Guitar

SKU: UT.CH-156

Composed by Giorgio Signorile. Saddle stitching. Classical. 24 pages. Ut Orpheus #CH 156. Published by Ut Orpheus (UT.CH-156).

ISBN 9790215320352. 9 x 12 inches.

Le colline di Karen (Karen's Hills)/ Quel mare che non c'era (That Sea that wasn't there)/ La mia piccola gioia (My little Joy)/ Variazioni su un respiro (Variations on a Breath)

Fingerstyle and Plectrum Pieces for Trinity College London Exams 2020-2023. Classical. Textbook. Trinity College London #TCL019936. Published by Trinity College London

Guitar - intermediate to advanced

SKU: M7.GHE-808

Guitar Solos. Composed by Fernando Sor. Edited by Erik Stenstadvold. This edition: Saddle-wire stitching. Sheet music. New Critical Edition. 84 pages. MDS (Music Distribution Services) #GHE 808. Published by MDS (Music Distribution Services) (M7.GHE-808).

ISBN 9783890448084. English.

This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.

Guitar - intermediate to advanced

SKU: M7.GHE-807

Guitar Solos. Composed by Fernando Sor. Edited by Erik Stenstadvold. This edition: Saddle-wire stitching. Sheet music. New Critical Edition. 80 pages. MDS (Music Distribution Services) #GHE 807. Published by MDS (Music Distribution Services) (M7.GHE-807).

ISBN 9783890448077. English.

This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.

Guitar - intermediate to advanced

SKU: M7.GHE-806

Guitar Solos. Composed by Fernando Sor. Edited by Erik Stenstadvold. This edition: Saddle-wire stitching. Sheet music. New Critical Edition. 56 pages. MDS (Music Distribution Services) #GHE 806. Published by MDS (Music Distribution Services) (M7.GHE-806).

ISBN 9783890448060. English.

This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.

Guitar - intermediate to advanced

SKU: M7.GHE-803

Guitar Solos. Composed by Fernando Sor. Edited by Erik Stenstadvold. This edition: Saddle-wire stitching. Sheet music. New Critical Edition. 72 pages. MDS (Music Distribution Services) #GHE 803. Published by MDS (Music Distribution Services) (M7.GHE-803).

ISBN 9783890448039. English.

This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.

Guitar Solo

SKU: IS.G6551EM

Composed by Stefaan Baert. Plucked - Guitar. Metropolis Music Publishers #G6551EM. Published by Metropolis Music Publishers (IS.G6551EM).

ISBN 9790365065516.

This album contains 14 pieces for guitar solo, inspired by the coastlines of Northern France, Cornwall and Norway. Each piece has its own distinctive character and atmosphere, which facilitates the interpretation. Despite the simplicity, they show a lot of musical content, always with the younger performer in mind. This album do not contain barre chords. The finger arrangements for the left hand remain simple and are also well-suited for smaller hands. Still, the pupil can get acquainted with a whole range of techniques... .

26 Pieces for Guitar. Composed by Ferdinando Carulli (1770-1841). Edited by dé, Fré, and ric Zigante. Max Eschig. Softcover. Editions Max Eschig #DF16666. Published by Editions Max Eschig

Composed by Sergio Assad (1952-). Single piece for guitar. With fingerings. D Major. 14 pages. Published by Editions Henry Lemoine.

(60 Songs Arranged in Sequence of Difficulty for Solo Guitar). By Various. For Guitar. Guitar Solo. Softcover. Published by Hal Leonard

Pieces faciles pour jeunes guitaristes. Composed by Adrien Politi. Instrumental Music. Score. Editions Henry Lemoine #29644. Published by Editions Henry Lemoine

For Guitar. Includes a compact disc featuring a complete version, and a "minus" version of each piece with removable click-track on one channel; and music book. Published by Music Minus One.

Guitar

SKU: HL.49046946

Book with Online Material. Edited by Bruno Szordikowski, Martin Hegel, and Peter Ansorge. Guitar. Classical. Softcover Media Online. 32 pages. Schott Music #ED21637D. Published by Schott Music (HL.49046946).

ISBN 9783795785055. UPC: 196288087601. 9.0x12.0x0.118 inches.

Whether for lessons or the first little concerts - 'Easy Concert Pieces' for guitar contains easy and well-known solo pieces, carefully selected according to technical and musical demands: Vol. 1 easy, Vol. 2 intermediate. Apart from original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor, or Carcassi, this edition also contains easily playable arrangements of classical masterpieces such as Vivaldi's 'Four Seasons', Handel's 'Fireworks Music', Mozart's 'Magic Flute' or Verdi's 'Chorus of Hebrew Slaves'. The arrangements want to provide access to the masterpieces of concert literature and encourage the joy of classical music.All pieces are recorded and are available for download.

