Composed by Miguel Llobet. Edited by Stefano Grondona. This edition: Saddle-wi...(+)
Composed by Miguel
Llobet.
Edited by Stefano
Grondona.
This edition: Saddle-wire
stitching. Sheet music.
1048
pages. MDS (Music
Distribution
Services) #GHE 900.
Published
by MDS (Music
Distribution
Services)
26 Pieces for Guitar. Composed by Ferdinando Carulli (1770-1841). Edited by d...(+)
26 Pieces for Guitar.
Composed by Ferdinando
Carulli (1770-1841).
Edited
by dé, Fré, and ric
Zigante.
Max Eschig. Softcover.
Editions Max Eschig
#DF16666.
Published by Editions Max
Eschig
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Guitar SKU: M7.DUX-884 Noten and TAB - easy/medium. Arranged by Mi...(+)
Guitar
SKU:
M7.DUX-884
Noten
and TAB -
easy/medium. Arranged
by Michael Langer. This
edition: Ring/Spiral
binding. Score with
online audio files.
Performance book,
includes TAB. 130 pages.
Edition Dux Verlag #DUX
884. Published by Edition
Dux Verlag (M7.DUX-884).
ISBN
9783868493306.
In
fünf Bänden
werden je 20 Welterfolge
umfassend
ûgitarristischÃ
« aufbereitet. Alle
Songs sind für
Gitarre solo arrangiert
und in Notenschrift und
Tabulatur notiert.
Zusätzlich gibt
es, wie gewohnt, zu jedem
Titel eine kurze
Geschichte,
Vorschläge zur
Strumming- und
Picking-Begleitung sowie
den kompletten Text mit
Akkorden. Jetzt mit
Audio-Download: Alle 20
Songs sind von Michael
Langer vollständig
als Soloversion
eingespielt.
(Extraites Des Operas De Rossini Et Deux Valses Favorites). By Francois de Fossa...(+)
(Extraites Des Operas De
Rossini Et Deux Valses
Favorites). By Francois
de Fossa (1775-1849).
Edited by Jan De Kloe.
For Guitar. FULL SCORE -
STUDY. Op.8. 6 pages.
Published by Editions
Orphee
Asturias Guitare Guitare classique - Facile Schott
55 Classical Masterpieces from 5 Centuries. Edited by Martin Hegel. This edi...(+)
55 Classical Masterpieces
from 5 Centuries. Edited
by
Martin Hegel. This
edition:
Paperback/Soft Cover.
Sheet
music. Guitar. For a long
time, arrangements were
rather looked down on by
music specialists, but
today
attitudes have relaxed
considerably. The
classical
concert repertoire is
extensive and includes
many
wonderful pieces; many
guitarists are naturally
keen
to get to kn. Classical.
Softcover. 104 pages.
Schott
Music #ED 23047.
Published by
Schott Music
Following
the successful
publication of
Homenaje a Rodrigo
(2015), containing four
pieces by Alessandro
Spazzoli – one of
which was performed in
the presence of the
composer’s
daughter, Cecilia
Rodrigo, during her visit
to the International
Convention in Alessandria
–, here is the
second volume. It
contains more tributes to
Rodrigo written on my
input by five well-known
Italian and Spanish
composers, two of whom
are also guitarists and
have therefore written
the fingering for their
own pieces. Giovanni
Podera plunges us into a
typically Rodrigo-like
atmosphere with his
evocative
Fantasia, while
the following three
compositions are full of
direct quotations from
pieces also for guitar by
the great composer from
Valencia. Thus, Marco
Simoni, in his expressive
Junto a Rodrigo
– which also
provides the title to the
volume – plays
with themes taken from
Junto al
Generalife and from
Dos piezas
caballerescas for a
cello ensemble as well as
hinting at reminiscences
of Tiento antiguo.
As for Marco Smaili, in
his impressionistic
Fronda de la
tarde, he evokes
quite evidently
Zarabanda lejana
and Invocación y
Danza, but there are
more hidden references to
Caminos de
Santiago and even to
the very famous
Concierto de
Aranjuez. Marco
Reghezza builds his
heart-breaking Nana
estrellada on a
sequence of chords used
by Rodrigo in the
fantasia ¡Que buen
caminito!. On the
other hand, there are no
direct quotations and
echoes of
Rodrigo’s way of
writing in the Fuga a
quattro voci by Paolo
Ugoletti. However it was
Rodrigo himself who
constructed four-part
imitative passages for
guitar in
Pasacalle and in
the Ricercare of the
Fantasia para un
Gentilhombre. The
close polyphony of the
piece by Ugoletti may be
considered as a tribute
to this kind of craft
shown by Rodrigo who,
like Ugoletti, was able
to write such dense and
idiomatic counterpoint
without being a
guitar-player. I am
pleased that this volume
comes out in the
imminence of the 20th
anniversary of the
disappearance of the
illustrious Spanish
composer who gave so much
to the musicians –
and not only to
them. (Piero
Bonaguri)
Guitar SKU: BT.MUSAM996996 Arranged by Russ Shipton. The Complete Guitar ...(+)
Guitar
SKU:
BT.MUSAM996996
Arranged by Russ Shipton.
