By Antonio/ Herrero O. Gomez Schneekloth. For flamenco guitar, orchestra. Guitar Flamenca and instrument ensemble. Score (A4). 194 pages. Duration 25:00. Published by Piles Editorial de Musica

For Guitar and Orchestra (9x12 score). Composed by Narong Prangcharoen. Contemporary. Full score (study). 56 pages. Duration 22 minutes. Theodore Presser Company #416-41599. Published by Theodore Presser Company (PR.416415990).

(1939) for Guitar and Orchestra. By Joaquin Rodrigo. (Study Score). Schott. Book only. Size 5.25x7.5 inches. 98 pages. Published by Eulenburg Germany (Schott).

Orchestra and Guitar

SKU: BT.DV-10119

Composed by Mats Edén. Contemporary Music. Set (Score and Parts). Composed 2023. 148 pages. Da Vinci Publishing #DV 10119. Published by Da Vinci Publishing (BT.DV-10119).

English-Italian.

By A. Vivaldi. Arranged by Peter Segal. For guitar and orchestra. Level: 3. 74 pages. Published by Les Productions d'OZ. (DZ 116)

Concerto No. 1 in D. (Full Score). By Mario Castelnuovo Tedesco (1895-1968). For Guitar, Orchestra (Score). Schott. Score. 44 pages. Schott Music #ED153. Published by Schott Music

Guitar and Orchestra

SKU: HL.14028042

Composed by Poul Ruders. Music Sales America. Classical. Score. Composed 2002. 87 pages. Edition Wilhelm Hansen #WH30481. Published by Edition Wilhelm Hansen (HL.14028042).

ISBN 9788759810668.

Rude rs writes: There's a solid tradition in the history of Western music of turning the theme of Nicolo Paganini's 24th Caprice for soloviolin into a set of variations endemic to the time and style of each individual composer; Liszt, Brahms, Rachmaninov and Lutoslawsky being the most prominent names. When asked by David Starobin to write a concerto for him, I though well, why not have a go at it? - bearing in mind, that not only is Paganini the most celebrated violin-wizard of all times, but he was also a more than accomplished guitarist. There are 22 variations in all, numbers 1 to 16 all adhering strictly to the 16-bar pattern, laid down by Paganini himself. From variation 17 though, the writing becomes more symphonic and the rigid 16-bar regime is being lossendes up a bit. However, the last variation 'Finale Prestisimo' is a 6 x 16 bars white-knuckle ride, in which the hitherto soloistic role of the guitar gives way to that of 'primus interpares', i.e. 'first among equals'. As with another set of variations of mine 'Concerto on Pieces' (based on a tune by Purcell), the nature and shape of the 'Pagannini-Variations' may be compared to a stroll through a hall of mirrors: the portrait - the theme is gradually being distorted out of all recognition - but it's still the same original walking by.

By Mauro Giuliani. Arranged by Peter Segal. For guitar and orchestra. 168 pages. Published by Les Productions dOZ. (DZ 240)
Level: 4.

By Antonio Vivaldi (1678-1741). Arranged by Peter Segal. For guitar and orchestra. 3. 56 pages

By Jan Bartlema. For 2 guitars and guitar orchestra. 3. Score and set of parts. 64 pages. Published by Les Productions d'OZ

For Guitar and Orchestra - Full Score. By Toru Takemitsu. Schott. Size 10x14.25 inches. 32 pages. Published by Schott Japan.

(for Guitar and Orchestra). By Manuel Ponce (1882-1948). Score. Peermusic Classical. 186 pages. Peermusic #62194-578. Published by Peermusic

By A. Vivaldi. Arranged by Peter Segal. For guitar and orchestra. Level: 3. 48 pages. Published by Les Productions d'OZ. (DZ 113)

By A. Vivaldi. Arranged by Peter Segal. For guitar and orchestra. Level: 3. 80 pages. Published by Les Productions d'OZ. (DZ 114)

By Sergio Assad (1952-). For 4 guitars. Grade 4. Guitar parts. 80 pages. Published by Les Editions Doberman-Yppan

By Francis Kleynjans. For guitar and orchestra a strings. 30 pages. Published by Les Productions dOZ. (DZ 466)
Level: 3.