Guitar SKU: AP.1-ADV10025 For Jazz Guitar Improvisation. Composed ...(+)
Guitar
SKU:
AP.1-ADV10025
For
Jazz Guitar
Improvisation.
Composed by Peter O'Mara.
Guitar Method or
Supplement;
Improvisation;
Method/Instruction;
Play-Along; Technique
Musicianship. Advance
Music. Jazz. Book and CD.
Advance Music
#01-ADV10025. Published
by Advance Music
(AP.1-ADV10025).
ISBN
9783892212553. UPC:
805095100259.
English.
After the
success of his first
publication A Chordal
Concept for Jazz Guitar,
renowned Australian
guitarist Peter O'Mara
explores the depths of
jazz improvisation from a
guitarist's point of
view. This new book
covers a wide variety of
topics---scales,
intervals, triads,
non-tertial triads,
four-note structures,
five-note structures
(pentatonic scales), as
well as useful practical
exercises. Fourteen modes
and their applications
are covered in detail.
The book also includes a
play-a-long CD, MIDI
files, as well as a
demonstration CD. A must
for the contemporary jazz
guitarist!
Titles:
Introduction * Triads *
Four-Note Structures *
Diatonic Relationships *
Examples and Modal
Exercises * Ezam * The
Wheel * About the
Author.
Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffae...(+)
Composed by Paolo
Ugoletti
Andrea Vezzoli. Edited by
Piero Bonaguri and
Raffaello
Ravasio. Saddle
stitching.
Piero Bonaguri
Collection.
Classical. Ut Orpheus #CH
254.
Published by Ut Orpheus
Guitar - Intermediate SKU: AP.1-ADV14786 15 Great Solo Etudes for Jazz...(+)
Guitar - Intermediate
SKU: AP.1-ADV14786
15 Great Solo Etudes
for Jazz Style and
Improvisation.
Composed by Jim Snidero.
Guitar Method or
Supplement;
Improvisation;
Method/Instruction;
Play-Along; Technique
Musicianship. Advance
Music: Intermediate Jazz
Conception. Jazz. Book
and Digital Download.
Advance Music
#01-ADV14786. Published
by Advance Music
(AP.1-ADV14786).
ISBN
9783892212164. UPC:
805095147865.
English.
Intermedia
te Jazz Conception is
another addition to the
popular series of etude
books created by Jim
Snidero, featuring some
of the finest jazz
musicians in the world.
This book/audio set
includes 15 etudes based
on standards, modal tunes
and blues, demonstrated
by Joe Cohn on guitar
with the incredibly
swinging rhythm section
of Dave Hazeltine on
piano, Peter Washington
on Bass and Kenny
Washington on Drums. New
to Intermediate Jazz
Conception is an appendix
dedicated to style and
improvisation, including
a scales syllabus,
nomenclature, and over 95
lines and ideas extracted
for the study of
improvisation! The
recording features two
separate versions of each
etude; one with the
soloist and rhythm
section and one with the
rhythm section only. Hear
how the soloist performs
the etudes, play with or
without the soloist, and
learn about both jazz
style and improvisation
from some of the best.
Other series available by
Jim Snidero: Easy Jazz
Conception and Jazz
Conception.A talented
musician, musical
advocate and educator ...
a genuinely significant
figure in jazz
composition Penguin Guide
to JazzA master musician
Down Beat Magazine.
(Beginning Jazz Guitar). By Jody Fisher. For Guitar. This edition: Standard Nota...(+)
(Beginning Jazz Guitar).
By Jody Fisher. For
Guitar. This edition:
Standard Notation Only.
Book; CD; Guitar Method
or Supplement;
Method/Instruction;
Technique Musicianship.
Complete Method. Jazz.
Beginner. 96 pages.
Published by Alfred Music
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar - Beginning-Intermediate SKU: MB.22115M Composed by Pat Kelley. Sa...(+)
Guitar -
Beginning-Intermediate
SKU: MB.22115M
Composed by Pat Kelley.
Saddle-stitched, Style,
Technique, Theory and
Reference, Technique,
Theory, Reference and
Rhythm. USC School of
Music. Rock, blues, jazz,
method supplement. Book
and online audio. 56
pages. Mel Bay
Publications, Inc
#22115M. Published by Mel
Bay Publications, Inc
(MB.22115M).
ISBN
9780786696840. 8.75 x
11.75
inches.
Arpeggios
are chord notes played
one at a time rather than
strummed or plucked all
together. They are an
essential part of great
improvising and melody
writing because playing
chord notes in the right
places creates solid
melody lines. Chord notes
sound more resolved than
notes that are chromatic
out of the key .
