A Fun and Easy Guide for the Complete Beginner. Composed by Ted Parrish and Wa...(+)
A Fun and Easy Guide for
the
Complete Beginner.
Composed
by Ted Parrish and Wayne
Erbsen. Saddle-stitched.
Folk, Method. Book and
online
audio. 48 pages.
Published
by Mel Bay Publications,
Inc
(Arranged for Classical Guitar). By Mark Marrington. For Guitar (Classical). Sol...(+)
(Arranged for Classical
Guitar). By Mark
Marrington. For Guitar
(Classical). Solos.
Parlor/Salon.
Intermediate. Book. 24
pages. Published by Mel
Bay Publications, Inc
Guitar SKU: UT.CH-387 Composed by Ferdinando Carulli. Edited by Romolo Ca...(+)
Guitar
SKU:
UT.CH-387
Composed by
Ferdinando Carulli.
Edited by Romolo
Calandruccio. Classical.
Score. Ut Orpheus #CH
387. Published by Ut
Orpheus (UT.CH-387).
ISBN 9790215328235. 9
x 12 inches.
Opus
114 is certainly one of
Carulliâ??s most
important didactic works,
so much so that the
author himself made a
point of writing in the
second edition of his
famous Method op. 27
(1819): The student, when
moving on to the second
part, must continue to
practise on the easy
pieces which are to be
found in opus nos. 50,
15, 35, 36, 93, 7 and
above all in opus 114. He
maintained this
indication also in later
editions of the Method
itself, unlike what he
did with other
collections of studies
which were no longer
recommended. The
purpose of op. 114, in
particular of the
preludes, is clearly
explained by the author
himself in the preface of
op. 265: I have already
offered preludes in my
opus nos. 71 and 114 to
people, but they serve to
study and learn to play
all sorts of difficult
passages, to practise
modulating, and learn to
improvise on the guitar.
Carulli seems to want to
provide his students with
a large handbook of
formulas typical of his
musical writing and he
does so by making use of
the keys which, in his
opinion, are most
congenial to the guitar.
In his Method he points
out: Each instrument has
its favourite keys: the
guitar can be played in
all keys, but the best
ones are: A major and
minor, D major and minor,
E major and minor, C, G,
F. The others are
difficult; [â?¦].
However, some of the
difficult ones are
included but only in the
fourth part. Of course,
the easiness of a key
essentially depends on
the possibility of
extensive use of the open
strings, especially in
the low notes, ensuring
the accompaniment on the
main degrees. This
edition has some unique
features. First of all,
it is the first complete
modern edition of
Carulliâ??s op. 114; it
presents an important
critical apparatus in
which the Carullian
technique is presented
and analysed; finally,
Carulli's original
fingering is indicated in
the score (including that
of the thumb of the left
hand) and the missing one
was obtained from the
comparison of his other
fingerings present in
other works. All this
allows an easy and
complete reading both for
those who perform the
pieces following the
nineteenth-century
performance practice with
a historical instrument,
and for those who play a
modern instrument.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
By Jerry Silverman. By Jerry Silverman. For Guitar (Fingerpicking). Methods. Arc...(+)
By Jerry Silverman. By
Jerry Silverman. For
Guitar (Fingerpicking).
Methods. Archive Edition.
Folk. Level: Beginning.
Book. 95 pages. Published
by Mel Bay Publications,
Inc.
Lyrics/Chords Guitar SKU: HL.242081 By The Beatles. The Little Black Song...(+)
Lyrics/Chords Guitar
SKU: HL.242081
By
The Beatles. The Little
Black Songbook. Pop. 384
pages. Hal Leonard
#HL00242081. Published by
Hal Leonard (HL.242081).
ISBN 9781785588617.
UPC: 888680704407.
4.75x7.75x0.956
inches.
A
pocket-sized collection
of 195 Beatles hits
presented in chord
songbook format. Includes
complete lyrics, chord
names & a handy chord
box reference sheet.
Including classic hits
such as: All You Need Is
Love • Can't Buy Me
Love • Day Tripper
• Do You Want to
Know a Secret •
Eleanor Rigby •
From Me to You •
Get Back • Help!
• Hey Jude •
I Want to Hold Your Hand
• Let It Be •
Magical Mystery Tour
• Ob-La-Di Ob-La-Da
• Please Please Me
• Ticket to Ride
• Twist and Shout
• and more.
Guitar - Intermediate SKU: MB.WBM75M Saddle-stitched. Folk. Book and onli...(+)
Guitar - Intermediate
SKU: MB.WBM75M
Saddle-stitched. Folk.
Book and online audio.
Mel Bay Publications, Inc
#WBM75M. Published by Mel
Bay Publications, Inc
(MB.WBM75M).
ISBN
9781737795353. 8.75X11.75
inches.
This is a
collection of 86 guitar
solos in notation only
from William Bayâ??s
books, Solo Guitar in
Worship,
Communion,
Psalms,
Timeless Gospel
Melodies and
Spirituals. The
solos work well as
preludes, offertories,
communion hymns,
recessionals or they can
be played for
enjoyment. All 86
solos have been recorded
and are available as
online downloads with
this book.
Light Classics Arrangements for Guitar. Composed by Scott Joplin (1868-19...(+)
Light Classics
Arrangements for
Guitar. Composed by
Scott Joplin (1868-1917).
Book; Classical Guitar
Folio; Masterworks.
Alfred Classical Guitar
Masterworks. Form:
Transcription. Acoustic;
Masterwork Arrangement;
Romantic. 32 pages.
