Guitar - Intermediate SKU: MB.30667M With Guitar Transcriptions of Bac...(+)
Guitar - Intermediate
SKU: MB.30667M
With Guitar
Transcriptions of Bach's
Figured Bass
Accompaniment.
Composed by Matthias
Stegmann. Gospel/Sacred,
Squareback saddle stitch,
Christian. Gospel. Book
and online PDF. 238
pages. Mel Bay
Publications, Inc
#30667M. Published by Mel
Bay Publications, Inc
(MB.30667M).
ISBN
9781513463971. 8.75 x
11.75
inches.
Johann
Sebastian Bachâ??s
arrangements of the
â??69 Sacred Songsâ?
from the Musical
Hymnal by Georg
Christian Schemelli
(Leipzig, 1736) have long
been part of the German
language vocal concert
repertoire and a mainstay
in vocal pedagogy.
Originally, only these 69
of the 954 hymns in the
collection were published
with a single bass line
as the accompaniment.
Bachâ??s contribution
was to specify harmonies
to be played over those
same bass lines by adding
figured bass
numbers and symbols
beneath each
note.
A figured
bass line can easily be
turned into a relatively
simple guitar
accompaniment or a more
elaborate setting,
offering a range of
possibilities that make
working with this music
both interesting and
rewarding for the
guitarist. While other
period and modern
editions of the â??69
Sacred Songsâ? offer
accompaniments for
keyboard instruments,
this Mel Bay publication
features intermediate to
advanced transcriptions
exclusively for the
guitar.
Best
suited to college-level
players or advanced
aficionados, this special
Mel Bay Publications
edition includes the
vocal line with German
lyrics and the guitar
accompaniment transcribed
from Bachâ??s figured
bass lines. Written in
guitar-friendly keys, 29
of the transcriptions
employ a capo to achieve
the original key designed
for high voices. Without
the capo, these same
arrangements would be
suitable to be sung by
lower voices. The
remaining 40 hymns are in
their original
guitar-friendly keys and
so do not require a
capo.
This volume
contains accompaniment
settings of all 69 of the
sacred songs and arias
for which Bach wrote
figured bass annotation.
For performance variety
and convenience, this
book includes â??Scores
in their Original
Keys,â? and
stand-alone â??Guitar
Accompaniment,â? and
â??Bass Parts.
Guitar - intermediate SKU: HL.49016263 24 Super-Grooves in Style Blues...(+)
Guitar - intermediate
SKU: HL.49016263
24 Super-Grooves in
Style Blues, Rock and
Funk. Composed by
Christopher Heise. This
edition: Paperback/Soft
Cover. Sheet music with
CD. Schott Pro Line. Das
Buch zeigt
Groove-Techniken wie
Choke, Slapped Strings,
Ghost Strings oder
ungewohnliche
Plektrumtechniken.
Ausserdem erklart es die
Bedeutung von Timing,
Mikrotiming, Second Line
Beat usw. Groove Guitar
ist eine Mischung aus
Rhythmusgitarre und
Energ. Classical. Edition
with CD. 76 pages. Schott
Music #SPL 1002.
Published by Schott Music
(HL.49016263).
ISBN
9783795750589.
8.25x11.75x0.33 inches.
German.
Grove,
Groove, Groove... uberall
groovt es. Groove hat
eine packende und
mitreissende Wirkung.
Aber was ist Groove?
Wodurch entsteht er? Wie
spiele ich grooviger? Das
alles erklart dir dieses
Buch. Es zeigt
Groove-Techniken wie
Choke, Slapped Strings,
Ghost Strings oder
ungewohnliche
Plektrumtechniken.
Ausserdem erklart es die
Bedeutung von Timing,
Mikrotiming, Second Line
Beat usw. Dadurch lernst
du, auf der Gitarre mit
mehr Energie zu spielen,
denn Groove Guitar ist
eine Mischung aus
Rhythmusgitarre und
Energie. Unplugged &
Plugged. Fur Wester- und
E-Gitarre. Fur Anfanger
und Fortgeschrittene.Und
weil Groove in erster
Linie eine Sache des
Gefuhls ist, liegt diesem
Buch eine CD mit
Groove-Playbacks/Play-Alo
ng-Songs bei, in die Du
Dich zum Mitgrooven
einklinken kannst. Die CD
ist satte 76 Minuten lang
und enthalt alle
Gitarren-Grooves auch in
einer besonders langsam
eingespielten
Solo-Version.
