By Andre Previn. For Oboe, Bassoon, Piano Accompaniment. 20th Century. Sheet Music. 44 pages. Published by Chester Music.

Oboe, Bassoon and Piano

SKU: AP.36-60402001

Composed by Francis Poulenc. Chamber Trio; Trio. Master Woodwind Series. Score and Part(s). LudwigMasters Publications #36-60402001. Published by LudwigMasters Publications (AP.36-60402001).

ISBN 9798888521939. UPC: 676737573621. English.

Trio Pour Hautbois, Basson, et Piano (Trio for Oboe, Bassoon, and Piano), FP 43, was composed by Francis Poulenc (1899-1963) between 1924 and 1926, and it is his first major chamber work. A slow writer, the young Poulenc eventually sequestered himself away from family and friends in a hotel in Cannes so that he could finish the work, although he was happy to entertain a visiting Igor Stravinsky who offered some advice (quelques bons conseils) that Poulenc then applied to the first movement. The Trio is dedicated to Manuel de Falla, and the delighted Spanish composer saw to the premiere, which took place at the Salle des Agriculteurs in Paris on May 2, 1926, Poulenc at the piano. It was well received at the premiere, has been recorded many times since, and has remained a regular part of the woodwind ensemble repertoire. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Oboe, bassoon and piano - difficult

SKU: HL.49016219

Composed by Benjamin Schweitzer. This edition: Saddle stitching. Sheet music. Misc. Score (also performance score). Composed 2006. 73 pages. Duration 10'. Schott Music #ED 20121. Published by Schott Music (HL.49016219).

ISBN 9790001146449. UPC: 884088202538. 9.0x12.0x0.195 inches.

The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of 'twilight': air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds.The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this 'motto-like' opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning.The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, 'arcane' bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the 'elastic' character of the middle section.Benjamin Schweitzer.

By Alexander Brent Smith. For oboe (clarinet), bassoon (viola/bass clarinet/basset horn) and piano. Winds, Strings and Piano. Remarkable, melodic, interesting composition. First Edition Alternate parts provide many options for performance. 20th Century. Score and set of parts. Published by Rosewood Publications

Oboe, Bassoon & Piano

SKU: SU.29050340

For Oboe, Bassoon & Piano. Composed by Richard White. Chamber Music, Piano Trio, Woodwinds, Oboe/English Horn, Woodwinds, Bassoon. Score & Parts. Subito Music Corporation #29050340. Published by Subito Music Corporation (SU.29050340).

Six Songs Without WordsOboe, Bassoon & Piano Duration: 14' Composed: 2014 Published by: Whitco Press.

Oboe, Bassoon, Piano

SKU: SU.80601330

For Oboe, Bassoon, Piano. Composed by Evan Hause. Chamber Music, Piano Trio. Score & Parts. Subito Music Corporation #80601330. Published by Subito Music Corporation (SU.80601330).

Oboe, Bassoon, Piano Composed: 2005 Published by: Evan Hause.

Oboe, Bassoon & Piano

SKU: SU.50026250

For Oboe, Bassoon & Piano. Composed by Thomas Rice. Chamber Music, Piano Trio. Score & Parts. Seesaw Music Corp #50026250. Published by Seesaw Music Corp (SU.50026250).

Published by: Seesaw Music.

Oboe, Bassoon & Piano

SKU: SU.50600012

For Oboe, Bassoon & Piano. Composed by Fred Cohen. Chamber Music, Piano Trio. Score & Parts. Subito Music Corporation #50600012. Published by Subito Music Corporation (SU.50600012).

Duration: 15' Performing Materials: score and parts Published by: Dunsinane Music Publishing Composer's Note: A fancy is an English version of the Italian capriccio, a form introduced in the 16th century for works in various media wherein the force of imagination has better success than observation of the rules of art (Furetière, Dictionnaire universel). The term is also used to describe a suite of dances. Fred’s Fancies is a series of six dances that are quite capricious in nature, a fair portrait of the person to whom the work is dedicated. The suite’s musical material is introduced in the first movement, an athletic Allegro. The following four movements emphasize some aspect of the first. The second, Waltz, is a quiet variation of the first movement’s opening gesture. The third, Manic, combines the opening gesture with a secondary theme emphasizing descending perfect fourths separated by half-steps. The fourth movement, Arioso, re-visits themes from the Waltz, now set in a freer rhythm. The fifth, Favotte, combines elements of the gavotte with fugal episodes. The cycle culminates in a speedy final movement, Vivace, that brings back the all principal themes of cycle.

Revised Version - Score and Parts. Composed by Francis Poulenc (1899-1963). Edited by Sandro Caldini. Music Sales America. Softcover. 56 pages. Edition Wilhelm Hansen #WH32859. Published by Edition Wilhelm Hansen (HL.14048066).

Oboe, Bassoon & Piano

SKU: SS.50600012

Composed by Fred Cohen. Score & Parts. Duration 15'. Published by Seesaw Music Corp (SS.50600012).

Performing Materials: score and parts Composer's Note: A fancy is an English version of the Italian capriccio, a form introduced in the 16th century for works in various media wherein the force of imagination has better success than observation of the rules of art (Furetiere, Dictionnaire universel). The term is also used to describe a suite of dances. Fred's Fancies is a series of six dances that are quite capricious in nature, a fair portrait of the person to whom the work is dedicated. The suite's musical material is introduced in the first movement, an athletic Allegro. The following four movements emphasize some aspect of the first. The second, Waltz, is a quiet variation of the first movement's opening gesture. The third, Manic, combines the opening gesture with a secondary theme emphasizing descending perfect fourths separated by half-steps. The fourth movement, Arioso, re-visits themes from the Waltz, now set in a freer rhythm. The fifth, Favotte, combines elements of the gavotte with fugal episodes. The cycle culminates in a speedy final movement, Vivace, that brings back the all principal themes of cycle.

Score and Parts. By Jean Francaix. Schott. Size 9x12 inches. 66 pages. Published by Schott.

Composed by Victor Bruns. For oboe, bassoon, piano. Level 5. Sheet music. Published by Friedrich Hofmeister Musikverlag

Oboe, bassoon and piano

SKU: FG.55011-245-2

Composed by Matthew Whittall. Set of parts. Published by Fennica Gehrman (FG.55011-245-2).

A work premiered in 2015 drawing its inspiration from the scenery on Lapland and the joyful and bubbly combination of instruments.