Guitar - easy

SKU: HL.49019327

58 Easy Pieces for Guitar. Arranged by Martin Hegel. This edition: Saddle stitching. Sheet music with CD. Guitar. Dieses Heft enthalt alles, was man fur den Gitarrenunterricht braucht: 58 leichte originale Gitarrenstucke von Aguado, Mertz, Diabelli, Carulli, Sor oder Carcassi, aber auch leicht spielbare Bearbeitungen der klassischen Musik aus den Bereichen Orchesterm. Softcover with CD. 46 pages. Schott Music #ED21305. Published by Schott Music (HL.49019327).

ISBN 9783795747558. UPC: 841886018204. 9.0x12.0x0.2 inches.

This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony No. 9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. All pieces are recorded on the accompanying CD to make it easier for the pupils to study and master the works.

Guitar - Advanced

SKU: DZ.DZ-4314

Composed by Ramsés Calderón. Score. Les Productions d'OZ #DZ 4314. Published by Les Productions d'OZ (DZ.DZ-4314).

ISBN 9782898522314.

The present collection is around the idea of paying homage to the people that each piece is dedicated to.
El Colibrí (Hummingbird): A meaningful bird within Central American indigenous mythology. Dedicated to my good friend and co-author Federico Sheppard, a very special human being with whom I have walked a long journey in a short time, to produce and publish the work of the great Agustín Barrios Mangoré.
El Faro refers to the guidance of a lighthouse for the those navigating the sea, the light to point travellers in the right direction. This piece is dedicated to maestro Antonio Rodríguez Delgado, for his unconditional friendship, light, and guidance with the complex journey of our beloved instrument, so that it be used as a tool for self realization.
Gratitude is dedicated to maestro Elias Barreiro for his tireless work and contribution to the global guitar practices, additionally, for his genuine friendship.
CanciÃ� �³n de Cuna is a piece that pretends to reflect the awakening of a new consciousness for humanity, the title (Lullaby) refers to the little person we all have inside.

La présente collection est centrée sur l'idée de rendre hommage aux personnes auxquelles chaque pièce est dédiée.
El Colibrí (Colibri) : Un oiseau significatif dans la mythologie indigène d'Amérique centrale. Dédicacé à mon bon ami et co-auteur Federico Sheppard, un être humain très spécial avec qui j'ai parcouru un long chemin en peu de temps, pour produire et publier l'œuvre du grand Agustín Barrios Mangoré.
El Faro fait référence à la guidance d'un phare pour ceux qui naviguent en mer, la lumière pour orienter les voyageurs dans la bonne direction. Cette pièce est dédiée au maestro Antonio Rodríguez Delgado, pour son amitié inconditionnelle, sa lumière et son guidage dans le voyage complexe de notre instrument bien-aimé, afin qu'il soit utilisé comme un outil de réalisation de soi.
Gratitude est dédiée au maestro Elias Barreiro pour son travail inlassable et sa contribution aux pratiques mondiales de la guitare, et en plus, pour son amitié sincère.
Canci� �ƒÂ³n de Cuna est une pièce qui prétend refléter l'éveil d'une nouvelle conscience pour l'humanité, le titre (Berceuse) se réfère à la petite personne que nous avons tous à l'intérieur de nous.

Guitar solo - Advanced

SKU: DZ.DZ-4308

Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308).

ISBN 9782898522253.

Foll owing a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.

FRANCE SCO BIRAGHI

Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprèt e et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.

FRANCESCO BIRAGHI.

Guitar solo - Intermediate

SKU: DZ.DZ-4316

Composed by Mehmet Refik Kaya. Arranged by Celil Refik Kaya. Score. Les Productions d'OZ #DZ 4316. Published by Les Productions d'OZ (DZ.DZ-4316).

ISBN 9782898522338.

Ada (Island) is a captivating composition that was originally written in 2011 for the Turkish lute. This piece draws its inspiration from the tranquil and picturesque atmosphere of Büyükada, one of the charming islands in the Sea of Marmara. Büyükada, with its serene landscapes, historical architecture, and tranquil shores, serves as a perfect muse for the evocative melodies and intricate harmonies that characterize Ada (Island).

Ada (Island) was later arranged for classical guitar. This adaptation allows the composition to reach a broader audience while retaining its original charm and depth. The classical guitar arrangement highlights the versatility of the piece, maintaining its delicate nuances and evocative melodies, while offering a new perspective through the guitar's distinctive tonal qualities.

Whether performed on the Turkish lute or the classical guitar, Ada (Island) remains a poignant tribute to the enchanting beauty of Büyükada, capturing the island's essence and transporting listeners to its serene shores.