The Complete Guitar
Player. Pop & Rock. Book
with CD. Wise
Publications
#MUSAM996996. Published
by Wise Publications
(BT.MUSAM996996).
ISBN
9781849380140.
English.
Th
e Complete Guitar
Player series
has taught hundreds of
thousands how to play and
the accompanying
songbooks have featured
hits by Paul Simon, Elvis
Presley, The Beatles,
John Denver and many
othertopartists.
N
ow these songbooks are
available in super value
omnibus editions like
this one. The songs are
still graded by ease of
playing and everything is
there... standard
notation, Guitar chord
boxes, full lyrics
andevenstrumming
patterns!
Over 180
great songs! Perfect for
all players and
singers!
The bonus
CD contains backing
tracks to 16 of the songs
in the book.
Guitar - early intermediate SKU: BT.DHP-1053811-401 Popsongs voor klas...(+)
Guitar - early
intermediate
SKU:
BT.DHP-1053811-401
Popsongs voor klassiek
gitaar. Arranged by
Herman Smies. Pop and
Rock. Book Only. Composed
2005. 28 pages. De Haske
Publications #DHP
1053811-401. Published by
De Haske Publications
(BT.DHP-1053811-401).
ISBN 9789043122382.
9x12 inches.
English-German-French-Dut
ch.
The pop songs
in this collection of
well-known 50â??s,
60â??s and 70â??s
hitshave been carefully
adapted and arranged to
make them suitable
forplaying on a classical
or acoustic guitar. The
pieces have beenordered
by difficulty, beginning
with pieces in which the
melody andbass notes are
struck separately and
gradually progressing to
moredifficult pieces
where a slightly more
advanced technique is
required.
De
songs in deze verzameling
van bekende hits uit de
jaren vijftig, zestig en
zeventig zijn zorgvuldig
aangepast en gearrangeerd
om ze geschikt te maken
voor klassiek of
akoestisch gitaar. Ze
zijn oplopend in
moeilijkheidsgraad,
beginnendmet nummers
waarin de melodie- en
basnoten ongelijk worden
aangeslagen, gevolgd door
gaandeweg moeilijker
nummers. Een tijdloze
verzameling.
Diese
s Buch ist ein absolutes
Muss für alle
Musikfans. Es ist perfekt
geeignet für Spieler
von klassischen oder
akustischen Gitarren, die
auf der Suche nach
leichten, aber pfiffigen
Bearbeitungen der Hits
der vergangenen
Jahrzehnte sind. Die
Stücke steigen im
Schwierigkeitsgrad
allmählich an; die
ersten Lieder sind noch
vielleichter zu spielen,
da die Bass- und
Melodienoten separat
angeschlagen werden. Eine
zeitlose Sammlung, die
sicher immer wieder aufs
Neue durchgespielt
wird!
All Time
Guitar Hits è una
raccolta indispensabile
per tutti gli amanti dei
grandi successi del
decennio passato. Gli
arrangiamenti sono
tecnicamente accessibili
alla maggior parte dei
chitarristi. I brani sono
raccolti in modo
progressivo in funzione
delle difficolt tecniche
che contengono.
For Guitar (Third Series). Composed by Leo Brouwer (1939-). Max Eschig. Cl...(+)
For Guitar (Third
Series).
Composed by Leo Brouwer
(1939-). Max Eschig.
Classical. Softcover.
Editions Max Eschig
#DF01638100. Published by
Editions Max Eschig
Composed by William Bay. Flatpicking, Lute, Baroque, Contemporary, Technique...(+)
Composed by William Bay.
Flatpicking, Lute,
Baroque,
Contemporary, Technique,
Theory and Reference,
Solos.
Achieving Guitar
Artistry.
Book. 76 pages. Published
by
Mel Bay Publications, Inc
Advanced Studies, Op.
6 & 29. Composed by
Fernando Sor. Edited by
Erik Stenstadvold.
Collection. Theodore
Presser Company #GHE0801.
Published by Theodore
Presser Company
(PR.GHE0801).
We proudly
present a new critical
edition of the collected
guitar works by Fernando
Sor. Some titles in this
edition may be new to
some readers, eg the
contents of volume 10.
