in order to
make every arrangement
extremely playable. The
recording that
accompanies this book is
performed by one of the
greatest classical
guitarists working in the
Miami area today. We are
confident that you will
be impressed by the
performance, but even
more so by the
exceptional work of the
arrangers and editors
involved in making this
recital collection. It is
truly the only curriculum
choice for every one of
your students today, and
for many years to
come.
Guitar solo SKU: BR.DV-32095 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo
SKU:
BR.DV-32095
Composed
by Adalbert Quadt. Edited
by Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Baroque; Early classical.
Score. 64 pages.
Deutscher Verlag fur
Musik #DV 32095.
Published by Deutscher
Verlag fur Musik
(BR.DV-32095).
ISBN
9790200426403. 9 x 12
inches.
The guitar
is of oriental orgin. lt
had reached Spain by the
8th century, presumably
via the Arabs, and from
there, like the lute, it
spread through the rest
of Europe. Over the
centuries the guitar was
further developed into an
instrument with four
courses of strings - this
is evident from
early-16th-century
tablature-books, the
earliest known.
Guitar solo SKU: BR.DV-32004 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo
SKU:
BR.DV-32004
Composed
by Adalbert Quadt. Edited
by Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Baroque; Early classical.
Score. 68 pages.
Deutscher Verlag fur
Musik #DV 32004.
Published by Deutscher
Verlag fur Musik
(BR.DV-32004).
ISBN
9790200425024. 9 x 12
inches.
The guitar
is of oriental orgin. lt
had reached Spain by the
8th century, presumably
via the Arabs, and from
there, like the lute, it
spread through the rest
of Europe. Over the
centuries the guitar was
further developed into an
instrument with four
courses of strings - this
is evident from
early-16th-century
tablature-books, the
earliest known.
Guitar solo SKU: BR.DV-32060 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo
SKU:
BR.DV-32060
Composed
by Adalbert Quadt. Edited
by Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Baroque; Early classical.
Score. 72 pages.
Deutscher Verlag fur
Musik #DV 32060.
Published by Deutscher
Verlag fur Musik
(BR.DV-32060).
ISBN
9790200425826. 8.5 x 11.5
inches.
The guitar
is of oriental orgin. lt
had reached Spain by the
8th century, presumably
via the Arabs, and from
there, like the lute, it
spread through the rest
of Europe. Over the
centuries the guitar was
further developed into an
instrument with four
courses of strings - this
is evident from
early-16th-century
tablature-books, the
earliest known.
Guitar solo SKU: BR.DV-32023 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo
SKU:
BR.DV-32023
Composed
by Adalbert Quadt. Edited
by Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Baroque; Early classical.
Score. 76 pages.
Deutscher Verlag fur
Musik #DV 32023.
Published by Deutscher
Verlag fur Musik
(BR.DV-32023).
ISBN
9790200425109. 9 x 12
inches.
The guitar
is of oriental orgin. lt
had reached Spain by the
8th century, presumably
via the Arabs, and from
there, like the lute, it
spread through the rest
of Europe. Over the
centuries the guitar was
further developed into an
instrument with four
courses of strings - this
is evident from
early-16th-century
tablature-books, the
earliest known.
Suite No. 1 Guitare Guitare classique - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffae...(+)
Composed by Paolo
Ugoletti
Andrea Vezzoli. Edited by
Piero Bonaguri and
Raffaello
Ravasio. Saddle
stitching.
Piero Bonaguri
Collection.
Classical. Ut Orpheus #CH
254.
Published by Ut Orpheus
Guitar Solo SKU: IS.G6767EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6767EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6767EM.
Published by Metropolis
Music Publishers
(IS.G6767EM).
ISBN
9790365067671.
This
sonata (WeissSW No. 15,
London) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata X comes
from Weissâ??s middle
â??productiveâ??
period, thought to have
taken place between 1719
and 1725. The original
tablature manuscript is
in the British Library
(London Ms. Add. 30387).
The Sonata has six
movements: Allemande,
Courante, Paisane,
Sarabande, Menuet, and it
ends with a Gigue. There
is a another copy of this
Sonata in the Warszawa
Biblioteka Uniwersytecka
Poland (in its entirety),
and a copy in the
Sächsisches
Landesbibliothek in
Dresden (Suite XXVI),
which contains three
concordant movements:
Allemande, Courante, and
the Gigue. The Dresden
manuscript displays some
differences from the
London manuscript. This
Edition has taken those
differences into account
in certain details.
Originally, the Sonata is
written in B flat major,
a key often used by Weiss
as it is appropriate for
playing the lute, but
rather awkward with the
guitar. For ease and
effectiveness of playing,
I have transposed the
Sonata a minor third
lower to G major. To
create more concordance
with the baroque tuning
of the lute, the G string
is lowered by a semitone
to F sharp. I suggest
using a capodastro to
achieve the original
pitch. Based on the
present standard of A at
440 Hertz, the capo
should be placed at the
3rd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 2nd
fret.
Composed by William Bay and Mike Christiansen. Wire bound. Mastering the Guitar....(+)
Composed by William Bay
and Mike Christiansen.
Wire bound. Mastering the
Guitar. Book and online
audio/video. Published by
Mel Bay Publications, Inc
(MB.96620M).
Guitar Solo SKU: IS.G6760EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6760EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6760EM.
Published by Metropolis
Music Publishers
(IS.G6760EM).
28 Guitar and Lute Pieces – Original Works from the 17th and 18th. Edited ...(+)
28 Guitar and Lute Pieces
–
Original Works from the
17th
and 18th. Edited by
Stuart
Willis. Guitar. Baroque,
Classical. Softcover
Media
Online. 32 pages. Schott
Music
#ED13357D. Published by
Schott
Music
25 Guitar and Lute Pieces - Original Works from the 17th and 18th Centuries....(+)
25 Guitar and Lute Pieces
-
Original Works from the
17th
and 18th Centuries.
Edited by
Stuart Willis. Guitar.
Baroque, Classical.
Softcover
Media Online. 36 pages.
Schott
Music #ED13437D.
Published by
Schott Music
By Johann Sebastian Bach. Arranged by Richard Sayage. Solo. For Classical Guitar...(+)
By Johann Sebastian Bach.
Arranged by Richard
Sayage. Solo. For
Classical Guitar. Savage
Classical Guitar
Virtuouso Editions. 16
pieces from the Well
Tempered Clavier Book 1.
Baroque. Level:
Intermediate/Advanced.
Book. Standard. 48 pages.
Published by Savage
Classical Guitar
Transcriptions.
Guitar Solo SKU: IS.G6764EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6764EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6764EM.
Published by Metropolis
Music Publishers
(IS.G6764EM).
(25 Guitar and Lute Pieces With a CD of Performances Book/CD). Edited by Jens Fr...(+)
(25 Guitar and Lute
Pieces With a CD of
Performances Book/CD).
Edited by Jens Franke and
Stuart Willis. Schott.
Softcover with CD. 32
pages. Schott Music
#ED13357. Published by
Schott Music
Guitar solo SKU: BR.DV-32066 Studies and performance material from the...(+)
Guitar solo
SKU:
BR.DV-32066
Studies and
performance material from
the 18th and 19th
centuries. Composed
by Martin (Hrsg.) Ratz.
Edited by Martin Ratz.
Solo instruments;
Softcover. Deutscher
Verlag. Baroque period.
Score. 144 pages.
Deutscher Verlag fur
Musik #DV 32066.
Published by Deutscher
Verlag fur Musik
(BR.DV-32066).
ISBN
9790200426014. 9 x 12
inches. German /
English.