«Ad a (Island)» est une composition captivante écrite à l'origine en 2011 pour le luth turc. Cette pièce s'inspire de l'atmosphère tranquille et pittoresque de Büyükada, l'une des charmantes îles de la mer de Marmara. Büyükada, avec ses paysages sereins, son architecture historique et ses rivages tranquilles, constitue une muse parfaite pour les mélodies évocatrices et les harmonies complexes qui caractérisent « Ada (l'île) ».

Ada (Island) a ensuite été arrangé pour guitare classique. Cette adaptation permet à la composition de toucher un public plus large tout en conservant son charme et sa profondeur d'origine. L'arrangement de guitare classique met en valeur la polyvalence du morceau, en conservant ses nuances délicates et ses mélodies évocatrices, tout en offrant une nouvelle perspective à travers les qualités tonales distinctives de la guitare.

Qu'il soit interprété au luth turc ou à la guitare classique, Ada (Île) reste un hommage poignant à la beauté enchanteresse de Büyükada, capturant l'essence de l'île et transportant les auditeurs vers ses rivages sereins.

Guitar solo - Advanced

SKU: DZ.DZ-4303

Composed by Luciano Lima. Score. Les Productions d'OZ #DZ 4303. Published by Les Productions d'OZ (DZ.DZ-4303).

ISBN 9782898522208.

Dedi cated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movement’s title comes from one the song’s last verses, O, may long their wild notes flow. The third movement’s theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose name’s meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.

Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés d’Islay, l’île la plus méridionale des Hébrides intérieures d’Écosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, l’un des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. À la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.

Guitar

SKU: FG.55011-325-1

Composed by Kai Nieminen. Fennica Gehrman #55011-325-1. Published by Fennica Gehrman (FG.55011-325-1).

ISBN 9790550113251.

Rifl essioni sul nome Amedeo Modigliani (Omaggio a Oscar Ghiglia) is divided in two movements that follow each other attacca. The first movement of the piece is named by the composer ...Il Pittore...sta...dipingend o... (...the painter...is...painting.. .). At the beginning of the piece we are introduced to the main motif of which the notes are reflected (Riflessioni) from the name of Amedeo Modigliani. A fantasy of timbre created by the composer is given a versatile interpretation by the possibilities of the guitar: tone material based on an octatonic scale is developed further through the means of arpeggios, pizzicatos, glissandos and high-pitched flageolets. The music is searching for direction in imitation of a painter searching for a subject as the theme Modigliani is repeated in different registers. The second movement is called Gli ucelli...della ombra... (Birds...of twilight...).

By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guitar. All Styles. Level: Beginning. Book. Size 8.75x11.75. 136 pages. Published by Mel Bay Publications, Inc.

Guitar

SKU: FZ.5877

Serie I - France 1600-1800. Edited by Caroline Delume. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5877).

ISBN 9790230658775. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. ANCELET - Abbe Joseph CARPENTIER (1-2) - Francisque CORBETTA - Michel CORRETTE - Robert DE VISEE - Nicolas DEROSIERS - DON*** - Encyclopedie - Francois-Alexandre-Pierre de GARSAULT - Francois LECOCQ - Joseph-Bernard MERCHI (1) - Marin MERSENNE - Pierre TRICHET. Table of contents: Mersenne Marin: Harmonie Universelle - 1636. Trichet Pierre: Traite des instruments - c. 1640. Corbetta Francisque: La guitarre royale - 1671. De Visee Robert: Livre de guitarre - 1682. Derosiers Nicolas: Les principes de guitarre - c. 1690. Le Cocq Francois: Recueil des pieces de guitare - 1729. Encyclopedie: Encyclopedie ou Dictionnaire raisonne des sciences - 1751/1772. Ancelet: Observations sur la musique - 1757. Don***: Methode pour apprendre a jouer - 1760. Garsault Francois-Alexandre-Pierre de: Notionnaire ou memorial raisonne - 1761. Merchi Joseph-Bernard: Le guide des ecoliers - c. 1761. Corrette Michel: Les dons d'Apollon - 1762. Carpentier Joseph: Methode pour apprendre, 1e partie - 1771. Carpentier Joseph: Methode pour apprendre, 2e partie - 1773. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Sainte Genevieve Library of Paris (France). - British Library of London (England). - Nederlands Muziek Instituut of the Hague(Netherlands). - Royal Conservatory Library of Brussels (Belgium). - Library of Congress of Washington (USA). - Bayerische Staatsbibliothek of Munich (Germany). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the guitar.

(Guitar Transcriptions). By Kurt Rosenwinkel. For Guitar (All). Solos. Jazz. Advanced. Book. 60 pages. Published by Mel Bay Publications, Inc

Composed by Keijo Pennanen. Contemporary, Saddle- stitched. Achieving Guitar Artistry. Style. Book and online audio. Mel Bay Publications, Inc #30698M. Published by Mel Bay Publications, Inc

Guitar

SKU: GI.G-8205G

Composed by Liam Lawton. Arranged by Chris De Silva. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 6 pages. GIA Publications #8205G. Published by GIA Publications (GI.G-8205G).

