Oboe and Piano SKU: HL.14007465 Composed by Cyril Scott. Music Sales Amer...(+)
Oboe and Piano
SKU:
HL.14007465
Composed
by Cyril Scott. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV262169.
Published by Music Sales
(HL.14007465).
Cyril
Scott was an
English composer, writer,
and poet. He was
essentially a late
romantic composer, whose
style was at the same
time strongly influenced
by impressionism. His
harmony was notably
exotic.
Scott wrote
around four hundred
works,which include two
mature symphonies, three
operas, three Piano
concertos,concertos for
Violin, Cello, Oboe and
Harpsichord, several
overtures, four
oratorios, as well as a
mass of chamber
music.
Scott
composed his
Concerto For Oboe
&
Orchestra i
n 1946. The three
movements (Molto
vigoroso -
Andante,Pastoral
e:Tranquillo an
d Rondo giocoso:
Allegronon troppo -
cadenza - Con
spirit) are
published here with a
Piano reduction of the
orchestra
accompaniment.
Complete
performance time of the
entire piece is
approximately 20
minutes.
White Light Hautbois, Piano (duo) - Intermédiaire Anglo Music
Oboe and Piano - intermediate SKU: BT.AMP-343-401 For Oboe and Piano(+)
Oboe and Piano -
intermediate
SKU:
BT.AMP-343-401
For
Oboe and Piano.
Composed by Philip
Sparke. Anglo
Instrumental series. Book
Only. Composed 2012. 16
pages. Anglo Music Press
#AMP 343-401. Published
by Anglo Music Press
(BT.AMP-343-401).
ISBN
9789043138628. 9x12
inches.
English-German-French-Dut
ch.
White
Light was
commissioned by Fumiko
Teramoto, oboist with the
Musashino Grand Concert
Band from Tokyo, Japan.
The request was for a
moderately slow piece, of
intermediate difficulty,
which included White in
the title, as this is her
lucky colour. Composer
Philip Sparke decided to
use this suggestion to
write a piece that was
bright and light in terms
of harmony and colour,
with much use of simple
major and minor chords
and an emphasis on pure
and transparent timbres.
He was also keen to
capture the essence and
history of the oboe as a
solo instrument - the
piece is pastoral in
character and often
almost baroque in style.
Also available for oboe
and concert band
(AMP317-010/140).
Wit is de
gelukskleur van het
opdrachtgevende orkest
van dit uitdagende
solowerk voor hobo en
piano. Philip Sparke
schreef daarom een
opgewekte compositie. Het
zwaartepunt ligt op de
heldere klanken van het
hoge hout en de
harmonie,klankkleur en
instrumentatie is helder
en doorzichtig.Ook
verkrijgbaar voor hobo en
harmonieorkest (AMP
317-010/140).
Wei
Ÿ ist die
Glücksfarbe des
auftraggebenden
Blasorchesters und daher
im Titel dieses Solowerks
für Oboe und
Klavier. Passend dazu
schuf Philip Sparke ein
Stück, das sowohl
heiter als auch hell in
seiner Harmonik, seinen
Farben und seiner
Orchestrierung ist, viele
einfache Dur- und
Mollakkorde enthält
und den Schwerpunkt auf
die klaren Klänge der
hohen Holzbläser im
Orchester legt. Ebenfalls
erhältlich für Oboe
und Blasorchester (AMP
317-010/140).
In
questo lavoro per oboe
solista e pianoforte,
Philip Sparke crea un
pezzo che è allo
stesso tempo allegro e
luminoso nella sua
armonia e nei colori, e
che nell'orchestrazione
contiene molti semplici
accordi maggiori e
minori. Disponibile anche
per oboe e banda (AMP
317-010/140).
Oboe and piano SKU: ST.C461 Composed by Various. Wind & brass music. Clif...(+)
Oboe and piano
SKU:
ST.C461
Composed by
Various. Wind & brass
music. Clifton Edition
#C461. Published by
Clifton Edition
(ST.C461).
ISBN
9790570814619.
This edition replaces the
old Nova Edition NM394
and the subsequent but
also now defunct EMA142.
Both previous editions
are now out of print.
This is a freshly edited,
updated and greatly
improved
edition.
