Guitar

SKU: BT.REBAM1012

Composed by Philippe Perron. Book with CD. Composed 2010. Editions J.J. Rebillard #REBAM1012. Published by Editions J.J. Rebillard (BT.REBAM1012).

French.

Guitar - late intermediate

SKU: BT.REBGC0611

Composed by Christian Seguret. Méthodes Jean-Jacques Rébillard. Tuition. Book with CD. Composed 2006. 80 pages. Editions J.J. Rebillard #REBGC0611. Published by Editions J.J. Rebillard (BT.REBGC0611).

French.

Guitar

SKU: BT.REBIMG0401

Composed by Jean-Jacques Rebillard. Book with CD. Composed 2004. Editions J.J. Rebillard #REBIMG0401. Published by Editions J.J. Rebillard (BT.REBIMG0401).

La bible du guitariste : 50 solos, 30 play-backs et plus de 150 plans pour improviser comme les plus grands.

L es bases du phrasé. Construction d’une phrase mélodique, effets de jeu, notes caractéristiques.Toute s les gammes (pentatoniques, gammes majeures et mineures, modes grecs, gammes chromatiques, gammes diminuées, gammes par tons...) Gammes et accords : savoir quelle gamme utiliser sur n’importe quel accord. Tous les arpèges.Techniques d’improvisation. Modulations. Pour guitares électriques et acoustiques Tous niveaux & tous styles : Blues, Rock, Metal, Funk, Fusion, Jazz, Reggae...

Guitar

SKU: BT.REBAT002

Composed by Daniel Givone. Book with CD. Composed 2010. 56 pages. Editions J.J. Rebillard #REBAT002. Published by Editions J.J. Rebillard (BT.REBAT002).

French.

Guitar - late intermediate

SKU: BT.REBFG1309

Composed by Jean-Jacques Rebillard. Book with Online Audio. Composed 2014. Editions J.J. Rebillard #REBFG1309. Published by Editions J.J. Rebillard (BT.REBFG1309).

Funk Guitar JJ Rébillard

Volume 1 : 1950-1975 La totale sur le RandB, la soul et le funk

â? ¢ RandB, Soul and Funk Story â?¢ 50 guitaristes et leur matos â?¢ Notions de base â?¢ Harmonie (50 positionsdâ??accords, analyse de 20 grilles standards) â?¢ 50 rythmiques â?¢ 20 Riffs et cot cot â?¢ Ballades soul â?¢ Groove et wah wah â?¢ 15 solos â?¢ Astuces and arrangements (10 formules pour 2 et 3 guitares) â?¢
CD 1 : Tous les plans de laméthode et les play-backs
CD 2 : Exclusif !! 5 titres complets et 5 play-backs. Accompagnez trois grandes chanteuses de soul : Claudia Hoff, Sofia Nelson and Jean Carpenter (directrice du chÃ…?ur US Gospel pour 100voix).Partitions sur www.jjrebillard.fr
â ?¢ The Coasters â?¢ Johnny Otis â?¢ The Drifters â?¢ Ray Charles â?¢ Sam Cooke â?¢ James Brown â?¢ Rufus Thomas â?¢ Solomon Burke â?¢ Aretha Franklin â?¢ Sam And Dave â?¢ Eddie Floyd â?¢ Otis Redding â?¢ TheStaple Singers â?¢ Isaac Hayes â?¢ Wilson Pickett â?¢ Al Green â?¢ Percy Sledge â?¢ The Four Tops â?¢ The Supremes â?¢ The Temptations â?¢ Stevie Wonder â?¢ Marvin Gaye â?¢ The Isley Brothers â?¢ Sly And The Family Stone â?¢ The Jackson 5 â?¢ KC and TheSunshine Band â?¢ Funkadelic â?¢ Earth Wind and Fire

Guitar

SKU: BT.REBAT003

Composed by Thomas Hammje. Book with CD. Composed 2012. 56 pages. Editions J.J. Rebillard #REBAT003. Published by Editions J.J. Rebillard (BT.REBAT003).