Guitar SKU: UT.CH-156 Composed by Giorgio Signorile. Saddle stitching. Cl...(+)
Guitar
SKU:
UT.CH-156
Composed by
Giorgio Signorile. Saddle
stitching. Classical. 24
pages. Ut Orpheus #CH
156. Published by Ut
Orpheus (UT.CH-156).
ISBN 9790215320352. 9
x 12 inches.
Le
colline di Karen (Karen's
Hills)/ Quel mare che non
c'era (That Sea that
wasn't there)/ La mia
piccola gioia (My little
Joy)/ Variazioni su un
respiro (Variations on a
Breath)
Guitar - very easy SKU: HL.49005329 Guitar. Edited by Ludwig Ander...(+)
Guitar - very easy
SKU: HL.49005329
Guitar. Edited by
Ludwig Andersen. Arranged
by Walter Lutz and Willi
Draths. This edition:
Plastic cover. Paperback.
Edition Schott.
Classical. Melody Line
(with Chords). 168 pages.
Schott Music #ED5000.
Published by Schott Music
(HL.49005329).
ISBN
9783795740009. UPC:
073999172874.
4.75x7.25x0.46 inches.
German.
Diese
Standard-Sammlung von 203
der schonsten und
bekanntesten Volks-,
Wander-, Trink- und
Scherzlieder gehort in
jeden Wander-Rucksack und
die Hand eines jeden, der
Freude am Singen hat. Zu
dieser Sammlung ist auch
ein Textbuchlein
erhaltlich (ISBN
3-7957-3000-7).
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Ada Guitare Guitare classique [Conducteur] - Intermédiaire Productions OZ
Guitar solo - Intermediate SKU: DZ.DZ-4316 Composed by Mehmet Refik Kaya....(+)
Guitar solo -
Intermediate
SKU:
DZ.DZ-4316
Composed
by Mehmet Refik Kaya.
Arranged by Celil Refik
Kaya. Score. Les
Productions d'OZ #DZ
4316. Published by Les
Productions d'OZ
(DZ.DZ-4316).
ISBN
9782898522338.
Ada
(Island) is a captivating
composition that was
originally written in
2011 for the Turkish
lute. This piece draws
its inspiration from the
tranquil and picturesque
atmosphere of
Büyükada,
one of the charming
islands in the Sea of
Marmara.
Büyükada,
with its serene
landscapes, historical
architecture, and
tranquil shores, serves
as a perfect muse for the
evocative melodies and
intricate harmonies that
characterize Ada
(Island).
Ada
(Island) was later
arranged for classical
guitar. This adaptation
allows the composition to
reach a broader audience
while retaining its
original charm and depth.
The classical guitar
arrangement highlights
the versatility of the
piece, maintaining its
delicate nuances and
evocative melodies, while
offering a new
perspective through the
guitar's distinctive
tonal
qualities.
Whether
performed on the Turkish
lute or the classical
guitar, Ada (Island)
remains a poignant
tribute to the enchanting
beauty of
Büyükada,
capturing the island's
essence and transporting
listeners to its serene
shores.
Women Composers Guitare Guitare classique [Conducteur] - Intermédiaire Productions OZ
Guitar solo - Intermediate SKU: DZ.DZ-4265 Guitar Works by Caroline V....(+)
Guitar solo -
Intermediate
SKU:
DZ.DZ-4265
Guitar
Works by Caroline V.
Hayden. Composed by
C.V. Hayden. Arranged by
Annette Kruisbrink.
Score. Les Productions
d'OZ #DZ 4265. Published
by Les Productions d'OZ
(DZ.DZ-4265).
Composed by William Bay. Flatpicking, Lute, Baroque, Contemporary, Technique...(+)
Composed by William Bay.