English. Text by Liam Lawton.

A joyful and upbeat arrangement for SAB choir with solo. This Liam Lawton piece is a perfect anthem of praise for the Easter season. This is the guitar edition.  .

Guitar

SKU: GI.G-006425-B2

Sacred. Guitar part. GIA Publications #006425-B2. Published by GIA Publications (GI.G-006425-B2).

We Celebrate is a flexible resource that combines a large-size, always up-to-date missal with a complete, beautifully softbound hymnal. We Celebrate provides parishes with the finest in texts and music—in a format that offers the right combination of stability and flexibility for quality parish worship. This is the worship program for the parish with the highest standards. The We Celebrate Missal contains all of the readings and prayers for Sundays and Holy Days. Each issue provides catechetical tools to help worshipers participate more fruitfully in the liturgy and to draw connections between liturgy and life: insightful introductions to the Sunday scriptures, weekly questions for individual or group reflection, and an article introducing the liturgical season. The generous 6 X 9 size is easy to hold and easy to read. Scriptures are printed in an even larger type. Weekdays are an important part of the We Celebrate missal. Lectionary citations are provided, as well as Entrance and Communion antiphons, complete responsorial psalms, and gospel acclamations with verses. Also included are orders of service for rites and devotions, Morning and Evening Prayer, Communal Reconciliation, and seasonal celebrations. Misalito Parroquial, a Spanish-language section of Lectionary readings, prayers, and hymnody is available as an insert to the We Celebrate Missal. We Celebrate Hymnal includes Peter Kolar's acclaimed bilingual Mass setting, Misa Luna, and Kathleen Demny's‚ best-selling Mass for children, Mass of Joy. The We Celebrate Hymnal is published every three years and contains more than 850 musical pieces, including hymns, songs, psalms, and ritual music. The Hymnal provides a body of repertory available throughout the year, while the Missal provides the best of new music. Although designed to coordinate with the We Celebrate Missal, the Hymnal can serve as a complete resource itself or as a companion to any missal, including Seasonal Missalette® and Celebremos!/Let Us Celebrate!. For more information contact our Sales and CRM Manager, Suzanne Orland at (missalsandhymnals@giamus ic.com) for pricing. Click on this link to view music index pages from the We Celebrate Hymnal. .

Guitar

SKU: GI.G-006425-P2

Sacred. Guitar part. GIA Publications #006425-P2. Published by GIA Publications (GI.G-006425-P2).

We Celebrate is a flexible resource that combines a large-size, always up-to-date quarterly missal with a complete, beautifully softbound hymnal. We Celebrate provides parishes with the finest in texts and music—in a format that offers the right combination of stability and flexibility for quality parish worship. This is the worship program for the parish with the highest standards. The We Celebrate Quarterly Missal contains all of the readings and prayers for Sundays and Holy Days. Each issue provides catechetical tools to help worshipers participate more fruitfully in the liturgy and to draw connections between liturgy and life: insightful introductions to the Sunday scriptures, weekly questions for individual or group reflection, and an article introducing the liturgical season. The generous 6 X 9 size is easy to hold and easy to read. Scriptures are printed in an even larger type. Weekdays are an important part of the We Celebrate missal. Lectionary citations are provided, as well as Entrance and Communion antiphons, complete responsorial psalms, and gospel acclamations with verses. Also included are orders of service for rites and devotions, Morning and Evening Prayer, Communal Reconciliation, and seasonal celebrations. Misalito Parroquial, a Spanish-language section of Lectionary readings, prayers, and hymnody is available as an insert to the We Celebrate Quarterly Missal. We Celebrate Hymnal includes Peter Kolar's acclaimed bilingual Mass setting, Misa Luna, and Kathleen Demny's‚ best-selling Mass for children, Mass of Joy. The We Celebrate Hymnal is published every three years and contains more than 850 musical pieces, including hymns, songs, psalms, and ritual music. The Hymnal provides a body of repertory available throughout the year, while the Missal provides the best of new music. Although designed to coordinate with the We Celebrate Missal, the Hymnal can serve as a complete resource itself or as a companion to any missal, including Seasonal Missalette and Celebremos!/Let Us Celebrate!. For more information contact our Sales and CRM Manager, Suzanne Orland at 708-613-8981 or email (suzanneo@giamusic.com for pricing. Click on this link to view music index pages from the We Celebrate Hymnal.  We Celebrate Hymnal and Missal (missal published four times a year, hymnal published every three years) 25 copies or more $4.20 per subscription, per year plus shipping.