French.

Guitar - easy

SKU: BT.REBEG9902

Composed by Eric Perrot and Jean-Jacques Rebillard. Book with CD. Composed 1999. Editions J.J. Rebillard #REBEG9902. Published by Editions J.J. Rebillard (BT.REBEG9902).

Guitar - easy

SKU: BT.REBEG0207

Composed by Eric Perrot and Jean-Jacques Rebillard. Book with CD. Composed 2002. Editions J.J. Rebillard #REBEG0207. Published by Editions J.J. Rebillard (BT.REBEG0207).

Guitar

SKU: BT.REBAT004

Composed by Thomas Hammje. Book with CD. Composed 2012. 56 pages. Editions J.J. Rebillard #REBAT004. Published by Editions J.J. Rebillard (BT.REBAT004).

French.

Guitar

SKU: BT.REBAGT1210

Composed by Didier Behague. Book with CD. Composed 2012. Editions J.J. Rebillard #REBAGT1210. Published by Editions J.J. Rebillard (BT.REBAGT1210).

French.

Guitar

SKU: BT.REBRE9912

Composed by Jean-Jacques Rebillard. Méthodes Jean-Jacques Rébillard. Tuition. Book with CD. Composed 1999. 100 pages. Editions J.J. Rebillard #REBRE9912. Published by Editions J.J. Rebillard (BT.REBRE9912).

French.

Guitar

SKU: BT.REBGR0706

Composed by Jean-Jacques Rebillard. Book with CD. Composed 2007. Editions J.J. Rebillard #REBGR0706. Published by Editions J.J. Rebillard (BT.REBGR0706).

Guitar

SKU: BT.REBAT001

Composed by Daniel Givone. Jazz. Book with CD. Composed 2010. 56 pages. Editions J.J. Rebillard #REBAT001. Published by Editions J.J. Rebillard (BT.REBAT001).

French.

Guitar - Level 3

SKU: HF.FH-2980

Von Bach bis Gershwin. Arranged by Bachrach. Sheet music. Friedrich Hofmeister Musikverlag #FH 2980. Published by Friedrich Hofmeister Musikverlag (HF.FH-2980).

ISBN 9790203429807. 9 x 12 inches.

1. Menuett (J. S. Bach); 2. Praludium (G. Gershwin); 3. Andante - aus Sonate Nr. 15 (L. v. Beethoven); 4. Ungarischer Tanz Nr. 5 (J. Brahms).

by J. S. Bach transcribed by Michael Lorimer. For classic guitar. Classic, Baroque. Level: Advanced. Book. Solos. Size 8.75x11.75. 16 pages. Published by Mel Bay Pub., Inc.

by J. S. Bach arranged by Stanley Yates. For classic guitar. Stanley Yates Gtr. Classic, Baroque. Level: Intermediate. Book. Solos. Size 8.75x11.75. 192 pages. Published by Mel Bay Pub., Inc.

BWV 816. Composed by Johann Sebastian Bach (1685-1750). Arranged by Nestor Ausqui. Perfect binding. Book. Published by Mel Bay Publications, Inc (MB.30513).

Complete Beginner Guide with Reference Music. Composed by Various. J-Pop. J-Pop. Book. Yamaha Music Media #GTL01100410. Published by Yamaha Music Media

Guitar - Intermediate

SKU: YM.GTL01096748

Arranged by Osamuraisan. Guitar/Bass/Drum. J-POP. Score & CD. Yamaha Music Media #GTL01096748. Published by Yamaha Music Media (YM.GTL01096748).

ISBN 9784636952544.

10 Arrangement with TAB and commentary for guitar playing

1. Grandfather's Old Clock; 2. Sugar Song and Bitter Step; 3. Firework; 4. Nandemonaiya; 5. Senbon Sakura; 6. Marunouchi Sadistic; 7. Mosaic Roll; 8. Wellcome to Japari Park; 9. Love; 10. Silhouette.