Flatpicking, Lute,
Baroque,
Contemporary, Technique,
Theory and Reference,
Solos.
Achieving Guitar
Artistry.
Book. 76 pages. Published
by
Mel Bay Publications, Inc
Guitar - Advanced SKU: DY.DO-1555 Composed by Stephen Goss. Score. Les Ed...(+)
Guitar - Advanced
SKU:
DY.DO-1555
Composed
by Stephen Goss. Score.
Les Editions
Doberman-Yppan #DO 1555.
Published by Les Editions
Doberman-Yppan
(DY.DO-1555).
ISBN
9782897963354.
Pier
rot, or Harlequin? (2023)
is based on stock
characters from the
Italian commedia
dellâarte tradition.
Columbina has a choice of
partner â Pierrot,
or Harlequin? Or maybe
she will select neither
of them. In this set of
triple variations,
Pierrot and Harlequin
compete for Columbina's
attention and favour.
Pierrot is deep, quiet,
thoughtful, and loving,
but sometimes
melancholic. Harlequin is
light-hearted, extrovert,
and fun to be with, but
somewhat shallow and
brash. Columbina herself
is coquettish, impulsive,
and unpredictable. How
will the story end
between these imperfect
characters? The performer
gets to select one of
three possible endings as
the piece nears its
conclusion. Pierrot,
or Harlequin? was
commissioned by the
International Guitar
Festival Homenaje 2023.
The premiere was given by
Giacomo Susani at Barco
Teatro, Padova, Italy, on
10th November
2023.
Guitar (Guitar) SKU: HL.48024601 Construction with Guitar Player Inclu...(+)
Guitar (Guitar)
SKU:
HL.48024601
Construction with
Guitar Player Including
Guitar and White
Hand. Composed by
Harrison Birtwistle.
Edited by Julian Bream.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 24 pages.
Boosey & Hawkes
#M060131042. Published by
Boosey & Hawkes
(HL.48024601).
ISBN
9781540050663. UPC:
888680933807. 9.0x12.0
inches.
Beyond the
White Hand: Construction
with Guitar Player, was
commissioned by the
Julian Bream Trust and
first performed at St
John's Smith Square by
Andrey Lebedev in 2014.
This substantial addition
to the advanced solo
guitar repertoire
reflects and expands upon
an earlier miniature from
2007: Guitar and White
Hand, BirtwistleÂ’s
first piece for the
instrument. Both pieces
draw artistic inspiration
from the artist Pablo
Picasso: the smaller
piece written for Forbes
Henderson and sharing a
title with the 1927
painting of the same
name. The larger piece
was composed in the
centenary year of
Picasso's Construction
with Guitar Player after
which the piece is named
and the sculpture
Guitar.Picasso made about
a dozen 'sculptural'
constructionsÂ’ during
1912-1914, many of which
employ recycled or carved
elements. A good number
of these were destroyed
and only one, Still Life
was shown publically
during his lifetime.
Picasso's own
Construction with Guitar
Player was an
installation of a
partially drawn and
painted figure to which
he added arms made of
newspaper that fold away
from the wall to embrace
a real guitar. In the
foreground stands a table
with a bottle of wine and
this was photographed by
Picassoin his studio in
1913. Musically,
BirtwistleÂ’s
Construction is a large
scale, dense work of
sixteen minutesÂ’
duration. It does not
develop linearly, but
presents fragments of
detail, interruptions,
digressions and loops as
a “deconstructed
guitar†in
sound.
25 Etudes, Op. 38. (Revised Edition). By Napoleon Coste (1806-1883). Gitarren-Ar...(+)
25 Etudes, Op. 38.
(Revised Edition). By
Napoleon Coste
(1806-1883).
Gitarren-Archiv (Guitar
Archive). 63 pages.
Schott Music #GA34.
Published by Schott Music
Guitar SKU: SP.TS71612 Composed by Tony Santorella. Instructional; Method...(+)
Guitar
SKU:
SP.TS71612
Composed
by Tony Santorella.
Instructional; Method.
Book and CD. Santorella
Publications #TS71612.
Published by Santorella
Publications
(SP.TS71612).