[bg_colla
pse view=link
color=#4a4949 icon=arrow
expand_text=Show More
collapse_text=Show Less
]
Gioacchino
Rossini: Variations for
Oboe and Piano Rossini
was still a student at
the Liceo Filarmonico in
Bologna when he wrote
these Variations at the
age of 18. Originally
thought to have been
written for Clarinet in C
and Orchestra, recent
scholarship, culminating
in Heinz Holliger’s
brilliant recording
(Philips 9500 564), has
provided many good
reasons why the oboe is
clearly the solo
instrument. Not only does
it ‘look like’ oboe
music but the writing
(within the oboe’s
exact range at that time)
ignores more than an
octave of the
clarinet’s potential
range. Also, it is most
unusual to find the solo
wind instrument
duplicated in the
accompanying orchestral
parts, thus providing
unnecessary competition
in
timbre.
Frédéric
Chopin: Variations on a
Theme by Rossini No
such ambiguity surrounds
the origin of Chopin’s
Variations on a Theme
from Rossini’s opera
La Cenerentola
— orginally for flute.
It is not definitely
known for whom they were
written, but they may
have been either for his
father (who played the
flute), or for his close
friend Matuszynski. They
date from 1826-30 and
here transposed from the
original E major into D
major for the oboe,
provide a valuable
addition to the
oboist’s nineteenth
century
repertoire.
[/bg_c
ollapse]
Arranged
by
Mark
Goddard Grades
7–8 Former Spartan
Press Cat. No.:
EMA142.
(oboe with piano accompaniment) SKU: HL.48181763 Composed by Nino Rota. L...(+)
(oboe with piano
accompaniment)
SKU:
HL.48181763
Composed
by Nino Rota. Leduc.
Post-1900. Softcover. 4
pages. Alphonse Leduc
#AL21646. Published by
Alphonse Leduc
(HL.48181763).
UPC:
888680863142. 9x12
inches.
“Eleg
ia is a small piece for
Oboe and Piano
accompaniment by Nino
Rota. Really lyrical, its
medium difficulty will
enable intermediate
players to execute it,
for a recital or for a
contest. This lovely work
is quite slow, nostalgic
at some points and ends
up on a perfect harmony
between the two
instruments. Nino Rota
(1911-1979) is an Italian
composer and conductor,
particularly known for
his works on film music.
He also composed 5
ballets, 10 orchestras as
well as numerous music
chamber works, including
a string
concerto.&rdquo.
Oboe and piano SKU: ST.C551 Composed by Mary Chandler. Wind & brass music...(+)
Oboe and piano
SKU:
ST.C551
Composed by
Mary Chandler. Wind &
brass music. Clifton
Edition #C551. Published
by Clifton Edition
(ST.C551).
ISBN
9790570815517.
Bagatelle for
Oboe and Piano was
composed in 1950. This is
the first time that the
piece has been
published.
Mary
Chandler was born in Kent
in 1911. She studied
music privately, and her
teachers included Harry
Farjeon (composition),
Margaret Eliot and Leon
Goossens (oboe) and
Harold Craxton (piano).
She read English at
Oxford University and
taught in London schools
before joining the City
of Birmingham Symphony
Orchestra as principal
oboist. She appeared with
the CBSO as soloist (oboe
and piano) and composer
and gave broadcasts and
recitals in the Midlands.
Later, as a free-lance
orchestral player, she
formed the Mercian Trio
(flute, oboe and piano)
which gave concerts
around the country. In
1960 Mary became Area
Director of the Kent
Music School, in charge
of its wind teaching and
of the varied activities
of its Tonbridge Music
Centre. She conducted
many student groups and
composed and arranged
music for them until she
retired in 1971. She
continued to be actively
involved in music
thereafter, examining,
composing and organising
concerts. She spent her
later years in
Gloucestershire and died
in 1996.
Dr.
Kristin Leitterman is
currently the Assistant
Professor of Oboe at
Arkansas State University
in Jonesboro, Arkansas,
USA, where she teaches
oboe and bassoon, Double
Reed Techniques, and
coaches small chamber
ensembles. She is also
the Director of the
Lucarelli Oboe Master
Class, a week-long
immersive oboe master
class founded by Bert
Lucarelli in 1996. As a
guest artist she has
presented master classes
at many institutions,
including the Manhattan
School of Music, New York
University, and the Hartt
School.