Guitar - Intermediate

SKU: YM.GTL01095254

Arranged by Osamuraisan. Guitar. J-POP. Score. Yamaha Music Media #GTL01095254. Published by Yamaha Music Media (YM.GTL01095254).

ISBN 9784636952544.

10 Arrangement with TAB and commentary for guitar playing

1. Hanamizuki; 2. Lemon; 3. Rakujitu(Sunset); 4. 366 days; 5. Ugoku Ugoku(Move, Move); 6. Kataomoi(Feeling); 7. Connect; 8. Kanzen Kankaku Dreamer; 9. Zenzenzenya; 10. Katharsis.

Composed by Jean-Maurice Mourat. Classical. Score and CD. 49 pages. Editions Combre #C04604. Published by Editions Combre (LM.C04604).

Guitar solo - Advanced

SKU: DZ.DZ-4308

Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308).

ISBN 9782898522253.

Foll owing a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.

FRANCE SCO BIRAGHI

Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprèt e et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.

FRANCESCO BIRAGHI.

Guitar solo - Intermediate

SKU: DZ.DZ-4261

Composed by José Mora-Jiménez. Score. Les Productions d'OZ #DZ 4261. Published by Les Productions d'OZ (DZ.DZ-4261).

ISBN 9782898521782.

Aprà ƒÂ¨s avoir été quelque temps éloigné de la composition classique, j'ai décidé de me lancer un défi et d'écrire un court morceau de guitare par jour. Je l'ai fait pendant un mois et j'ai fini avec une vingtaine de Sketches. L'idée de départ était de réaliser des pièces courtes pour les enfants.
Certaines se sont révélées trop difficiles pour les étudiants et pourraient donc devenir des pièces plus longues à l'avenir. Dâ??autres, je nâ??ai tout simplement pas beaucoup aimé. Au final, j'ai sélectionné les 10 Sketches qui m'ont le plus plu.
Ces 10 morceaux sont destinés à des joueurs de niveau intermédiaire et chacun d'entre eux se concentre sur un aspect technique ou musical.

After being some time away from classical composition I decided to challenge myself and write one short guitar piece daily. I did it for a month and ended up with around 20 Sketches. The original idea was to make short pieces for children.
Some turned out to be too difficult for students, so they might become longer pieces in the future. Some others I just didn't like that much. In the end I selected the 10 Sketches that I liked the most.

These 10 pieces are intended for intermediate level players and each of them focuses on a technical or musical aspect.

Guitar - easy

SKU: HL.49019327

58 Easy Pieces for Guitar. Arranged by Martin Hegel. This edition: Saddle stitching. Sheet music with CD. Guitar. Dieses Heft enthalt alles, was man fur den Gitarrenunterricht braucht: 58 leichte originale Gitarrenstucke von Aguado, Mertz, Diabelli, Carulli, Sor oder Carcassi, aber auch leicht spielbare Bearbeitungen der klassischen Musik aus den Bereichen Orchesterm. Softcover with CD. 46 pages. Schott Music #ED21305. Published by Schott Music (HL.49019327).

ISBN 9783795747558. UPC: 841886018204. 9.0x12.0x0.2 inches.

This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony No. 9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. All pieces are recorded on the accompanying CD to make it easier for the pupils to study and master the works.

Saddle-stitched. Guitar Solo. Book and online audio. Mel Bay Publications, Inc #31059M. Published by Mel Bay Publications, Inc

Guitar

SKU: HL.49005535

Werke aus dem 17. und 18. Jahrhundert. Edited by Barna Kovats and Ferenc Brodszky. Sheet music. Edition Schott. Classical. 32 pages. Schott Music #ED 5229. Published by Schott Music (HL.49005535).

ISBN 9790001117760. 6.0x9.0 inches.

By Jean-Pierre Billet. For guitar. Method / Etudes. Grade 1. Score. 83 pages. Published by Editions Henry Lemoine