Published by Alfred Music
(AP.43654).
by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Le...(+)
by Mel Bay. For all
guitars. Modern Guitar
Method. All styles, solos
& duets. Level: Multiple
Levels. Book. Method.
Size 8.75x11.75. 320
pages. Published by Mel
Bay Pub., Inc.
Suite No. 1 Guitare Guitare classique - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar SKU: BT.MUSME0298 Latin. Book, CD and DVD. 60 pages. Play Music Pu...(+)
Guitar
SKU:
BT.MUSME0298
Latin.
Book, CD and DVD. 60
pages. Play Music
Publishing #MUSME0298.
Published by Play Music
Publishing
(BT.MUSME0298).
English.
As it
is the most commonly used
instrument in Bossa Nova,
the Guitar stands at the
very core of these 25
complete
accompaniÂments; they
are performed in the
style of legendary Bossa
Nova Guitar players such
as Gilberto Gil, Stan
Getz, Joao Gilberto,
Baden Powell, Antonio
Carlos Jobim and many
more. Wistfully swaying
rhythms and subtle chords
are adorning the pages of
this coursebook -
admittedly, intended for
learning purposes, yet,
without ever disregarding
the pleasure of playing.
The approach to be
followed for the
interpretation of these
25 musical pieces is
illustrated in detail
within the three
preliminary chapters of
this coursebook:
fingerstyle techniques,
rhythmsand chords
specific to Bossa Nova
are accurately and
meticulously explained to
you. In addition to this,
the DVD shows you all 25
musical pieces at their
full length and at two
different tempi: first,
for demonstration
purposes, recorded at
actual playing speed,
then at a slower speed,
in order to give you the
opportunity to practice
and overcome the upcoming
difficulties. For its
part, the MP3 CD allows
you to practice the
musical pieces by playing
them along to backing
tracks of a proper length
- once again at two
different tempi: at a
slower speed for
practicing and at actual
speed for playing
contextually
appropriately.
Guitar SKU: BT.MUSME0334 Play Music. Book, CD and DVD. Composed 2016. Pla...(+)
Guitar
SKU:
BT.MUSME0334
Play
Music. Book, CD and DVD.
Composed 2016. Play Music
Publishing #MUSME0334.
Published by Play Music
Publishing
(BT.MUSME0334).
English.
With
its 50 Blues rhythms
inspired by the biggest
hits of the greatest
guitarists of all time
(Eric Clapton, Buddy Guy,
Albert King, Muddy
Waters, Stevie Ray
Vaughan, Robert Cray,
Albert Collins, B.B.
King, T-Bone Walker
etc.), this tutorial will
keep you pleasantly busy
for quite a while. But
there’s more to it
than that! Besides
affording pleasure, these
rhythms allow you to
discover and study the
tools required for a good
Blues accompaniment:
triads, double stops,
single notes, bends,
barre chords, slides,
hammer-ons, pull-offs,
rest strokes, binary and
shuffle rhythms, etc. All
this is included in the
guidelines given to you
in the preliminary
chapter –guidelines
regarding the structure,
the rhythm, as well as
the chords employed. The
DVD attached to the
tutorial offers you the
possibility to mindfully
observe all 50 rhythms
– first at actual
playing speed, then at a
slower speed. This again
gives you the opportunity
to closely follow the
movement of the hands, to
choose the right
fingerings and keep a
steady beat(!) For its
part, the MP3 CD is
composed of as many
backing tracks as there
are rhythms in the
tutorial; the 50 backing
tracks are recorded at
two different tempi: the
intended tempo (actual
playing speed) and the
rehearsal tempo (slower
speed). On the backing
track at actual playing
speed the Guitar is only
present during the first
round, then it
disappears, yielding the
floor to you. The backing
tracks provided here are
of an appropriate length
(about 4 to 5 minutes
each, which sums up to
almost 7h of musical
practice). This means
that you have enough time
at your disposal to
practice under the best
conditions.
Irish Reel Book Guitare [Partition + CD] - Facile AMA Verlag
By Patrick Steinbach. For Acoustic Instruments. Solos. AMA Verlag. Celtic/Irish....(+)
By Patrick Steinbach. For
Acoustic Instruments.
Solos. AMA Verlag.
Celtic/Irish. Level:
Beginning-Intermediate.
Book/CD Set. Size
9.x11.75. 180 pages.
Published by AMA Verlag.
ISBN 3899220234.
Guitar Play-Along
Volume 42. Composed
by Various. Guitar
Play-Along. Country, Pop,
Rock. Softcover Audio
Online. With guitar
tablature. 64 pages.
Published by Hal Leonard
(HL.211597).
ISBN
9781495085567. UPC:
888680661502.
9.0x12.0x0.173
inches.
The Guitar
Play-Along Series will
help you play your
favorite songs quickly
and easily! Just follow
the tab, listen to the
audio to hear how the
guitar should sound, and
then play along using the
separate backing tracks.
The melody and lyrics are
also included in the book
in case you want to sing,
or to simply help you
follow along. The audio
is accessed online using
the unique code inside
each book and can be
streamed or downloaded.
The audio files include
PLAYBACK+, a
multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right. This
volume features: Cruise *
Ex's & Oh's * Get
Lucky * Nobody to Blame *
Shut up and Dance *
Thinking Out Loud *
Uptown Funk * The
Walker.
About Hal
Leonard Guitar Play-Along
Series
The
Guitar Play-Along Series
will help you play your
favorite songs quickly
and easily. Just follow
the tab, listen to the CD
to hear how the guitar
should sound, and then
play along using the
seperate backing tracks.
The melody and lyrics are
also included in the book
in case you want to sing,
or to simply help you
follow along.