Practicing arpeggios will
improve your ability to
learn melodies, make
reading music easier, and
develop your tone and
picking accuracy. The
first part of this book
focuses on the basic
fingerings of the
following six arpeggios:
major 7th, major 7th #5 ,
dominant 7th, minor 7th,
minor 7th b5 , and
diminished 7th. This book
along with its
accompanying audio
represents a
comprehensive guide to
all things arpeggio. It
delves into traditional
applications of
arpeggios, as well as how
they relate to slash
chords, modal music and
more. The student will
learn about how arpeggios
fall over standard chord
progressions, as well as
how to embellish
arpeggios to make them
more musical in
performance situations.
In standard notation and
tab. Includes access to
online audio.
(Modern Ideas for All Styles). By Jody Fisher. For Guitar. Book; CD; Guitar Met...(+)
(Modern Ideas for All
Styles). By Jody Fisher.
For Guitar. Book; CD;
Guitar Method or
Supplement; Technique
Musicianship. The Improv
Series. 96 pages.
Published by Alfred Music
Publishing
By Lou Manzi. For Guitar. Book; CD; DVD; Guitar Method or Supplement; Method/Ins...(+)
By Lou Manzi. For Guitar.
Book; CD; DVD; Guitar
Method or Supplement;
Method/Instruction.
Acoustic; Blues. 248
pages. Published by
Alfred Music Publishing
This
cycle, containing 20
studies for solo guitar
is inspired from Bela
Bartokâs didactical
works, such as For
Children or Mikrokosmos.
The common element found
in his works and mine are
the themes coming from
the children folk music
which are very rich in
Hungary and moreover in
Romania. All the
developed songs I used in
this volume are a little
part of the ritualic
music of the Romanian
children. These little
studies are polyphonic
and harmonic exercises
which are very useful for
the young guitarists.
The modal structures
give to this score a
unique flavor and invite
the musicians to discover
an astonishing music
tradition.
Guitar - easy to intermediate SKU: HL.49005909 Composed by Barna Kovats. ...(+)
Guitar - easy to
intermediate
SKU:
HL.49005909
Composed
by Barna Kovats. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 24 pages.
Schott Music #ED 5930.
Published by Schott Music
(HL.49005909).
Guitar; Methods and Music for Children SKU: UT.CH-106 Composed by Carlo d...(+)
Guitar; Methods and Music
for Children
SKU:
UT.CH-106
Composed by
Carlo de Nonno. Saddle
stitching. Classical. Ut
Orpheus #CH 106.
Published by Ut Orpheus
(UT.CH-106).
ISBN
9790215315921. 9 x 12
inches.
The first
impulse to compose these
3 Little Suites
for Guitar came from the
desire to offer very
young students
compositions not framed
by the usual features of
â??music for
childrenâ?? but, rather,
meant to introduce into
their musical horizon
sonorities, rhythms, and
expressive modalities not
generally experienced in
the more
â??traditionalâ??
courses of study. As
the compositions
developed, the project
underwent some slight
modifications, so that in
the end one could say
that the three suites
became progressively more
difficult, though
remaining, in their deep
essence, quite
â??simpleâ??. I
would recommend paying
careful attention to the
titles of the pieces and
to the expressive
markings. Although it was
not my intention to write
â??descriptiveâ??
music, I have tried to
handle these pieces like
stage scripts, giving
each a specific
â??characterâ??. For
this purpose my long
experience as a composer
of theatre music has been
very helpful. It would
give me great
satisfaction if
guitarists of every age
would enjoy performing
these suites. I would
like teachers to find in
them cues for proposing
to their pupils further
refinements concerning
both technique and
expression, never
forgetting how
inexpressible music truly
is. (Carlo de
Nonno).
by Bret Willmott. For all guitars. Complete. All styles. Level: Intermediate-Adv...(+)
by Bret Willmott. For all
guitars. Complete. All
styles. Level:
Intermediate-Advanced.
Book. Theory and harmony.
Size 8.75x11.75. 248
pages. Published by Mel
Bay Pub., Inc.
Guitar SKU: UT.CH-159 Composed by Massimo Fornetti. Saddle stitching. Cla...(+)
Guitar
SKU:
UT.CH-159
Composed by
Massimo Fornetti. Saddle
stitching. Classical. 12
pages. Ut Orpheus #CH
159. Published by Ut
Orpheus (UT.CH-159).
ISBN 9790215320390. 9
x 12 inches.
With
this Suite for guitar
â?? whose main reference
point is the baroque
instrumental suite and
its traditional dances
â?? the interpreter
takes a journey through
various compositional
styles (e.g. the use of
microstructures,
modality, atonality,
harmony in fourths,
whole-tone scales), in
the form of a dance.
Within the scope of this
metacultural project,
both performer and
listener are presented
with a musical
juxtaposition where the
baroque suite is always
present as a historic
reference. This project
is aimed at an average
level of guitar students
where instrumental
technique is equally as
important as composition.
In this respect, the
Suite is useful in the
areas of concert
performance, in the
teaching of instrumental
technique and in
compositional
analysis.