As a
researcher, Kirstin has
interests in the life and
works of Mary Chandler.
She has presented her
research at The Juilliard
School, Music by Women
Festival, the
International Double Reed
Society conferences, and
the Brazilian Double Reed
Society’s conference in
João Pessoa, Paraíba,
Brazil.
(Oboe and Piano). Composed by Carl August Nielsen (1865-1931). Edited by Christi...(+)
(Oboe and Piano).
Composed by Carl August
Nielsen (1865-1931).
Edited by Christin
Heitmann. For Oboe, Piano
Accompaniment. Henle
Music Folios. Softcover.
16 pages. G. Henle
#HN1131. Published by G.
Henle
Oboe, Piano Accompaniment SKU: HL.14028681 Composed by Esa-Pekka Salonen....(+)
Oboe, Piano Accompaniment
SKU: HL.14028681
Composed by Esa-Pekka
Salonen. Music Sales
America. Post-1900. Sheet
Music, Instrumental Work.
With Text language:
English. 32 pages.
Chester Music #CH60917.
Published by Chester
Music (HL.14028681).
UPC: 884088810481.
8.5x11.0x0.094
inches.
Composer's
Note Second Meeting was
written in January 1992.
The first performance
took place in Stockholm
in February (Bengt
Rosengren, oboe and
Stefan Bojsten, piano).
The work belongs to a
planned series of
virtuoso duos,
ââ¬ÅmeetingsÃ
â¬Â. The first
one (from 1982) is
written for clarinet and
harpsichord. Formally,
Second Meeting is very
close to a familiar
ââ¬Åtheme and
variationsââ¬Â
category, although there
are seven themes, or
melodies, all quite
closely related. In the
autumn of the same year I
decided to write a
version of the piece for
oboe and a small
orchestra, trying to
remain reasonably
faithful to the original
(a la Ravel, perhaps).
The orchestral version is
called Mimo 1). Esa-Pekka
Salonen.
Oboe and piano SKU: ST.C550 Composed by Mary Chandler. Wind & brass music...(+)
Oboe and piano
SKU:
ST.C550
Composed by
Mary Chandler. Wind &
brass music. Clifton
Edition #C550. Published
by Clifton Edition
(ST.C550).
ISBN
9790570815500.
Traveller’s
Joy — Two Walking
Tunes for Oboe and Piano
was composed in 1956.
This is the first time
the piece has been
published.
Mary
Chandler was born in Kent
in 1911. She studied
music privately, and her
teachers included Harry
Farjeon (composition),
Margaret Eliot and Leon
Goossens (oboe) and
Harold Craxton (piano).
She read English at
Oxford University and
taught in London schools
before joining the City
of Birmingham Symphony
Orchestra as principal
oboist. She appeared with
the CBSO as soloist (oboe
and piano) and composer
and gave broadcasts and
recitals in the Midlands.
Later, as a free-lance
orchestral player, she
formed the Mercian Trio
(flute, oboe and piano)
which gave concerts
around the
country.
In 1960
Mary became Area Director
of the Kent Music School,
in charge of its wind
teaching and of the
varied activities of its
Tonbridge Music Centre.
She conducted many
student groups and
composed and arranged
music for them until she
retired in 1971. She
continued to be actively
involved in music
thereafter, examining,
composing and organising
concerts. She spent her
later years in
Gloucestershire and died
in 1996.
Dr.
Kristin Leitterman is
currently the Assistant
Professor of Oboe at
Arkansas State University
in Jonesboro, Arkansas,
USA, where she teaches
oboe and bassoon, Double
Reed Techniques, and
coaches small chamber
ensembles. She is also
the Director of the
Lucarelli Oboe Master
Class, a week-long
immersive oboe master
class founded by Bert
Lucarelli in 1996. As a
guest artist she has
presented master classes
at many institutions,
including the Manhattan
School of Music, New York
University, and the Hartt
School.
As a
researcher, Kirstin has
interests in the life and
works of Mary Chandler.
She has presented her
research at The Juilliard
School, Music by Women
Festival, the
International Double Reed
Society conferences, and
the Brazilian Double Reed
Society’s conference in
João Pessoa, Paraíba,
Brazil.