ISBN
9781585606924. UPC:
728941716124.
Teach
Yourself Guitar published
by Santorella
Publications is the first
in a series including CD
that was initially
created as an impulse
product for a typical
independent Guitar & Amp
shop. In a market flooded
with similar products, we
swiftly learned that our
edition was more than
just a quick fix for the
beginner. Although
titled, Teach Yourself
Guitar, it contains much
more than basic
instruction. Accordingly,
Teach Yourself Guitar has
become the standard for
countless educators as a
private lesson study
guide.
There are
numerous products on the
market that falsely
proclaim incomprehensible
results in just minutes.
Unfortunately, none of
these products cultivate
permanent advancement.
Becoming a better
musician is only possible
through hard work,
discipline and
dedication.
Our
challenge was to create
an approach to guitar
that was easy to
understand and followed a
logical step by step
progression. To truly
master the guitar, one
must have their eyes set
on short-term goals in
order to achieve
long-term results. We are
proud to say that we have
met this challenge by
providing a proven
curriculum to learning
the many facets of
playing the guitar in
this one of a kind
guide.
Guitar - Intermediate SKU: MB.31008M Perfect binding. Blues. Book and onl...(+)
Guitar - Intermediate
SKU: MB.31008M
Perfect binding. Blues.
Book and online audio.
160 pages. Mel Bay
Publications, Inc
#31008M. Published by Mel
Bay Publications, Inc
(MB.31008M).
ISBN
9781513467016. 8.75x11.75
inches.
Blind Lemon
Jefferson was a trail
blazer, both as a singer
and guitarist, but also
as a commercial
phenomenon, for he was
the first blues musician
to establish the
tremendous appeal that
blues, as played and sung
by rural African American
folk, had for the
record-buying public. It
is no exaggeration to say
that the sales of
Lemon’s records
paved the way for a host
of other solo rural blues
musicians to record in
his wake and made the
record companies more
willing to give other
musicians a chance, in
the hopes of achieving
similar
success.Â
Lemon
’s record sales
weren’t what made
him a great musician,
though - that could only
be attributed to his
startlingly virtuosic
guitar - playing and
soulful singing,
developed over years of
busking, building on his
natural gifts with a
great deal of practice
and work. In the Guitar
of Blind Lemon Jefferson
author John Miller
presents transcriptions,
in standard notation and
tablature, of 22 of
Lemon’s greatest
performances, with an
additional essay
examining Lemon’s
senses of time and
phrasing and his picking
techniques. Also included
is a download link to all
the original
recordings.Â
To
present a picture of
Lemon the man, noted
blues researchers Alan
Governar and Kip Lornell
have contributed an essay
focusing on
Lemon’s early
life, the origins of his
music, and his time spent
in a musical partnership
with Lead Belly. Links
are provided to
downloadable performances
of the songs in the book
from which the
transcriptions were made,
so that you can have
Lemon’s sound in
your head as you learn to
play his
songs.
Blind Lemon
Jefferson was remarkable,
even in a style that
abounded in great
musicians, and some
measure of his influence
can be seen in the fact
that musicians recorded
in the 1960s, more than
thirty years after his
death, were still
covering his songs and
stealing guitar licks
from him. The Guitar of
Blind Lemon Jefferson
gives you the resources
needed to learn what was
so special about
Lemon’s music, and
to experience his musical
excellence from inside
the music
itself.
Titles
include: One Dime Blues,
Got The Blues, Dry
Southern Blues, Big Night
Blues, Rabbit Foot Blues,
Shuckin' Sugar Blues,
Where Shall I Be, Wartime
Blues, Black Horse Blues,
Prison Cell Blues, Piney
Woods Money Mama, See
That My Grave Is Kept
Clean, He Arose From The
Dead, Beggin' Back, Broke
And Hungry, Bad Luck
Blues, Matchbox Blues,
Lemon's Worried Blues,
That Crawlin' Baby Blues,
Easy Rider Blues,
Stocking Feet Blues and
Right of Way
Blues
Level 2/3
• 160 pages •
Direct download link to
audio
files.Â