This new edition is the
biggest new publishing
undertaking for the music
of Sor since the
1970s.Our editor Erik
Stenstadvold is a noted
expert on 19th century
guitar music and
publishes regularly in
leading professional
journals such as
‘Soundboard’ and
‘Early Music’. His
life-long preoccupation
with Sor and his music,
both as a performer and
researcher, has resulted
in an unsurpassed edition
in terms of scholarly
accuracy and practical
usefulness.All relevant
early sources have been
consulted, often several
different printed
editions and manuscripts
of a particular work. In
each case the most
dependable source has
been chosen as copy text,
on the basis of
historical evidence and
textual
reliability.Variances and
errors in the original
scores are corrected and
discussed in the
comprehensive critical
commentaries. All volumes
contain detailed
introductory notes that
place the individual
works in their historical
context and discuss
particular notation
problems. Suggestions for
the interpretation of
ornaments are also
provided. In Volume 1 and
2 (Studies), Sor’s
likely purpose of each
individual study is
discussed in relation to
the technique and
fingering principles he
describes in his 1830
Méthode.The music scores
are produced at
‘concert size’ with
clear and accurate music
engraving and
high-quality German
printing. Original
fingering is retained,
but in order to make the
music more accessible to
players in general,
editorial fingering has
been judiciously added in
works with little or no
indications in the
original editions. Added
fingerings are easily
distinguishable from the
original ones by their
different typefaces.
Compiled by Russ Shipton. Fake book for voice and guitar. With vocal melody, lyr...(+)
Compiled by Russ Shipton.
Fake book for voice and
guitar. With vocal
melody, lyrics, chord
names and guitar chord
diagrams. 167 pages.
Published by Music Sales.
Guitar - intermediate SKU: M7.VOGG-816 Composed by Gernot Roedder. This e...(+)
Guitar - intermediate
SKU: M7.VOGG-816
Composed by Gernot
Roedder. This edition:
Ring/Spiral binding.
Sheet music with 2 CDs.
152 pages. Voggenreiter
#VOGG 816. Published by
Voggenreiter
(M7.VOGG-816).
ISBN
9783802408168.
German.
Für
Gitarristen der
Mittelstufe Ãœber 60
der bekanntesten und
wichtigsten Stücke
für die Konzertgitarre
(Solo und Duo) aus drei
Jahrhunderten in
traditioneller Notation -
die unentbehrliche
Stückesammlung, die in
keinem gutsortierten
Notenregal fehlen darf!
Endlich alle Stücke,
die man sich bisher in
Einzelausgaben anschaffen
oder aus Dutzenden von
Sammlungen
zusammenstellen musste,
in einem einzigen Band!
Von Aguado und Bach bis
zu Sor und Tárrega,
hier findet sich für
jeden
Gitarristengeschmack das
Richtige. Alle Stücke
spielfertig eingerichtet
mit Fingersätzen und
Lagenangaben. Die beiden
aufwendig produzierten
Begleit-CDs sind nicht
nur ein idealer Begleiter
beim Ãœben, sondern
auch ein absoluter
Hörgenuss für jeden
Liebhaber klassischer
Gitarrenmusik.
Guitar Solo SKU: IS.G6761EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6761EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6761EM.
Published by Metropolis
Music Publishers
(IS.G6761EM).
(Guitar Part). By Seth Himmelhoch, Andrew LaFreniere, and Louis Brown. For Guita...(+)
(Guitar Part). By Seth
Himmelhoch, Andrew
LaFreniere, and Louis
Brown. For Guitar. This
edition: Revised. Book;
CD; Guitar (Suzuki);
Method/Instruction;
Suzuki. Suzuki Guitar
School. Beginner. 24
pages. Published by
Alfred Music
Chamber Music guitar SKU: PR.UE034490 Composed by Fernando Sor. This edit...(+)
Chamber Music guitar
SKU: PR.UE034490
Composed by Fernando Sor.
This edition: New Karl
Scheit Guitar Edition.
Full score. With Standard
notation. Opus 36.
Universal Edition
#UE034490. Published by
Universal Edition
(PR.UE034490).
(You Can Play the Guitar Now! Acoustic Guitar Vol. 1). Taught by Rogelio Maya. F...(+)
(You Can Play the Guitar
Now! Acoustic Guitar Vol.
1). Taught by Rogelio
Maya. For Guitar (All).
method. Acoustic Music.
Level: Beginning. DVD.
Size 5.38x7.50. 60 pages.
Published by Mayas Music.
(You Can Play the Guitar Now! Acoustic Guitar Vol. 3). Taught by Rogelio Maya. F...(+)
(You Can Play the Guitar
Now! Acoustic Guitar Vol.
3). Taught by Rogelio
Maya. For Guitar (All).
method. Acoustic Music.
Level:
Beginning-Intermediate.
DVD. Size 5.38x7.50. 60
pages. Published by Mayas
Music.
(You Can Play the Guitar Now! Acoustic Guitar Vol. 2). Taught by Rogelio Maya. F...(+)
(You Can Play the Guitar
Now! Acoustic Guitar Vol.
2). Taught by Rogelio
Maya. For Guitar (All).
method. Acoustic Music.
Level: Beginning. DVD.
Size 5.38x7.50. 60 pages.
Published by Mayas Music.
By John Sutherland, B.J. Sutherland, David Hoge, Philip Groeber and Antigoni Gon...(+)
By John Sutherland, B.J.
Sutherland, David Hoge,
Philip Groeber and
Antigoni Goni. For
Guitar. Method Book and
CD. Standard Notation. 72
pages. Published by The
FJH Music Company Inc